Since April I’ve been back on the Potomac River, sculling in the rushing waters after the spring rains, dodging logs and flotsam flowing downstream from Great Falls and beyond. I’ve been pressing into the middle of the river on hot, sultry days in June when barely a breeze stirs the air, though the current still hurries beneath the boat. I’ve been rowing beside much larger sculls from the universities, dodging the wake of the speed boats which cruise along beside the Viking-size crafts as coaches shout instructions. In my small white scull I’ve tried to hear what they call and emulate the grace and power of the collegiate oarsmen and women.
Facing forward, watching the landscape recede as I move backwards, I’ve been thinking about the past even as I plunge into the future. This perspective of the rower, driving headlong towards what he can’t see except for quick glimpses over his shoulder, is a useful one to master.
I’m back in Los Angeles this week for readings and interviews and will be talking about my own earlier fiction—No Marble Angels and The Dark Path to the River. Many of the short stories in No Marble Angels are set during the Civil Rights era—the Nashville sit-ins, the Little Rock school integration, the aftermath of the ’68 riots in the cities. It was a time when ordinary citizens took extraordinary actions. It’s easy to romanticize the times, but the consequence of many of those actions changed our laws and our lives and opened up our society. The future grew out of the clarity of purpose of those who could glance over their shoulders and press towards the future even as they had to face the restrictions of their present day.
As the U.S. moves into its next era—whatever that may eventually be called—one hopes it will be a period of national and international Rights Realized.