PEN Journey 18: Picasso Club and Other Transitions in Guadalajara

PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.

 

PEN perches on a three-legged stool. One leg is literature—the work of writers around the world. The other leg is freedom of expression—the defense of writers, particularly those in authoritarian regimes. The third leg is community—the fellowship among writers from over 100 countries sharing, appreciating, translating. PEN began as a loose network of clubs after World War I and grew quickly. The governance of the organization has evolved and at times set the three legs of the stool at odd angles to each other. One such occasion was at the Guadalajara Congress in 1996 as PEN celebrated its 75th anniversary.

My file for that Congress, whose theme was “Literature and Democracy,” bulges with documents and papers and programs in duplicates and triplicates. I don’t know why it is so much larger than the other files. In retrospect, the 1996 Congress was an inflection point, a turn in the road. Maybe I was collecting evidence.

Program from PEN International 63rd Congress in Guadalajara, Mexico

At the Congress I was handing over the reins of the Writers in Prison Committee (WiPC), having finished my term, at least that was my intent. Ronald Harwood was doing the same as President of PEN International, at least that was his intent. Elizabeth Paterson was retiring after 28 years as Administrative Secretary of PEN, and WiPC researcher Mandy Garner was also moving on. PEN was navigating transitions, some planned, but others with a momentum of their own.

For the global context of that time, I reported as Chair of WiPC to the Congress:

…two political phenomena have emerged, both perhaps linked to the end of the Cold War. First, we have seen conflicts erupting not so much between nations as within nations. This phenomenon, though not new, has offered particular challenges for the writer. Dozens of writers have been killed in conflicts in Algeria, Bosnia, Rwanda, Chechnya. In a number of counties with internal conflicts, including Peru, India, and Turkey, governments have used Anti-Terror Laws to arrest writers who write about the opposing parties.

“Another phenomenon is the increasing number of countries turning to the democratic process for government. The end of the Cold War saw the fall of many totalitarian regimes. Since 1990 over 50 countries have, at least on paper, turned to democracy to select their governments. However, democracy has not always settled so easily into place. One of the indispensable elements of a working democracy is freedom of expression, and this freedom has often been curtailed. Because PEN’s mandate is to protect the free flow of ideas and the freedom of writers to write, to criticize and to protest, PEN’s mission is as compelling today with newly emerging democracies as it was during the Cold War era. In country after country—from Albania, Algeria, Azerbaijan, Cambodia, Cote d’Ivoire, Croatia, Egypt, Ethiopia, Romania, Tajikistan, Zambia—writers can be and have been arrested on such charges as “disseminating false propaganda,” “insulting the President,” and “publishing false news.” The Writers in Prison Committee’s protests and work for these writers is fundamental in a larger political process that is unfolding…

“…Whenever one might feel despair for the way human beings can treat one another, the despair can be lifted by noting the caring of the writers who work for each other. The members of the new Ghana PEN have adopted a writer in Peru; Mexican members and Swedish members work for Turkish writers; Polish, Slovak, Nepalese, French and many other members work on behalf of imprisoned Vietnamese writers. Canadian writers are working on behalf of their Nigerian colleagues, an American writer writes in Portuguese to an Indonesian imprisoned writer; English and German writers have been in long-term correspondence with an imprisoned writer in South Korea. Danish writers are working for an imprisoned writer in Yemen; Norwegian, Finish, Austrian and Czech writers are protesting on behalf of Chinese writers; Australian and Catalan writers work for imprisoned colleagues in Myanmar/Burma…”

These corridors of concern linked men and women around the world in defense of each other and of freedom of expression. The Writers in Prison Committee was a place everyone came together to focus on PEN’s mission. Discussion on resolutions and actions began there and were taken to the full Assembly of Delegates.

That year resolutions passed and action was taken on cases in: Algeria where seven writers had been killed and many more threatened and arrested; the Dominican Republic where intolerance was growing and a writer had disappeared; Turkey where 50 writers were imprisoned and 100 others sentenced to prison; Indonesia where writers had been arrested and imprisoned and the famed writer Pramoedya Ananta Toer was under town-arrest and where in East Timor writers had been killed and leader and poet Alexandre (Xanana Gusmao) was in prison and sentenced to death; Iran where writers were disappeared, tortured and imprisoned; Central Asian Republics, particularly Tajikistan, where at least 29 journalists had been murdered in the last four years; China where dozens of writers were serving long prison sentences or were sentenced to re-education camps; Cuba where journalists were imprisoned and harassed; Mexico where journalists were killed, disappeared and threatened; Vietnam where writers were serving lengthy prison terms; and Nigeria where Ken Saro Wiwa had been hanged the year before and other writers were in prison.

Writers in Prison Committee  at Guadalajara Congress, 1996. L to R: Alexander Tkachenko (Russian PEN), Joanne Leedom-Ackerman (WiPC Chair), Mandy Garner (WiPC researcher) 

At the WiPC meeting there was a report on PEN’s quiet mission to Cuba where writers were hoping the system would open up after the global changes in 1989. Writers there  said they were in a goldfish bowl but never sure how big the bowl was from day to day, and those arrested  often faced a choice between long prison sentences and exile. The WiPC meeting also  heard from the sister of Myrna Mack, a Guatemalan anthropologist who had been killed and was one of the significant leaders of the worldwide movement against impunity. We also launched the anthology This Prison Where I Live of writings from PEN cases over the years.

In addition to the Writers in Prison Committee, the Translation and Linguistic Rights Committee, the Peace Committee and the Women’s Committee met in the early days of the Guadalajara Congress. Literary sessions focused on the Congress theme with programs on Literature of Old and New Democracies and Post-Communist Democracies.

Picasso Club neckties: Top l to r: Michael Scammel (International PEN  Vice President), Carles Torner (Catalan PEN), Isidor Consul (Chair PEN Translation and Linguistic Rights Committee)

Also during those first days of the Congress, a group of members were meeting off site to launch a process to reshape the governance of PEN. For as long as anyone could remember, the International Secretary and President had been the sole decision-makers between Congresses where the Assembly of Delegates voted on issues. Many felt this system no longer allowed sufficient democratic expression for a worldwide organization.

I was friends with many of those meeting, but the WiPC staff and I kept out of the off-site gatherings. We felt we needed to keep the WiPC a neutral place where everyone came together. One morning the men in that group entered the Assembly of Delegates all wearing the same Picasso print necktie, “a figure twisted like a pretzel,” one member described later, ties bought at the Picasso restaurant where they had met. The group had felt shut out of discussions, and now were coming forward together. It was like a declaration of revolution. “For heaven sakes, take off the ties!” I recall someone saying, and the ties gradually were folded into pockets, but a revolution had begun.

Two Spontaneous Resolutions were introduced to the Assembly:

Spontaneous Resolution 1 On PEN’s Structure Submitted by the Swedish Centre, seconded by the Canadian Centre, and supported by the American, Bangladeshi, Catalan, Danish, Finnish, Japanese, Kenyan, Melbourne, Nepalese, Norwegian, San Miguel de Allende, Slovakian, Swiss German and USA West Centers.

Resolutions II on P.E.N’s Structure, submitted by the same centres.

Taking into consideration the debate on P.E.N.’s composition, development and structure, held in Guadalajara on Sunday, November 10th, 1996, on the occasion of P.E.N.’s 75th anniversary;

Convinced of the need to enhance its democratic structure and facilitate wider international participation;

Resolves to request one P.E.N. Centre to elaborate the draft of a revised version of the current regulations, in cooperation and consultation with all the other Centres, as well as the International President and Secretary….”

After discussion and debate, it was agreed that PEN centers should send their suggestions for reform of the Constitution to the Japanese Centre, and Japanese PEN would coordinate and forward them to the International Headquarters and to all Centres so that the Centres could consider and vote on them at the 1997 Edinburgh Congress. One of these proposals, which was presented in Guadalajara by the Spanish-speaking Centres, was that Spanish should be made the third official language of PEN if financing could be raised.

Delegates at Writers in Prison Committee meeting PEN 63rd Congress in Guadalajara, 1996

PEN had its own democratic elections on the Congress agenda with a vote for the new International President. There was only one candidate put forward by the International Secretary and his PEN Center, a respected poet from Romania, a woman, who would have been the first woman President of PEN. She herself had lived under a repressive regime, but she had not been very involved in the international organization, and she had not been part of the discussion to reform PEN’s governance. When she spoke to the issue, questioning the need and the process, there was in the lunch conversations and in the corridors afterwards, pushback and a questioning of her suitability as President.

The next morning she withdrew her candidature. She said that it had become clear that the organization was undergoing a transformation and she felt she was the wrong person to be president at such a time of change. It seemed to her that PEN was in process of being transformed from an organization of writers into something less. She had been motivated by her dream of PEN, not as an organization with bureaucratic structures and competing pressure groups, but as a place where the writers of the world came together. She was a writer from Eastern Europe who had had great problems under successive dictatorships. From this perspective she had had an image of PEN as something extraordinary. It was true that she had confused PEN with the Writers in Prison Committee, she said. It was PEN which had spoken out when she was forbidden to publish. The work of the Writers in Prison Committee remained very important to her. What troubled her was the discovery of pressure groups who appeared to be fighting for a power which in her eyes had no existence. The only power which writers possessed was the power of their books and the fear of those in power that the truth told in those books would outlive their tyrannies.

Many members applauded her withdrawal speech. It articulated the pressure and tension in the 75-year-old organization which lived on ideals but also had to increasingly function in the competitive world of nongovernmental organizations with budgets and boards and democratic processes, an organization that needed to calibrate, modernize and keep all its members engaged.

Ronald Harwood agreed to serve another year as President. The International Secretary was reelected. Some members noted quietly that regulations required he face election every year now because of his age.

My replacement as Chair of the Writers in Prison Committee was unanimously elected. The former President of Danish PEN, Niels Barfoed was a respected writer and longtime PEN member, who as a young boy had circumvented the Nazis as a courier with banned literature from his older brother who was in the Resistance. The WiPC had chosen a nominating committee to assure qualified candidate(s) were nominated. I left Guadalajara satisfied that the new WiPC process had come up with such a well-qualified Chair. I commiserated with Ronnie, thanking him for taking on another term though it meant his own writing would be curtailed. I was elected as a Vice President of PEN International and  left Guadalajara happy to be returning to my own work. However, a few months later Niels fell ill and resigned, and I too was back as Chair of the Writers in Prison Committee. Ronnie and I served a fourth year together.

At the end of the Congress, I went to the airport with Alexandre Blokh, the longtime International Secretary. It had been a difficult Congress for him. He questioned whether  he had stayed on too long. At the Edinburgh Congress in 1997 new governance and regulations were proposed, and at the 1998 Congress in Helsinki Alex stepped down after 16 years. PEN International was on its way to having an international board and more democratic governance which presented its own challenges  as the organization proceeded towards the 21st Century.

  PEN International Writers in Prison Committee bimonthly newsletter, July and September, 1996

 

Next Installment: PEN Journey 19: Prison, Police and Courts in Turkey—Freedom of Expression Initiative