Posts Tagged ‘Koigi wa Wamwere’
PEN Journey 20: Edinburgh—PEN on the Move, Changes Ahead
PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest
I begin with the memories…
—the imposing walls around Castle Rock which stands above the city of Edinburgh and dates back to the Iron Age,
—the 12th century castle/fortress inside,
—the Old Parliament building,
—the New Parliament building where we sat in high-backed theater-style seats in an arena,
—the dorm room residence inside Pollack Halls where we stayed at Edinburgh University near the city center, beside an extinct volcano,
—the receptions at Parliament House and Signet Library and the City Arts Center where there was never quite enough food for the overly hungry delegates who descended upon the platters,
—the UNESCO seminars on women and literature, including my paper The Power of Penelope,
—and elections, so many elections and speeches—three candidates for Writers in Prison Committee (WiPC) Chair, seven candidates for International PEN President, nine Ad Hoc Committee members as precursors to a new governing board for International PEN.
These were the first contested elections I remembered in International PEN. A wider democracy was spreading with ballots and speeches. I also remember the tension and the occasional flares of anger, and the effort to hold us all together and ultimately the confident results and the determination to move forward in unity. International PEN President Ronald Harwood warned that while PEN badly needed to democratize “power” so it wasn’t too centralized, residing in the hands of a few, the delegates should not make the struggle personal and should go forward with a sense of humor. We were an organization of writers, not the government of the world, he admonished, warning members not to confuse bureaucracy with democracy.
—I remember the trip to Glasgow where a few of us had a stimulating visit and tea at the home of James Kelman (Booker Prize winner How Late It Was, How Late) who had been with us in the protests in Turkey a few months before (see PEN Journey 19) and the old Mercedes tucked in the garage in the working class neighborhood.
—And the Edinburgh International Festival, including the Edinburgh Book Festival, happening simultaneously all around us.
—And finally the exquisite August light in Scotland.
I begin with memory then plunge into the minutes and documents of the 64th PEN Congress August, 1997 when delegates from 77 PEN centers around the world gathered. The Congress theme Identity and Diversity posed the questions:
In the contemporary world there are intense pressures, political or commercial, deliberate or unconscious, towards an imposed uniformity. One example is the effect on language. Indigenous languages, which embody particular traditions and experience, are in many countries under threat of displacement and extinction. These tendencies are inimical to literature which depends on its local personality for its color and effectiveness even when it achieves universal significance.
On the other hand, we live in an inter-dependent world where peace, prosperity and ultimately even survival, require co-operation. This international co-operation may be assisted by the use of a few languages which are widely understood. International exchange of the appropriate kind can also bring cultural enrichment.
How can these apparently contradictory objectives of diversity and co-operation be reconciled? Does literature have a role in this respect?
As with most abstract themes and questions, there is no simple answer, but the theme was a pivot, in this case both in the literary sessions and inadvertently in the business of PEN as the organization sought to restructure itself. Because this was my last congress as Chair of the Writers in Prison Committee, the work of that Committee absorbed my focus. My two reports—one the official printed International PEN Writers in Prison Committee report and the other an address to the Congress—observed, and in a fashion related, to this theme:
Tension between the individual and the state underlies the work of PEN’s Writers in Prison Committee. In some countries constitutions and governing principles are set out to protect the individual from the state, but in the majority of countries which PEN monitors where writers are imprisoned, threatened or killed, the state is organized to protect itself from the individual. Whether those countries be totalitarian regimes like China, Myanmar/Burma, Syria, Vietnam, Cuba or democracies like Turkey and South Korea, when the state holds itself superior to the rights of its individual citizens, freedom of expression is seen as a threat to stability rather than a sign of stability.
In 1997 the Writers in Prison Committee has defended individual writers in at least as many of the new and older democracies around the world as in totalitarian states. Since 1990 dozens of nations in Latin America, Africa, Europe, and Asia have restored or initiated multi-party democratic elections. The turn to the democratic process initially freed up restrictions on writers and journalists in many countries. However, after the first flush of these freedoms, after dozens of independent publications sprang up in Argentina, Belarus, Cambodia, Ethiopia, Russia, Sierra Leone, Zambia, etc., tensions mounted between the individual voice and the state. Restrictions and press laws followed, and writers once again found themselves facing prison terms on such charges as “insulting the President”, “writing derogatory statements against the government and government officials”, and “seditious libel.”
In some states like Sierra Leone harsh restrictions on the media preceded coups and the loss of democracy. Reporting restrictions and brief detentions of journalists enforced by the crumbling Mobutu government in Zaire (now Congo), did not serve to protect it from its eventual collapse. Earlier this year the political crackdown in Belarus was preceded by severe censorship and curtailment of publications. The collapse of the government in Albania was followed by severe restrictions on publications and attacks and death threats on journalists and writers.
When a coup occurs and democracy fails, the consequences for free expression are usually disastrous as has been seen in Nigeria where journalists continue to serve lengthy prison terms and are arbitrarily detained, sometimes for months without charge. Another instance of a threat to freedom of expression in Nigeria is that of PEN member and Nobel laureate Wole Soyinka who is among 12 dissidents charged in Nigeria this year with the capital offense of treason. Soyinka remains free outside the country but is certain to be imprisoned if he returns.
Pressure on writers and the media continued or increased in many new and old democracies, including Algeria, Argentina, Bosnia, Cameroon, Croatia, Ethiopia, Egypt, Indonesia, Kyrgystan, Mexico, the Palestinian authority, Turkey, Uganda and Zambia. Pressures took the form of legislation which required publications to obtain government licenses and approval and/or required journalists to have state-approved credentials. Pressure also took the form of arrest, arbitrary detention and death threats…
When democracy fails, there are hosts of reasons embedded in history and politics. Curtailment of free expression is not necessarily the precipitating cause, and curtailment of free expression does not always lead to failure of democracy. However, repression of the written word and of the writer remains at the very least a symptom and often a warning light that political failure lies ahead…
The report goes on to outline situations of individuals under threat. Reading these reports is reading a political history of the time, told through the circumstances of individual writers. One of the highlighted cases at the Congress in 1997 was that of Iranian writer Faraj Sarkohi who’d signed a petition calling for freedom of expression, along with 134 other Iranian writers. Sarkohi had been kidnapped by the Iranian secret service while on his way to visit family in Germany; he was tortured and threatened with execution. Because of the worldwide protests by PEN and others, he was eventually released the following year and sent into exile.
Visiting the WiPC meeting in Edinburgh, Egyptian professor Nasr Hamed Abu-Zeid, a leading liberal theologian on Islam, told his story of being declared an apostate for his research and forced to divorce his wife, also an academic. They had fled Egypt where apostates could be killed. Şanar Yurdatapan, the Turkish activist who’d organized the Gathering in Istanbul for Freedom of Expression which many of us attended earlier that spring, had just been released from prison and also spoke to the meeting. The cases of Sarkohi and Abu-Zeid and Şanar were among 700 on the WiPC records.
[Address to Assembly of Delegates:]
After four years chairing International PEN’s Writers in Prison Committee, I’ve come to appreciate the simplicity of the Committee’s mandate and the complexity of its execution. To defend the individual’s right to free expression is to defend not only the essence of literature but also a cornerstone of free society. Our defense begins with the individual writer, but inevitably we are caught in the movements of politics and history where individuals struggle to shape, divert or oppose the tides. One of the most significant developments in the past few years has been the expansion of multi-party democracies across the globe, a development that at first glance would signal progress for free expression. However, from our work we have seen that democracy takes more than a polling booth and a list of candidates on a ballot to come to fulfillment. Freedom of the written word is essential for a democracy to work over the long term, and attacks on this freedom usually foreshadow larger repression and even the failure of the democracy itself.
This year PEN has seen repressive laws enacted and/or writers arrested and killed in the new and old democracies of Albania, Algeria, Argentina, Belarus, Bosnia, Cambodia, Cameroon, Croatia, Ethiopia, Egypt, Indonesia, Kyrgyzstan, Mexico, Russia, Palestinian territory, Peru, Sierra Leone, South Korea, Turkey, Zambia. Many governments have passed or tried to pass laws to bring publications under their control through licensing and government-approved credentials. These laws have been followed by the arrest of writers.
Repression remains the most severe in totalitarian states such as China, Cuba, Iran, Myanmar (Burma), Nigeria, Syria, Vietnam. China continues to imprison more writers for longer periods of time—over 70 individuals, many serving 10-20 years—than any other country. Many of the writers who were imprisoned during Tiananmen Square have been released in the past two years, but others have taken their place. The Writers in Prison Committee is watching with great concern legislation which could lead to restrictions on writers in Hong Kong as China takes over. The Committee is also following closely the continued repression in Myanmar (Burma) where prison conditions remain harsh and at least 25 writers remain behind bars, many with sentences exceeding ten years…
Many of the cases in Africa this year came from new democracies struggling with issues of free expression, including Cameroon, Ethiopia, Uganda, and Zambia. The military dictatorship of Sani Abacha in Nigeria continued to occupy the focus of many PEN centres who worked on behalf of writers still in prison. Protests from a number of PEN centres assisted in the release of two Nigerian writers…Our Committee heard a statement from PEN main case Koigi wa Wamwere from Kenya, where riots have broken out after calls for democratic reform. Centres around the world have lobbied for his release, and he is now out on medical bail, and the Writers in Prison Committee has assisted his return to Norway where he is living. He sent a message thanking PEN for its work on his behalf. He writes, “When dictators arrest writers, they guard them with more guns and soldiers than they guard enemy armies in captivity. Dictators fear ideas and writers more than they fear guerrilla armies. Afterall they know that without ideas even guerrilla armies would wither away and die…”
In Latin America PEN continued to protest this year the imprisonment and detention of writers in Cuba. This spring the Writers in Prison Committee issued its report on its Cuba trip last fall, focusing on dissident writers who often had to choose between prison and exile…In Peru, though legislative and judicial reforms have occurred in the last years, at least 11 writers there have reported threats and/or attacks from both governmental and non-governmental sources, and sixty writers and journalists have reported death threats or attacks in Argentina…
The Writers in Prison Committee continues to work closely with freedom of expression organizations around the world, sharing our research and disseminating via the internet so that when a writer is arrested as far away as Tonga, the King of Tonga suddenly found himself receiving faxes from all over the world.
Over the years the political tides have shifted, but members’ work on behalf of individuals and the friendship of writer to writer remain even after the writers are released. This year we saw releases in Cameroon, China, Cote d’Ivoire, Cuba, Indonesia, Iran, Kenya, Kuwait, Maldives, Myanmar (Burma), Nigeria, Peru, and Russia. On occasions we have gotten to meet and know the individuals personally. This year when the Nigerian government picked up Ladi Olorunyomi, the Writers in Prison Committee was quickly alerted. A number of us had had the opportunity to meet with her husband Dapo, a prominent editor and dissident now living in exile in the United States. Isabelle Stockton, our Africa researcher and I spoke in the morning, and she called him to gather more details. When I phoned him later in the day, he said, “I was going to call you, but before I could, PEN was already calling me.” As soon as we determined that Ladi Olorunyomi had not been charged with a crime, had no access to lawyers and was not allowed to see her family, we put out a Rapid Action to our centres and shared the information with other freedom of expression organizations all around the globe. During her almost two months in captivity we were able to monitor the case, share information, and hear with great relief when this writer and mother was finally released.
Dapo, who had secretly fled Nigeria a year earlier lest he be imprisoned, wrote PEN, “Thank you for everything! I am very grateful, but I lack the words, appropriate enough to convey my gratitude…to our good friends at PEN International.”
The business of PEN throughout the year and at the annual Congress also included the work of the Translation and Linguistic Rights Committee, Women’s Committee, Peace Committee, the growing activity of the Exile Network and the literary sessions. The UNESCO seminars on Women’s Cultural Identity linked to the seminars on Literature and Democracy at the Guadalajara Congress the year before. In many parts of the world women still did not have full democratic rights. Significantly, in Latin America only 10% of books published were by women, and in Africa it was as few as 2%. But I must leave others to elaborate these activities.
At the 64th Congress results of the many elections yielded the next group of leaders who would take the organization into the last years of the 20th Century and into the transformation of governance. At the Congress Ronald Harwood was elected a Vice President as I had been at the previous Congress and as such we stayed connected and in the wings for the changes ahead.
Election results of the 64th PEN Congress:
Seven candidates stood for the presidency from Europe, Africa and the Americas though one dropped out. Homero Aridjis of Mexico, well-known poet, journalist and diplomat, was elected the next President of International PEN.
Novelist Moris Farhi, former chair of English PEN’s Writers in Prison Committee, was elected chair of the WiPC. The two runner-ups Louise Gareau-Des Bois (Quebec PEN) and Marian Botsford Fraser (PEN Canada) agreed to serve for a year as Vice Chairs. In 2009 Marian Botsford Fraser was elected chair of WiPC and served till 2015.
The new Ad Hoc Committee elected at the Congress included Marian Botsford Fraser (Canada), Takashi Moriyama (Japan), Boris Novak (Slovenia), Carles Torner (Catalonia), Jacob Gammelgaard (Denmark), Vincent Magombe (Africa Writers Abroad), Gloria Guardia (Colombia), Gordon McLauchlan (New Zealand) and Monika van Paemel (Belgium). This committee was charged with considering all the restructuring proposals and preparing a draft for discussion and adoption by the Assembly of /Delegates at the 1998 Helsinki Congress. The Ad Hoc Committee was also tasked as a Nominating Committee to search for a new International Secretary. Alexander Blokh, re-elected for another year as International Secretary, planned to step down at the 1998 Helsinki Congress. Little did I know nor aspire to take on that role six years later.
New PEN Centers voted in at the Edinburgh Congress included Cuban Writers in Exile, Somali-speaking Center, Sardinian PEN Center, and a reconstituted Mexican PEN Center.
Next Installment: PEN Journey 21: Helsinki–PEN Reshapes Itself