PEN International celebrates its Centenary in 2021. I have been active in PEN for more than 30 years in various positions, including as Vice President, International Secretary and Chair of International PEN’S Writers in Prison Committee. With memories stirring and file drawers bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. In digestible portions I will recount moments and hope this personal PEN journey may be of interest.
Our delegation of two from PEN USA West—myself and Digby Diehl, the former president of the Center and former book editor of the Los Angeles Times—arrived in Maastricht, The Netherlands in May 1989 for the 53rd PEN International Congress. We joined delegates from 52 other centers of PEN around the world, including PEN America with its new President, fellow Texan Larry McMurtry and Meredith Tax, founder of what would soon be PEN America’s Women’s Committee and later PEN International’s Women’s Committee. Meredith and I had met at the New York Congress in 1986 where the only picture of the Congress on the front page of The New York Times showed Meredith and me in the background at a table taking down the women’s statement in answer to Norman Mailer’s assertion that there were not more women on the panels because they wanted “writers and intellectuals.” Betty Friedan argued in the foreground.
Over the previous months the two American centers of PEN had operated in concert, mounting protests against the fatwa on Salman Rushdie and bringing to this Congress joint resolutions supporting writers in Czechoslovakia and Vietnam.
The theme of the Maastricht Congress—The End of Ideologies—in large part focused on the stirrings in Eastern Europe and the Soviet Union as the region poised for change no one yet entirely understood. A few weeks earlier, the Hungarian government had ordered the electricity in the barbed-wire fence along the Hungary-Austrian border be turned off. A week before the Congress, border guards began removing sections of the barrier, allowing Hungarian citizens to travel more easily into Austria. In the next months Hungarian citizens would rush through this opening to the West.
At PEN’s Congress delegates from Austria and Hungary sat a few rows apart, separated only by the alphabet among delegates from nine other Eastern bloc countries which had PEN Centers, including East Germany. This was my third Congress, and I was quickly understanding that PEN mirrored global politics where writers were on the front lines of ideas and frequently the first attacked or restricted. Writers also articulated ideas that could bring societies together.
In those days PEN had close ties with UNESCO, and attending a PEN Congress was like visiting a mini U.N. Assembly. Delegates sat at tables with name tags of their countries in front of them. Action was taken by resolutions which were debated and discussed and then sent to the International Secretariat and back to the Centers for implementation. At the time PEN operated with three standing Committees, the largest of which was the Writers in Prison Committee focused on human rights and freedom of expression. The other two were the Translation and Linguistic Rights Committee and the Peace Committee. Soon, in 1991, a fourth—the Women’s Committee—would be added. At parallel and separate sessions to the business of the Assembly of Delegates, literary sessions explored the theme of the Congress.
PEN USA West was particularly active in the Writers in Prison Committee (WiPC) where we advocated for our “adopted/honorary” members, most prominent for us at that moment was Wei Jingsheng in China. We had drafted and brought to the Congress a resolution, noting that China had recently released numbers of individuals imprisoned during the Democracy Movement, but Wei Jingsheng had not been among them and had not been heard from. We addressed an appeal to the People’s Republic of China to give information on the condition and whereabouts of Wei Jingsheng and to release him.
Before we spoke to this resolution on the floor of the Assembly, we met with the delegate of the China Center. The origins of this center was a bit of a mystery since it was one of the few centers that defended its government’s actions rather than PEN’s principles. I still recall the delegate with thick black hair, square face, stern visage and black horn-rimmed glasses, though this last detail may be an embellishment. He argued with me that Wei Jingsheng was an electrician, not a writer, that he had simply written graffiti on a wall, but that he had committed a crime by sharing “secrets” with western press.
The Chair of the Writers in Prison Committee Thomas von Vegesack, a Swedish publisher, arranged for the celebrated Chinese poet Bei Dao, a guest of the Congress, to speak in support of the PEN USA West resolution. The delegate from Taipei PEN stood next to Bei Dao and translated his words which contradicted the China delegate. Bei Dao noted that Wei Jingsheng had been in prison ten years already, having been arrested when he was 28-years-old. He had already published his autobiography and 20 articles and for years had been editor of the magazine SEARCH. In his posting on the Democracy Wall and in his essay “The Fifth Modernization,” Wei had suggested that democracy should be added as a fifth modernization to Deng Xiaoping’s four modernizations. “This shows that Wei Jingsheng’s status as a writer can’t be questioned,” Bei Dao said. I still remember that moment of Bei Dao addressing the Assembly and his country man with a Taiwanese writer translating. For me it demonstrated PEN in action.
In Beijing at that time thousands of students and citizens were protesting in Tiananmen Square.
PEN Center USA West’s resolution passed. The China Center and Shanghai Chinese Center refused to accept the resolution. The Maastricht Congress was the last PEN Congress they attended for over twenty years.
In the months preceding the gathering in Maastricht International PEN Secretary Alexander Blokh, International President Francis King and WiPC Chair Thomas von Vegesack had visited Moscow where the groundwork was laid to bring Russian writers into PEN with a Center independent of the Soviet Writers Union.
Twenty-two years before, Arthur Miller, International PEN President, had also traveled to Moscow at the invitation of Soviet writers who wanted to start a PEN center.
In 1967 Miller met with the head of the Writers’ Union and recounted in his autobiography:
At last Surkov said flatly, “Soviet writers want to join PEN….”
“I couldn’t be happier,” I said. “We would welcome you in PEN.”
“We have one problem,” Surkov said, “but it can be resolved easily.”
“What is the problem?”
“The PEN Constitution…”
The PEN Constitution and the PEN Charter obliged members to commit to the principles of freedom of expression and to oppose censorship at home and abroad. Miller concluded that the principles of PEN and those of the Soviet writers were too far apart. For the next twenty years PEN instead defended and assisted dissident Soviet writers.
At the Maastricht Congress Russian writers, including Andrei Bitov and Anatoly Rybakov attended as observers in order to propose a Russian PEN Center. Rybakov (author of Children of the Arbat) told the Assembly that writers had “endured half a century of non-democratic government and had lived in a dehumanized and single-minded state.” He said, “Literature could be influential in the fight against bureaucracy and the promotion of the understanding between nations and cultures. Now Russian writers want to join PEN, the principles and ideals of which they fully shared, and the responsibilities of belonging to which they recognized…and hoped for the sympathy of the members of PEN.”
The delegates unanimously elected Russian PEN to join the Assembly. In the 1990’s and until he passed away in 2007, one of the most outspoken advocates for free expression in Russia was poet and General Secretary of Russian PEN, Alexander Tkachenko. (Working with Sascha, as he was called, will be included in future blog posts.)
Polish PEN was also reinstated at the Maastricht Congress. After seven years of “severe restrictions and false accusations by the Government which had resulted in their becoming dormant,” the Polish delegate said they were finally able to resume normal activity in full harmony with PEN’s Charter. “I must stress here that our victory we owe in great part to the firm and unbending attitude of International P.E.N. and to almost unanimous solidarity of the delegates from countries all over the world.”
At the Congress PEN USA West, American PEN, Canadian PEN and Polish PEN presented a resolution on Czechoslovakia, calling for the government to cease the recent campaign against writers and to release Vaclav Havel and all writers imprisoned. The Assembly recommended that the International PEN President and International Secretary get permission from Czech authorities to visit Vaclav Havel in prison. Two weeks after the Congress Vaclav Havel was released. In December of 1989 Havel was elected President of Czechoslovakia after the collapse of the communist regime. In 1994, President Havel, along with other freed dissident writers, greeted PEN members at the 61st PEN Congress in Prague.
Also at the Maastricht Congress was an election for the new President of International PEN. Noted Nigerian writer Chinua Achebe stood as a candidate, supported by our two American Centers, Scandinavian centers, PEN Canada, English PEN and others, but Achebe was relatively new to PEN, and at the time there were only a limited number of African centers. Achebe lost by a few votes to the French writer Rene Tavernier, who passed away six months later.
Achebe admitted that he was not as familiar with PEN but said that if the organization had wanted him as President he had been persuaded that “it would be exciting.” He noted the world was very large and very complex. He hoped that in the years to come the voices of those other people would be heard more and more in PEN.
Our delegation had the pleasure of having dinner with Achebe in a castle in Maastricht which had a gourmet restaurant that served multiple courses with tiny portions. The small dinner, which also included the East German delegate and I think fellow Nigerian writer Buchi Emecheta and an American PEN member, lasted over three hours. I’m told when Achebe left, he asked his cab driver if he had any bread in his house because he was still hungry. When I saw Achebe a few times in the years following, he always remembered that dinner.
At the Maastricht Congress two new Africa Centers were elected: Nigeria, represented by Achebe, and Guinea. The election of these centers signaled a growing presence of PEN in Africa. Today PEN has 27 African centers.
A few weeks after we returned from the Congress to Los Angeles, tanks entered Tiananmen Square. Hundreds of citizens, including writers, were arrested and killed. One of my first thoughts was, what will happen to Bei Dao, but fortunately he hadn’t yet returned to China. Our small PEN office started receiving faxes from London with dozens of names in Chinese, and we and PEN Centers around the globe began writing and translating those names and mounting a global protest. Among those on the lists I am sure, though I didn’t know him at the time, was Liu Xiaobo, who was instrumental in helping protect the students and in clearing the square.
Twenty years later Liu Xiaobo would be a founding member and President of the Independent Chinese PEN Center. He would also later help draft and circulate the document Charter 08, patterned after the Czechoslovak writers’ document Charter 77, calling for democratic change in China. In 2009 Liu Xiaobo was again arrested and imprisoned. He won the Nobel Prize for Peace in 2010 and died in prison in 2017.
The opening of the world to democracy and freedom which we glimpsed and hoped for and which seemed imminent in 1989 appears less certain now.
Today, June 3-4, 2019 memorializes the thirtieth anniversary of the tanks rolling into Tiananmen Square. During the years after Tiananmen when Liu Xiaobo and others were in prison I chaired PEN International’s Writers in Prison Committee. But that is a story to come…
Next Installment: PEN Journey 4: Freedom on the Move West to East