PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions. With memories stirring and file drawers bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
I have attended 32 International PEN Congresses as president of a PEN Center, often as a delegate, as Chair of the International Writers in Prison Committee, as International Secretary and now as Vice President. The number surprises me when I count. The Congresses have been held on every continent except Antarctica. Many were grand affairs where heads of State such as Vaclav Havel in Czechoslovakia, Angela Merkel in Germany, Abdoulaye Wade in Senegal greeted PEN members. Some were modest as the improvised Congress in London in 2001 when PEN had to postpone the Congress planned in Macedonia because of war in the Balkans. PEN held its Congress in Ohrid, Macedonia the following year. At these Congresses writers from PEN centers all over the globe attended. Today PEN International has centers in over 100 countries.
Among the more memorable and grand was the 54th PEN Congress in Canada, held in September 1989 when PEN still held two Congresses a year. The Canadian Congress, staged in both Toronto and Montreal by the two Canadian PEN centers, moved delegates and participants between cities on a train. The theme—The Writer: Freedom and Power—signaled hope at a time when freedom was expanding in the world with writers wielding the megaphone.
The literary programs included luminary writers from over 25 countries, including Margaret Atwood (Canada), Chinua Achebe (Nigeria), Anita Desai (India), Tadeusz Konwicki ( Poland), Claribel Alegria (El Salvador), Margaret Drabble (England), Michael Ignatieff (Canada), Ama Ata Aidoo (Ghana), Derek Walcott (St. Lucia), John Ralston Saul (Canada), Duo Duo (China), Harold Pinter (England), Tatyana Tolstaya (USSR), Alice Munro (Canada), Wendy Law-Yone (Burma), Larry McMurtry (USA), Emily Nasrallah (Lebanon), Yehuda Amichai (Israel), Maxine Hong-Kingston (USA), Michael Ondaatje (Canada), Nancy Morejn (Cuba), Jelila Hafsia (Tunisia), Miriam Tlali (South /Africa), and dozens more, and other writers listed in absentia such as Vaclav Havel (Czechoslovakia) and writers from Iran, Turkey, Hungary, South Africa, Morocco and Vietnam. PEN members and delegates attended from at least 57 PEN centers around the world.
The new PEN International President Rene Tavernier, a poet who had been active in the French resistance during World War II, hailed the importance of the writer’s role in upholding freedom of expression around the globe and in confronting central power which restricted individual voices. PEN’s and the writer’s only weapon was the word, he said, and the word must be used in service of “creative intelligence, human rights, lucidity and hope.” Though the twentieth century had seen “the growth of new and atrocious ideologies with their police forces and concentration camps, they could not change the spirit of man, which is what PEN defends,” he said. PEN’s concern was literature and ideas and conversations among writers, who may not always agree.
A goal of the Congress was to expand dialogues among people, especially in Muslim communities in the wake of the fatwa and to expand PEN’s reach into Africa, the Middle East and Latin America. Today PEN centers in those areas have grown exponentially with 33 centers in Africa and the Middle East and 19 centers in Latin America, though participation from these centers in global forums still remains challenging.
Another outcome of the Congress was the formation of the PEN Women’s Network, a precursor to the Women’s Committee established as a standing committee of PEN two years later at the 1991 Vienna Congress. The Canadian Congress organizers had balanced literary panels and discussions among men and women, a response to the growing voice of women in PEN and to the 1986 New York Congress where men dominated the forums. Some opposed a Women’s Committee, including English PEN which voiced concern that it would fragment and divide members when the goal of PEN was to bring people together. English PEN already operated under a guideline that balanced men and women in leadership. PEN International Vice President Nadine Gordimer wrote that she had “more pressing obligations here, at home in South Africa, towards the needs of both women and men who are writers under our difficult and demanding position, beset by censorship, harassment, and lack of educational opportunities common to both sexes.” But she added that she hoped if a committee did form, it would be in touch with all South African writers.
PEN USA West presented a resolution on South Africa at the Congress, protesting the arrest and treatment of a number of writers, including our honorary member. The resolution passed unanimously in the Assembly of Delegates.
My fellow delegate and I also joined American PEN as well as Canadian PEN, Hong Kong and Taipei PEN in a resolution protesting the “slaughter of Chinese citizens peacefully assembled in and around Beijing’s Tiananmen Square” three months before and the arrest of writers, including Liu Xiaobo and over 20 others. It was feared some of the China PEN members might be under threat. Neither the China Center nor the Shanghai Center were present at the Canadian Congress, but they had been in touch with PEN International. In an official communication the Shanghai Center protested that China was being slandered abroad. Representatives from the two Chinese Centers had demanded an apology from PEN International because poet Bei Dao had been allowed to address the Maastricht Congress (see PEN Journey 3) and they continued to argue that PEN’s main case Wei Jingsheng was not a writer. An apology was not offered, and the resolution protesting the killings and arrests after Tiananmen Square passed with one abstention. Delegates from the China Center and Shanghai Center didn’t return to a PEN Congress for the next two decades, but in the intervening years, individual centers and members such as Japanese writers stayed in touch. In 2001 an Independent Chinese PEN Center (ICPC) formed and gave a place for Chinese writers inside and outside of China to communicate with discussion and debate on freedom of expression and democracy. PEN currently has more than half a dozen centers of Chinese writers, including the China, Shanghai, ICPC, Taipei, Hong Kong, Tibet, Uyghur, and Chinese Writers Abroad centers.
The challenge for PEN has always been how best to use its formal resolutions, written in the language of the United Nations. These are passed then directed to the respective governments, to United Nations forums and to embassies and officials in the countries where PEN has centers and to the media. The effort begins at the PEN International office and then fans out through the centers. The impact of the resolutions vary according to country and to the direct advocacy efforts. However, the climate for such resolutions has altered over the years, and it is an ongoing question what is the most impactful method for effecting change.
At the Canadian Congress the situation in Myanmar/Burma was also highlighted. Our center, along with Austrian, Australian (Perth), and Canadian centers presented a resolution protesting the slaughter of Burmese citizens and the wholesale arrests and imprisonment without trial of citizens, including writers, after the imposition of martial law. I met one of these writers—Ma Thida—in London years later after PEN had advocated aggressively for her release. She’d spent almost six years in prison. A physician, writer and editor and an assistant for Aung San Suu Kyi, she remained committed to freedom for her country. It took another 15 years before the Myanmar government eased restrictions and a civilian government took over. When the political situation in Burma/Myanmar began to open, Ma Thida, Nay Phone Latt and other writers, many of whom had been in prison, formed a PEN Myanmar Center which joined PEN’s Assembly at the 2013 Congress in Reykjavik, Iceland. Ma Thida was its first president, and she now serves on the International Board of PEN.
For me, the outward facing Canadian Congress mirrored my own preparation for moving with my family to London three months later in January 1990. It was a fortuitous time to live in Europe as Eastern Europe was opening to the West. Six weeks after the PEN Congress, East Germany announced that its citizens were free to cross into the West, and the Berlin Wall began to crumble figuratively and literally as citizens used hammers and picks to knock down the looming concrete structure. In fall 1990, I took my sons, ages 10 and 12, to East Berlin, and we too climbed up on ladders with metal rods and knocked down the wall, chunks of which we still have.
Joanne and sons Elliot and Nate at the Berlin Wall, Fall 1990
At the Canadian Congress, PEN International’s Writers in Prison Committee (WiPC) Chair Thomas von Vegesack asked that a sub-committee be formed to assist in fundraising. Eight centers—Australian (Perth), Canadian, Swedish, Norwegian, West German, English, American and USA West agreed to help. Because I was moving to London where PEN International was headquartered, Thomas asked if I would head the effort. I told him I wasn’t able to do so but agreed to take on the interim position and help him find a chair and then agreed to take on the task of getting PEN International charitable tax status. I assumed the latter mission would be fairly straightforward, a matter of finding the right law firm to assist. Little did I know the complications of British charitable tax law. Eventually Graeme Gibson, president of PEN Canada, novelist and partner of Margaret Atwood, agreed to head the development effort.
After I arrived in London, I found a law firm. Charitable tax status would relieve PEN of tax bills it found hard to pay and also help with fundraising, but so far PEN had not been able to secure the charitable status. Thomas and I, along with the International Secretary Alexander Blokh, Treasurer Bill Barazetti and Administrative Director Elizabeth Paterson met frequently at the PEN International offices at the top of four (or was it five?) very steep flights of stairs in the Charterhouse Buildings where we worked on what turned out to be a two-year project that included the establishment of the International PEN Foundation. The Foundation was allowed to raise tax-exempt funds for the “charitable” work of PEN which could not include perceived “political” work, but only the “educational” aspects.
It took a young American who didn’t know it was impossible to do what we have not been able to do, Antonia Fraser said to me as she joined the first board of the International PEN Foundation in 1992. In a way she was right for I had no idea the complexity of British tax law, quite different than America’s. I wasn’t prepared for the sets and sets of documents and negotiations, the time required to set up a separate organization; on the other hand, the effort opened up the workings of PEN International to me and introduced me to friends I’ve maintained over the decades who also worked on the project. On the Foundation board with me were a majority of British citizens (and PEN members), including Antonia Fraser, Margaret Drabble, Buchi Emecheta, Andre Schiffrin, Christopher Sinclair-Stevenson and later Ronald Harwood as well as a few other international members, PEN’s International Secretary, Treasurer and the new PEN President Gyorgy Konrad.
Harold Pinter’s play Moonlight premiered as the first fundraising event of the International PEN Foundation on October 12, 1993 at the Almeida Theater. Dramatically, the lights of the theater burnt out just before the performance, and the play was performed by candlelight.
First International PEN and PEN Foundation brochure.
Next Installment: PEN in London, Early 1990’s
PEN International celebrates its Centenary in 2021. I have been active in PEN for more than 30 years in various positions, including as Vice President, International Secretary and Chair of International PEN’S Writers in Prison Committee. With memories stirring and file drawers bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. In digestible portions I will recount moments and hope this personal PEN journey may be of interest.
Our delegation of two from PEN USA West—myself and Digby Diehl, the former president of the Center and former book editor of the Los Angeles Times—arrived in Maastricht, The Netherlands in May 1989 for the 53rd PEN International Congress. We joined delegates from 52 other centers of PEN around the world, including PEN America with its new President, fellow Texan Larry McMurtry and Meredith Tax, founder of what would soon be PEN America’s Women’s Committee and later PEN International’s Women’s Committee. Meredith and I had met at the New York Congress in 1986 where the only picture of the Congress on the front page of The New York Times showed Meredith and me in the background at a table taking down the women’s statement in answer to Norman Mailer’s assertion that there were not more women on the panels because they wanted “writers and intellectuals.” Betty Friedan argued in the foreground.
Over the previous months the two American centers of PEN had operated in concert, mounting protests against the fatwa on Salman Rushdie and bringing to this Congress joint resolutions supporting writers in Czechoslovakia and Vietnam.
The theme of the Maastricht Congress—The End of Ideologies—in large part focused on the stirrings in Eastern Europe and the Soviet Union as the region poised for change no one yet entirely understood. A few weeks earlier, the Hungarian government had ordered the electricity in the barbed-wire fence along the Hungary-Austrian border be turned off. A week before the Congress, border guards began removing sections of the barrier, allowing Hungarian citizens to travel more easily into Austria. In the next months Hungarian citizens would rush through this opening to the West.
At PEN’s Congress delegates from Austria and Hungary sat a few rows apart, separated only by the alphabet among delegates from nine other Eastern bloc countries which had PEN Centers, including East Germany. This was my third Congress, and I was quickly understanding that PEN mirrored global politics where writers were on the front lines of ideas and frequently the first attacked or restricted. Writers also articulated ideas that could bring societies together.
In those days PEN had close ties with UNESCO, and attending a PEN Congress was like visiting a mini U.N. Assembly. Delegates sat at tables with name tags of their countries in front of them. Action was taken by resolutions which were debated and discussed and then sent to the International Secretariat and back to the Centers for implementation. At the time PEN operated with three standing Committees, the largest of which was the Writers in Prison Committee focused on human rights and freedom of expression. The other two were the Translation and Linguistic Rights Committee and the Peace Committee. Soon, in 1991, a fourth—the Women’s Committee—would be added. At parallel and separate sessions to the business of the Assembly of Delegates, literary sessions explored the theme of the Congress.
PEN USA West was particularly active in the Writers in Prison Committee (WiPC) where we advocated for our “adopted/honorary” members, most prominent for us at that moment was Wei Jingsheng in China. We had drafted and brought to the Congress a resolution, noting that China had recently released numbers of individuals imprisoned during the Democracy Movement, but Wei Jingsheng had not been among them and had not been heard from. We addressed an appeal to the People’s Republic of China to give information on the condition and whereabouts of Wei Jingsheng and to release him.
Before we spoke to this resolution on the floor of the Assembly, we met with the delegate of the China Center. The origins of this center was a bit of a mystery since it was one of the few centers that defended its government’s actions rather than PEN’s principles. I still recall the delegate with thick black hair, square face, stern visage and black horn-rimmed glasses, though this last detail may be an embellishment. He argued with me that Wei Jingsheng was an electrician, not a writer, that he had simply written graffiti on a wall, but that he had committed a crime by sharing “secrets” with western press.
The Chair of the Writers in Prison Committee Thomas von Vegesack, a Swedish publisher, arranged for the celebrated Chinese poet Bei Dao, a guest of the Congress, to speak in support of the PEN USA West resolution. The delegate from Taipei PEN stood next to Bei Dao and translated his words which contradicted the China delegate. Bei Dao noted that Wei Jingsheng had been in prison ten years already, having been arrested when he was 28-years-old. He had already published his autobiography and 20 articles and for years had been editor of the magazine SEARCH. In his posting on the Democracy Wall and in his essay “The Fifth Modernization,” Wei had suggested that democracy should be added as a fifth modernization to Deng Xiaoping’s four modernizations. “This shows that Wei Jingsheng’s status as a writer can’t be questioned,” Bei Dao said. I still remember that moment of Bei Dao addressing the Assembly and his country man with a Taiwanese writer translating. For me it demonstrated PEN in action.
In Beijing at that time thousands of students and citizens were protesting in Tiananmen Square.
PEN Center USA West’s resolution passed. The China Center and Shanghai Chinese Center refused to accept the resolution. The Maastricht Congress was the last PEN Congress they attended for over twenty years.
In the months preceding the gathering in Maastricht International PEN Secretary Alexander Blokh, International President Francis King and WiPC Chair Thomas von Vegesack had visited Moscow where the groundwork was laid to bring Russian writers into PEN with a Center independent of the Soviet Writers Union.
Twenty-two years before, Arthur Miller, International PEN President, had also traveled to Moscow at the invitation of Soviet writers who wanted to start a PEN center.
In 1967 Miller met with the head of the Writers’ Union and recounted in his autobiography:
At last Surkov said flatly, “Soviet writers want to join PEN….”
“I couldn’t be happier,” I said. “We would welcome you in PEN.”
“We have one problem,” Surkov said, “but it can be resolved easily.”
“What is the problem?”
“The PEN Constitution…”
The PEN Constitution and the PEN Charter obliged members to commit to the principles of freedom of expression and to oppose censorship at home and abroad. Miller concluded that the principles of PEN and those of the Soviet writers were too far apart. For the next twenty years PEN instead defended and assisted dissident Soviet writers.
At the Maastricht Congress Russian writers, including Andrei Bitov and Anatoly Rybakov attended as observers in order to propose a Russian PEN Center. Rybakov (author of Children of the Arbat) told the Assembly that writers had “endured half a century of non-democratic government and had lived in a dehumanized and single-minded state.” He said, “Literature could be influential in the fight against bureaucracy and the promotion of the understanding between nations and cultures. Now Russian writers want to join PEN, the principles and ideals of which they fully shared, and the responsibilities of belonging to which they recognized…and hoped for the sympathy of the members of PEN.”
The delegates unanimously elected Russian PEN to join the Assembly. In the 1990’s and until he passed away in 2007, one of the most outspoken advocates for free expression in Russia was poet and General Secretary of Russian PEN, Alexander Tkachenko. (Working with Sascha, as he was called, will be included in future blog posts.)
Polish PEN was also reinstated at the Maastricht Congress. After seven years of “severe restrictions and false accusations by the Government which had resulted in their becoming dormant,” the Polish delegate said they were finally able to resume normal activity in full harmony with PEN’s Charter. “I must stress here that our victory we owe in great part to the firm and unbending attitude of International P.E.N. and to almost unanimous solidarity of the delegates from countries all over the world.”
At the Congress PEN USA West, American PEN, Canadian PEN and Polish PEN presented a resolution on Czechoslovakia, calling for the government to cease the recent campaign against writers and to release Vaclav Havel and all writers imprisoned. The Assembly recommended that the International PEN President and International Secretary get permission from Czech authorities to visit Vaclav Havel in prison. Two weeks after the Congress Vaclav Havel was released. In December of 1989 Havel was elected President of Czechoslovakia after the collapse of the communist regime. In 1994, President Havel, along with other freed dissident writers, greeted PEN members at the 61st PEN Congress in Prague.
Also at the Maastricht Congress was an election for the new President of International PEN. Noted Nigerian writer Chinua Achebe stood as a candidate, supported by our two American Centers, Scandinavian centers, PEN Canada, English PEN and others, but Achebe was relatively new to PEN, and at the time there were only a limited number of African centers. Achebe lost by a few votes to the French writer Rene Tavernier, who passed away six months later.
Achebe admitted that he was not as familiar with PEN but said that if the organization had wanted him as President he had been persuaded that “it would be exciting.” He noted the world was very large and very complex. He hoped that in the years to come the voices of those other people would be heard more and more in PEN.
Our delegation had the pleasure of having dinner with Achebe in a castle in Maastricht which had a gourmet restaurant that served multiple courses with tiny portions. The small dinner, which also included the East German delegate and I think fellow Nigerian writer Buchi Emecheta and an American PEN member, lasted over three hours. I’m told when Achebe left, he asked his cab driver if he had any bread in his house because he was still hungry. When I saw Achebe a few times in the years following, he always remembered that dinner.
At the Maastricht Congress two new Africa Centers were elected: Nigeria, represented by Achebe, and Guinea. The election of these centers signaled a growing presence of PEN in Africa. Today PEN has 27 African centers.
A few weeks after we returned from the Congress to Los Angeles, tanks entered Tiananmen Square. Hundreds of citizens, including writers, were arrested and killed. One of my first thoughts was, what will happen to Bei Dao, but fortunately he hadn’t yet returned to China. Our small PEN office started receiving faxes from London with dozens of names in Chinese, and we and PEN Centers around the globe began writing and translating those names and mounting a global protest. Among those on the lists I am sure, though I didn’t know him at the time, was Liu Xiaobo, who was instrumental in helping protect the students and in clearing the square.
Twenty years later Liu Xiaobo would be a founding member and President of the Independent Chinese PEN Center. He would also later help draft and circulate the document Charter 08, patterned after the Czechoslovak writers’ document Charter 77, calling for democratic change in China. In 2009 Liu Xiaobo was again arrested and imprisoned. He won the Nobel Prize for Peace in 2010 and died in prison in 2017.
The opening of the world to democracy and freedom which we glimpsed and hoped for and which seemed imminent in 1989 appears less certain now.
Today, June 3-4, 2019 memorializes the thirtieth anniversary of the tanks rolling into Tiananmen Square. During the years after Tiananmen when Liu Xiaobo and others were in prison I chaired PEN International’s Writers in Prison Committee. But that is a story to come….
Next installment– PEN Journey 4: Freedom on the Move West to East
Nobel Laureate Liu Xiaobo died this past July in prison, where he was serving an 11-year sentence for his role in drafting Charter ’08 calling for democratic reform in China. Below is my essay in The Memorial Collection for Dr. Liu Xiaobo, just published by the Institute for China’s Democratic Transition and Democratic China.
I never met Liu Xiaobo, but his words and life touch and inspire me. His ideas live beyond his physical body though I am among the many who wish he survived to help develop and lead democratic reform in China, a nation and people he was devoted to.
Liu’s Final Statement: I Have No Enemies delivered December 23, 2009 to the judge sentencing him stands beside important texts which inspire and help frame society as Martin Luther King’s Letter from a Birmingham Jail did in my country. King addressed fellow clergymen and also his prosecutors, judges and the citizens of America in its struggle to realize a more perfect democracy.
I hesitate to project too much onto Liu Xiaobo, this man I never met, but as a writer and an activist through PEN on behalf of writers whose words set the powers of state against them, I can offer my own context and measurement.
Liu said June, 1989 was a turning point in his life as he returned to China to join the protests of the democracy movement. In June, 1989 I was President of PEN Center USA West. It was a tumultuous year in which the fatwa against Salman Rushdie was issued in February, and PEN, including our center, mobilized worldwide in protest.
In May, 1989 I was a delegate to the PEN Congress in Maastricht, Netherlands where PEN Center USA West presented to the Assembly of Delegates a resolution on behalf of imprisoned writers in China, including Wei Jingsheng, and called on the Chinese government to release them. The Chinese delegation, which represented the government’s perspective more than PEN’s, argued against the resolution. Poet Bei Dao, who was a guest of the Congress, stood and defended our resolution with Taipei PEN translating.
When the events of Tiananmen Square erupted a few weeks later, my first concern was whether Bei Dao was safe. It turns out he had not yet returned to China and never did. PEN Center USA West, along with PEN Centers around the world, began going through the names of Chinese writers taken into custody so we might intervene. I remember well reading through these names written in Chinese sent from PEN’s London headquarters and trying to sort them and get them translated. Liu Xiaobo, I am certain must have been among them, though I didn’t know him at the time.
In his Final Statement to the Court twenty years later, Liu told the consequence for him of being found guilty of “the crime of spreading and inciting counterrevolution” at the Tiananmen protest: “I found myself separate from my beloved lectern and no longer able to publish my writing or give public talks inside China. Merely for expressing different political views and for joining a peaceful democracy movement, a teacher lost his right to teach, a writer lost his right to publish, and a public intellectual could no longer speak openly. Whether we view this as my own fate or as the fate of a China after thirty years of ‘reform and opening,’ it is truly a sad fate.”
I finally did meet Wei Jingsheng after years of working on his case. He was released and came to the United States where we shared a meal together at the Old Ebbit Grill in Washington. I was hopeful I might someday also get to meet Liu Xiaobo, or if not meet him physically, at least get to hear more from him through his poetry and prose.
His words are now our only meeting place. His writing is robust and full of truth about the human spirit, individually and collectively as citizens form the body politic. I expect that both his poetry and the famed Charter 08, for which he was one of the primary drafters and which more than 2000 Chinese citizens endorsed, will resonate and grow in consequence.
Charter 08 set out a path to a more democratic China which I hope one day will be realized.
“The political reality, which is plain for anyone to see, is that China has many laws but no rule of law; it has a constitution but no constitutional government,” noted Charter 08. “The ruling elite continues to cling to its authoritarian power and fights off any move toward political change….
“Accordingly, and in a spirit of this duty as responsible and constructive citizens, we offer the following recommendations on national governance, citizens’ rights, and social development: a New Constitution…Separation of Powers…Legislative Democracy…an Independent Judiciary…Public Control of Public Servants…Guarantee of Human Rights…Election of Public Officials…Rural—Urban Equality…Freedom to Form Groups…Freedom to Assemble…Freedom of Expression…Freedom of Religion…Civic Education…Protection of Private Property…Financial and Tax Reform…Social Security…Protection of the Environment…a Federated Republic…Truth in Reconciliation.”
Charter 08 addresses the body politic. Liu Xiaobo’s Final Statement: I Have No Hatred addresses the individual, and for me resonates most profoundly. Its call doesn’t depend on others but on oneself for execution. He warned against hatred.
“Hatred only eats away at a person’s intelligence and conscience, and an enemy mentality can poison the spirit of an entire people (as the experience of our country during the Mao era clearly shows). It can lead to cruel and lethal internecine combat, can destroy tolerance and human feeling within a society, and can block the progress of a nation toward freedom and democracy. For these reasons I hope that I can rise above my personal fate and contribute to the progress of our country and to changes in our society. I hope that I can answer the regime’s enmity with utmost benevolence, and can use love to dissipate hate.”
At a recent conference a participant asked if Liu Xiaobo might have changed this statement if he understood how his life would end. A friend who knew him assured that he would not for he was committed to the idea. Liu Xiaobo’s commitment to No Enemies, No Hatred does not accede to the authoritarianism he opposed, but instead resists the negative. He aligns with benevolence and love as the power that nourishes the human spirit and ultimately allows it to flourish. Liu’s words and his ideas lived offer us all a beacon and a guide.
The train from Copenhagen airport to Malmö, Sweden took just half an hour across the 21st century Øresund Bridge, which spans five miles of water, then the train dove into 2.5 miles of tunnel. Looking out the window at farmland and the blue waters of the Baltic Sea, I imagined this journey was not so easy 74 years ago with Nazis in pursuit. In 1943 as the Nazis went to sweep Denmark’s 7800 Jews into concentration camps, Danish and Swedish citizens rallied, and 7220 people managed to escape in boats across this Sound to nearby Sweden. Thousands landed in Malmö where I was headed for a less dramatic, but still fraught, occasion.
Members of the Independent Chinese PEN Center (ICPC) whose writers live inside and outside mainland China were joining writers from Uyghur PEN, Tibetan PEN and members from Inner Mongolia, along with writers from PEN Turkey and Azerbaijan for the First International Conference of Four-PEN Platform: “Finding Room for Common Ground: No Enemies, No Hatred.” Swedish PEN was providing the safe space for debate, discussion and strategies of action on human rights and freedom of expression. Just six weeks before, one of ICPC’s founding members and honorary President Nobel Laureate Liu Xiaobo, died in a Chinese prison after serving nine years of an 11-year sentence for drafting Charter 08, a document co-signed by 308 writers and intellectuals calling for a more democratic and free China.
A recognized leader in China’s Democracy Movement, Liu Xiaobo’s loss was deeply felt. A number of the writers gathered knew and worked with Liu. Most knew at least one fellow writer in prison. Many now live in exile themselves. Almost half of PEN International’s writers-in-prison cases are located in the regions represented at the conference.
The theme “No Enemies, No Hatred”—drawn from Liu Xiaobo’s final statement at his trial—sparked the debate in Malmö.
Keynote speaker Nobel Laureate Shirin Ebadi challenged, “But I do have enemies and I do feel hatred.” Facing death threats from her government in Iran, she had to leave everything behind at age 63 and move to London.
“Liu Xiaobo said he had no hatred and no enemies, but he also never compromised with any dictators,” she noted. “We must fight against dictators but our weapons are our pens and are nonviolent. We must not be silent. We can’t compromise with governments such as China who would eradicate an ‘empty chair’ from the internet.” [When Liu Xiaobo was unable to attend the Nobel ceremony because he was in prison, the Nobel Committee placed an empty chair on stage to represent him. The Chinese government is said to have censored the term “empty chair” from the internet in China.]
“What is the use of a pen if Liu Xiaobo is dead?” challenged one writer. Another speculated that if Liu Xiaobo had known how his life would end, he would have changed his message. A friend of Liu’s assured that he would not because for him no enemies and no hatred was a spiritual commitment.
“Hatred only eats away at a person’s intelligence and conscience, and an enemy mentality can poison the spirit of an entire people (as the experience of our country during the Mao era clearly shows),” Liu declared to the court at his trial. “It can lead to cruel and lethal internecine combat, can destroy tolerance and human feeling within a society and can block the progress of a nation toward freedom and democracy…. I hope that I can answer the regime’s enmity with utmost benevolence, and can use love to dissipate hate…. No force can block the thirst for freedom that lies within human nature, and some day China, too, will be a nation of laws where human rights are paramount.”
Within this frame and this hope, stories of persecution were exchanged among the Tibetan, Uyghur and Mongolian writers in China and among writers from Azerbaijan and Turkey, where over 150 writers and journalists are currently in prison and over 100,000 judges, academics and civil servants have been fired.
Uyghur and Mongolian writers noted that starting September 1 the Uyghur language is banned from all schools.
“The Chinese call all Uyghurs terrorists,” said one participant. “I have never seen a gun or a bomb in my life, but my name is on Interpol’s list because of my pen. I am a German citizen, and I was in Italy, invited by the Italian Senate when Italian police arrested me because the Chinese government put me on a terrorist list because I speak out for the Uyghurs.”
Can one operate against totalitarian, oppressive governments without hatred and enemies? The question remained unresolved, but participants agreed that protest and actions needed to remain nonviolent. To amplify the voices of the writers who were in prison, those outside could publish them, protest to their governments and recognize the writers with awards. Implicit was a belief in the power of culture and ideas to ultimately change society.
The 2016 Liu Xiaobo Courage to Write Award was given at the conference to Hu Shigen and Mahvash Sabet. Writer and lecturer Hu Shigen spent his career in the Democracy Movement since 1989 Tiananmen Square when he was arrested for “counterrevolutionary propaganda” and sentenced to 20 years in prison and after release was arrested again for “subverting state power” and returned for seven and a half years in prison where he still resides. Mahvash Sabet, a teacher and noted Baha’i poet, was detained for her faith and for “acting against the security of the country and corruption on earth” in Iran and is now serving a 20-year sentence in Evin prison in Tehran. Her friend Shirin Ebadi accepted the award on her behalf.
Other cases highlighted by the conference included Ilham Tohti, Nurmuhemmet Yasin, Gulmire Imin, Memetjan Abdulla, Gheyret Niyaz, Zhao Haitong, Omerjan Hasan, Qin Yongmin, Zhang Haitao, and Mehman Aliyev. The gathering also highlighted the situation of Liu Xia, Liu Xiaobo’s wife, who is believed still under house arrest. Many are working in the hope of getting her out of China.
When Shirin Ebadi was presented a statue of Liu Xiaobo, she noted that it would sit beside a statue she’d been given of Martin Luther King.
Dr. King’s writing of 54 years ago in “Letter from a Birmingham Jail” read at the closing demonstrated the power of ideas and words to endure long after their author has passed away: “We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.”
Tiananmen Square and the Fourth of July
I live in a political town, probably the most political city in the US. Debate and policy forums run all day and all night. Any day of the week you can find and attend debates on what should be done about North Korea, Iraq, Afghanistan, the Middle East, China, the economy in general—interest rates, taxes, trade and monetary policy; the economy in specific–the automobile industry, the oil industry; U.S. domestic policy in general—state vs. federal; US domestic policy in specific–abortion, health care, gay marriage, public education.
Washington likes to talk. Everyone has an opinion about almost everything, and you can hear those opinions formally at the think tanks and forums around town, on the cable news and talk shows, or in the restaurants and cafes. In the evenings at the receptions, the book parties, the embassy parties, the talking continues.
At the center of all the debate and discussion are the legislators, the executives and the President who will make the decisions after the talking is done, or more often while it is still going on.
Washington, D.C. is a small town—only 591,000 people in the city itself, with 5.3 million in the metropolitan area. It is a beautiful city, full of grand marble and stone buildings, parks and trees, with no building higher than the Washington monument, so the city doesn’t dwarf its citizens. Washington has been called America’s Paris—smaller than Paris, but with some of the same grace of architecture and with a river running through it. The Potomac River wanders like a large friendly brown snake down the city’s spine. The Potomac isn’t an industrial waterway like the Hudson or East Rivers in New York which host ships and barges or even the Thames in London or the Seine in Paris. The Potomac moves slower through the District of Columbia, though up river, the water rushes in rapids and water falls.
Washington–this northern outpost of the South–remains gracious while its citizens still work at a pace; but they may also be jogging and rowing and biking along its grassy river banks, plugged into their books on tape or texting on their blackberries.
While the U.S. will celebrate its 233rd birthday on July 4, Washington, D.C. will celebrate its 219th birthday a few days later on July 16.
I originally set out to write a blog about the upcoming 20th anniversary of the student protest and subsequent massacre in Tiananmen Square in Beijing on June 4; however, having taken this detour into Washington, I will stay there and appreciate the ability to talk and talk and talk and debate. Even though the plethora of opinions can wear one down after a while, it is possible to turn off the TV, decline the forum invitations, take a discussion of a novel to the receptions and remain watchful and grateful that there are so many opinions, so many involved citizens and officials and so many diverse policies to choose from.
On June 4 China will face the 19th anniversary of the killing of citizens occupying Tiananmen Square. Nineteen years ago as president of PEN USA, I remember well sorting through dozens of unfamiliar Chinese names as we sought to untangle what writers had been arrested. Today there are at least 42 writers imprisoned in China.
I wake up 22 stories in the air. Most of Hong Kong is in the air with thousands of high rises shooting into the sky. I’m in a cubicle—two small beds pressed against each wall, a tiny shelf between, a TV mounted on the wall at the foot of one bed. At the head of the bed is a large window so the room is airy and looks out on other windows in the sky.
I wake in the middle of the night because of jet lag and then again early in the morning before the sun rises. I turn on the TV whose screen flashes the financial news of Hong Kong—the major world indices, Hong Kong currency exchange rates, global gold prices, Hong Kong stock market prices, statistics on which the financial world relies, accompanied by jazz and elevator music. The only news channel on this hotel TV is the Chinese Broadcasting Company from the mainland; it broadcasts the mainland government’s view of the news.
One of the more creative and moving responses to the Olympics in China this year is a poem relay, initiated by writers and members of International PEN. The poem June, was written by Shi Tao, who is currently serving a 10-year prison sentence for sending to pro democracy websites a government directive for Chinese media to downplay the 15th anniversary of the Tiananmen Square protests.
You may recall in 2004 Shi Tao was identified when Yahoo! turned over his email account to the authorities. Charged with “illegally providing state secrets to foreign entities,” Shi Tao now faces the next decade in prison. His poem June is his memorial of the 1989 Tiananmen Square crackdown.
By Shi Tao
My whole life
Will never get past “June”
June, when my heart died
When my poetry died
When my lover
Died in romance’s pool of blood
June, the scorching sun burns open my skin
Revealing the true nature of my wound
June, the fish swims out of the blood-red sea
Toward another place to hibernate
June, the earth shifts, the rivers fall silent
Piled up letters unable to be delivered to the dead.
(translated by Chip Rolley)