PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey might be of interest.
I moved to London where International PEN is headquartered in January 1990 from Los Angeles. I came with my husband and my 9 and 11-year old sons who rarely wore long sleeves, let alone coats or jackets. A few weeks into our resettlement, London spun in its first major tornado of the decade with hail and winds whipping at hurricane force and cars and trees toppled and a few rooftops airborne. The weather was highly unusual for London. Our family, who was still in temporary housing, took the unwelcome weather as a welcome of sorts, signaling that we might just be in for an adventure. Did you see that roof flying…!
There were still complaints: only four television channels, movies strictly restricted by age and when you did get into a theater, you had assigned seats, milk that went bad in a day, delivered on the stoop in glass bottles, a refrigerator that barely held enough food for a day, appliances that came without plugs…And where was the sun?
Yet the magic of the city quickly affected us all. My youngest son discovered the best skateboarders lived in London, and London (and England) was full of history and castles, and my oldest son, who was soon moved ahead a grade in school because he was highly talented in math, met students from all over the world in his class at the American School, a few of whom talked and imagined in his orbit. He was put on the rugby team to help socialize and the following year on the wrestling team, where he eventually, as an adult and by then dual citizen, wrestled for Great Britain in the Olympics.
For me, finding home in London meant connecting with PEN, both International PEN and English PEN. Writers can be members of more than one PEN center, though can vote with only one center. I’d begun my PEN journey in Los Angeles at PEN Los Angeles Center (changed to PEN USA West). When my second book was published, I also joined PEN American Center, based in New York, and now in London. I joined English PEN, the oldest and the original PEN center since the organization was founded by British writers in 1921. International PEN and English PEN had separate offices, but the Administrative Secretary of International PEN and the General Secretary of English PEN were longtime friends and actually lived next door to each other in Fulham. The two organizations worked independently, yet closely together.
Early on I visited International PEN’s office, headquartered in Covent Garden on King Street in the Africa Centre. To get to the office at the front of the house, you had to go through the Africa Book Shop on the first floor. PEN had two rooms with several desks in the larger room with papers stacked everywhere. There was a filing cabinet and a photocopier and just enough space to squeeze between to get to the desk looking onto the street.
International PEN was kept functioning by the stalwart and efficient Elizabeth Paterson, who I don’t recall getting angry at anyone even as the work piled on and people around the world in PEN centers asked more and more of her, including the smart, demanding International Secretary Alexander Blokh. Alex flew in every month, usually from Paris, and displaced the Writers in Prison Committee’s small staff from the second office in order to conduct the business of PEN around the world. Alex was a former UNESCO official, and at that time UNESCO was one of International PEN’s major funders. When UNESCO was formed, according to Alex, it established organizations for the various arts, but when it came to literature, it recognized that PEN already existed, and so its outreach and funding funneled through PEN. Over the years PEN has grown more and more independent of UNESCO support.
Elizabeth, with her quiet intelligence and subtle humor, managed to keep International PEN running day to day while Alex developed the literary and cultural programs with the centers and the standing committees—the Translation and Linguistic Rights Committee, the Peace Committee, and the Writers in Prison Committee (WiPC). The WiPC tended to operate more autonomously with its elected chair Swedish publisher Thomas von Vegesack and before him Michael Scammell. When I arrived in London, there was also a petite gray-haired woman Kathleen von Simson, a volunteer who’d helped manage the Writers in Prison Committee work for years. PEN had recently hired a paid Coordinator Siobhan Dowd whose task was to professionalize the human rights work, and Siobhan hired researcher Mandy Garner. The two of them worked in the tiny second room. Siobhan eventually crossed the ocean to head up the Freedom to Write program at American PEN.
Also finding space on King Street was the Assistant Treasurer (and later International Treasurer) Bill Barazetti, who at that time was an unsung hero from World War II. It was later publicized that Bill had smuggled hundreds of Jewish children out of Prague with false identity papers he arranged. He was a wiry gray-haired former intelligence officer who’d also interrogated captured German pilots. Alex Blokh, whose pen name was Jean Blot, was an exiled Russian Jew, a lawyer and had also been active in the French Resistance during World War II, and Elizabeth had endured the bombings in London during the War. Though it was 1990 and the Berlin Wall and other barriers which had gone up after World War II were now falling, in the PEN office there was still a feeling of that post-War period, an abstemiousness and a fortitude of the dedicated amateur who knew what sacrifice was and endured no matter what. I couldn’t articulate the atmosphere at the time, but as an American born after the war, grown up in Texas and moving to London from Los Angeles, I felt the contrasts and the constraints. One small incident I remember was when a donation for a baby gift for the newly hired Sara Whyatt was being gathered. I offered £20 for the pot and was told by Elizabeth, “Oh, no, that amount would embarrass her.” The concept of anyone being embarrassed by a pooled £20 contribution silenced me. I put in £10 instead, still considered a large amount. Because I was new and an American, I tried to listen and learn, but I understood expectations and horizons were different.
A generation of my own joined the office in the persons of Jane Spender, a former editor, smart and literary who worked with Elizabeth and later Gilly Vincent, who took on the part time assignment to help with development work for the eventual International PEN Foundation. (see PEN Journey 4) Later Gilly became General Secretary of English PEN. I quickly learned to respect the differences; the American way was not the British way. I remember a fundraising event in which there must have been 20 major English writers featured and attending, and the ticket price was £25. The PEN Foundation netted perhaps £3000 that evening. In New York with that line up of writers, I am confident American PEN would have added at least one, if not two, zeros to the proceeds, but we were in London, and the event was not a glittery affair but more like a large family gathering of literary friends at someone’s home.
PEN International moved its offices in 1991 from Covent Garden to Charterhouse Buildings in Clerkenwell nearer the City of London. The new offices were on the top floor of a bonded warehouse, and I never met anyone who didn’t arrive breathless after climbing the steep four or five flights of stairs. There was no elevator, but there was an outside hoist where PEN could load supplies and mail out the window and drop or raise these to and from the ground, preferably not in the rain. Elizabeth set the door code as the beginning and ending years of World Wars I and II, an 8-digit code everyone could remember. The offices at Charterhouse Buildings were spacious compared to King Street—two large airy rooms, one for the Writers in Prison Committee and one for all the other work of PEN, a spacious entry room used as a meeting area and a smaller private office where the International Secretary could work or small meetings could be held. All the rooms were painted “magnolia”–a creamy white/yellow color. The full-time staff by then was, I think, three, along with four or five part-time staff and volunteers, including Jane Spender, Peter Day, editor of PEN International magazine, Bill Barazetti and later his daughter Kathy and occasional interns.
When Siobhan prepared to leave for the U.S., Thomas asked me to interview candidates with him for her replacement. Between interviews he explained to me his view of England in the constellation of Europe by a story of when a fog settled over the English Channel and the headline in a British paper announced: Continent Isolated. Later, when the Channel Tunnel finally connected Great Britain to France in 1994, I sent Thomas a note and a copy of the headline from a British paper: “You’ll be glad to know, Thomas: Continent No Longer Isolated, the headline read.
Thomas and I agreed on the best candidate, and PEN hired Sara Whyatt as the new Program Director of the Writers in Prison Committee. Sara came to PEN from Amnesty and set about further professionalizing WiPC’s research and advocacy work. Sara and Mandy split up the globe, with Mandy focusing on Latin America and Africa.
Across London in Chelsea, English PEN rented offices from the London Sketch Club on Dilke Street where it held weekly literary programs, a monthly formal dinner, an annual Writers Day Program honoring one writer—Arthur Miller, Graham Greene, and Larry McMurtry were three I recall—and a mid-Summer Party. The literary programs and dinners, held in the Sketchers studio and bar, featured writers such as Michael Ignatieff, Germaine Greer, Michael Holroyd, Jan Morris, Rachael Billington, A.L. Barker, Penelope Lively, Andrew Motion, A.S. Byatt, Margaret Foster, William Boyd, Margaret Drabble, Iris Murdoch, and frequently Antonia Fraser, Harold Pinter and Ronald Harwood, just to name a few.
When I moved to London and joined English PEN, the General Secretary Josephine Pullein-Thompson, a stalwart writer/member, managed the organization and kept it running with minimal staff and with active members. Author of young adult novels, Josephine wrote books about young girls and horses. When I close my eyes, I can hear her gruff voice and see her square face and think of horses. She was pragmatic and no-nonsense and what I think of as the epitome of a certain era of British resolve. She befriended me early, I think, because I was focused on a task—getting charitable status for PEN International which ultimately allowed English PEN to claim the same. It was Josephine years later who nominated me as a Vice President of International PEN.
Members of English PEN were passionate about PEN’s mission to protect and speak up on behalf of writers under threat in oppressive regimes. Among activities, members, including notable British writers such as Ronald Harwood, Harold Pinter, and Antonia Fraser, who were good friends, and Moris Farhi, a Turkish/British novelist with a great beard, great girth and great heart, who later succeed me as Writers in Prison Chair, and dozens of other English PEN members held vigils, often by candlelight. They protested outside embassies of countries where writers were in prison. They got press coverage and ultimately helped secure the release of writers, particularly those in former Commonwealth countries like Malawi.
Malawian poet Jack Mapanje recalled his spirit lifting when he saw the press clippings of Harold Pinter and others protesting outside the Malawi Embassy in London on his behalf. When he was released, he resettled in England and joined English PEN.
Next Installment: Freedom and Beyond…War on the Horizon
PEN International celebrates its Centenary in 2021. I have been active in PEN for more than 30 years in various positions, including as Vice President, International Secretary and Chair of International PEN’S Writers in Prison Committee. With memories stirring and file drawers bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. In digestible portions I will recount moments and hope this personal PEN journey may be of interest.
Our delegation of two from PEN USA West—myself and Digby Diehl, the former president of the Center and former book editor of the Los Angeles Times—arrived in Maastricht, The Netherlands in May 1989 for the 53rd PEN International Congress. We joined delegates from 52 other centers of PEN around the world, including PEN America with its new President, fellow Texan Larry McMurtry and Meredith Tax, founder of what would soon be PEN America’s Women’s Committee and later PEN International’s Women’s Committee. Meredith and I had met at the New York Congress in 1986 where the only picture of the Congress on the front page of The New York Times showed Meredith and me in the background at a table taking down the women’s statement in answer to Norman Mailer’s assertion that there were not more women on the panels because they wanted “writers and intellectuals.” Betty Friedan argued in the foreground.
Over the previous months the two American centers of PEN had operated in concert, mounting protests against the fatwa on Salman Rushdie and bringing to this Congress joint resolutions supporting writers in Czechoslovakia and Vietnam.
The theme of the Maastricht Congress—The End of Ideologies—in large part focused on the stirrings in Eastern Europe and the Soviet Union as the region poised for change no one yet entirely understood. A few weeks earlier, the Hungarian government had ordered the electricity in the barbed-wire fence along the Hungary-Austrian border be turned off. A week before the Congress, border guards began removing sections of the barrier, allowing Hungarian citizens to travel more easily into Austria. In the next months Hungarian citizens would rush through this opening to the West.
At PEN’s Congress delegates from Austria and Hungary sat a few rows apart, separated only by the alphabet among delegates from nine other Eastern bloc countries which had PEN Centers, including East Germany. This was my third Congress, and I was quickly understanding that PEN mirrored global politics where writers were on the front lines of ideas and frequently the first attacked or restricted. Writers also articulated ideas that could bring societies together.
In those days PEN had close ties with UNESCO, and attending a PEN Congress was like visiting a mini U.N. Assembly. Delegates sat at tables with name tags of their countries in front of them. Action was taken by resolutions which were debated and discussed and then sent to the International Secretariat and back to the Centers for implementation. At the time PEN operated with three standing Committees, the largest of which was the Writers in Prison Committee focused on human rights and freedom of expression. The other two were the Translation and Linguistic Rights Committee and the Peace Committee. Soon, in 1991, a fourth—the Women’s Committee—would be added. At parallel and separate sessions to the business of the Assembly of Delegates, literary sessions explored the theme of the Congress.
PEN USA West was particularly active in the Writers in Prison Committee (WiPC) where we advocated for our “adopted/honorary” members, most prominent for us at that moment was Wei Jingsheng in China. We had drafted and brought to the Congress a resolution, noting that China had recently released numbers of individuals imprisoned during the Democracy Movement, but Wei Jingsheng had not been among them and had not been heard from. We addressed an appeal to the People’s Republic of China to give information on the condition and whereabouts of Wei Jingsheng and to release him.
Before we spoke to this resolution on the floor of the Assembly, we met with the delegate of the China Center. The origins of this center was a bit of a mystery since it was one of the few centers that defended its government’s actions rather than PEN’s principles. I still recall the delegate with thick black hair, square face, stern visage and black horn-rimmed glasses, though this last detail may be an embellishment. He argued with me that Wei Jingsheng was an electrician, not a writer, that he had simply written graffiti on a wall, but that he had committed a crime by sharing “secrets” with western press.
The Chair of the Writers in Prison Committee Thomas von Vegesack, a Swedish publisher, arranged for the celebrated Chinese poet Bei Dao, a guest of the Congress, to speak in support of the PEN USA West resolution. The delegate from Taipei PEN stood next to Bei Dao and translated his words which contradicted the China delegate. Bei Dao noted that Wei Jingsheng had been in prison ten years already, having been arrested when he was 28-years-old. He had already published his autobiography and 20 articles and for years had been editor of the magazine SEARCH. In his posting on the Democracy Wall and in his essay “The Fifth Modernization,” Wei had suggested that democracy should be added as a fifth modernization to Deng Xiaoping’s four modernizations. “This shows that Wei Jingsheng’s status as a writer can’t be questioned,” Bei Dao said. I still remember that moment of Bei Dao addressing the Assembly and his country man with a Taiwanese writer translating. For me it demonstrated PEN in action.
In Beijing at that time thousands of students and citizens were protesting in Tiananmen Square.
PEN Center USA West’s resolution passed. The China Center and Shanghai Chinese Center refused to accept the resolution. The Maastricht Congress was the last PEN Congress they attended for over twenty years.
In the months preceding the gathering in Maastricht International PEN Secretary Alexander Blokh, International President Francis King and WiPC Chair Thomas von Vegesack had visited Moscow where the groundwork was laid to bring Russian writers into PEN with a Center independent of the Soviet Writers Union.
Twenty-two years before, Arthur Miller, International PEN President, had also traveled to Moscow at the invitation of Soviet writers who wanted to start a PEN center.
In 1967 Miller met with the head of the Writers’ Union and recounted in his autobiography:
At last Surkov said flatly, “Soviet writers want to join PEN….”
“I couldn’t be happier,” I said. “We would welcome you in PEN.”
“We have one problem,” Surkov said, “but it can be resolved easily.”
“What is the problem?”
“The PEN Constitution…”
The PEN Constitution and the PEN Charter obliged members to commit to the principles of freedom of expression and to oppose censorship at home and abroad. Miller concluded that the principles of PEN and those of the Soviet writers were too far apart. For the next twenty years PEN instead defended and assisted dissident Soviet writers.
At the Maastricht Congress Russian writers, including Andrei Bitov and Anatoly Rybakov attended as observers in order to propose a Russian PEN Center. Rybakov (author of Children of the Arbat) told the Assembly that writers had “endured half a century of non-democratic government and had lived in a dehumanized and single-minded state.” He said, “Literature could be influential in the fight against bureaucracy and the promotion of the understanding between nations and cultures. Now Russian writers want to join PEN, the principles and ideals of which they fully shared, and the responsibilities of belonging to which they recognized…and hoped for the sympathy of the members of PEN.”
The delegates unanimously elected Russian PEN to join the Assembly. In the 1990’s and until he passed away in 2007, one of the most outspoken advocates for free expression in Russia was poet and General Secretary of Russian PEN, Alexander Tkachenko. (Working with Sascha, as he was called, will be included in future blog posts.)
Polish PEN was also reinstated at the Maastricht Congress. After seven years of “severe restrictions and false accusations by the Government which had resulted in their becoming dormant,” the Polish delegate said they were finally able to resume normal activity in full harmony with PEN’s Charter. “I must stress here that our victory we owe in great part to the firm and unbending attitude of International P.E.N. and to almost unanimous solidarity of the delegates from countries all over the world.”
At the Congress PEN USA West, American PEN, Canadian PEN and Polish PEN presented a resolution on Czechoslovakia, calling for the government to cease the recent campaign against writers and to release Vaclav Havel and all writers imprisoned. The Assembly recommended that the International PEN President and International Secretary get permission from Czech authorities to visit Vaclav Havel in prison. Two weeks after the Congress Vaclav Havel was released. In December of 1989 Havel was elected President of Czechoslovakia after the collapse of the communist regime. In 1994, President Havel, along with other freed dissident writers, greeted PEN members at the 61st PEN Congress in Prague.
Also at the Maastricht Congress was an election for the new President of International PEN. Noted Nigerian writer Chinua Achebe stood as a candidate, supported by our two American Centers, Scandinavian centers, PEN Canada, English PEN and others, but Achebe was relatively new to PEN, and at the time there were only a limited number of African centers. Achebe lost by a few votes to the French writer Rene Tavernier, who passed away six months later.
Achebe admitted that he was not as familiar with PEN but said that if the organization had wanted him as President he had been persuaded that “it would be exciting.” He noted the world was very large and very complex. He hoped that in the years to come the voices of those other people would be heard more and more in PEN.
Our delegation had the pleasure of having dinner with Achebe in a castle in Maastricht which had a gourmet restaurant that served multiple courses with tiny portions. The small dinner, which also included the East German delegate and I think fellow Nigerian writer Buchi Emecheta and an American PEN member, lasted over three hours. I’m told when Achebe left, he asked his cab driver if he had any bread in his house because he was still hungry. When I saw Achebe a few times in the years following, he always remembered that dinner.
At the Maastricht Congress two new Africa Centers were elected: Nigeria, represented by Achebe, and Guinea. The election of these centers signaled a growing presence of PEN in Africa. Today PEN has 27 African centers.
A few weeks after we returned from the Congress to Los Angeles, tanks entered Tiananmen Square. Hundreds of citizens, including writers, were arrested and killed. One of my first thoughts was, what will happen to Bei Dao, but fortunately he hadn’t yet returned to China. Our small PEN office started receiving faxes from London with dozens of names in Chinese, and we and PEN Centers around the globe began writing and translating those names and mounting a global protest. Among those on the lists I am sure, though I didn’t know him at the time, was Liu Xiaobo, who was instrumental in helping protect the students and in clearing the square.
Twenty years later Liu Xiaobo would be a founding member and President of the Independent Chinese PEN Center. He would also later help draft and circulate the document Charter 08, patterned after the Czechoslovak writers’ document Charter 77, calling for democratic change in China. In 2009 Liu Xiaobo was again arrested and imprisoned. He won the Nobel Prize for Peace in 2010 and died in prison in 2017.
The opening of the world to democracy and freedom which we glimpsed and hoped for and which seemed imminent in 1989 appears less certain now.
Today, June 3-4, 2019 memorializes the thirtieth anniversary of the tanks rolling into Tiananmen Square. During the years after Tiananmen when Liu Xiaobo and others were in prison I chaired PEN International’s Writers in Prison Committee. But that is a story to come…
Next Installment: PEN Journey 4: Freedom on the Move West to East