Posts Tagged ‘PEN International Women Writers Committee’
PEN Journey 46: Wrapping Up
PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
I finished my term as International Secretary of PEN July 2007 at PEN’s 73rd World Congress in Dakar, Senegal. I handed over the responsibility to my longtime colleague Eugene Schoulgin (Norwegian PEN) who would continue to work with the Board, the Executive Director Caroline McCormick, new Treasurer Eric Lax and President Jiří Gruša. We had executed many changes in the last three years, and those who had been involved were continuing and active both in the international leadership and in the PEN centers.
Before the Congress, the staff and PEN members gave me a farewell party at PEN International’s relatively new London headquarters on High Holborn. PEN is about people, and I’d been fortunate to work over many decades with dozens of talented writers who were also competent in organizational work, friends from around the globe who remain friends today.
As a Vice President, I would continue to work, write appeal letters to governments for the Writers in Prison Committee (WiPC)’s RAN (Rapid Action Network) cases, speak when asked and hold meetings in Washington when asked, but I could return to being a writer. American PEN’s Executive Director Michael Roberts asked me to join American PEN’s board. I demurred and said I needed a break, but he and others urged me so in 2008 I joined the board of PEN America but worked at a far less intense pace for the next six years. When American PEN’s new Executive Director Suzanne Nossel came on, I was asked to extend for an additional year as a Vice President while she oriented to PEN’s international work. It is difficult to step away from PEN though most who are engaged find they must for a time, though not too far away.
As I left the historic Senegal Congress that July 2007, I boarded a plane and flew out over the Atlantic to Italy where I met up with my husband by a lake in one of our favorite spots for a vacation. He had patiently waited those three years as I spent 10-15 days a month on the road. In the first week without PEN’s emails and phone calls and conferences, we talked; I wrote, and I read four books in six days.
Back home I soon realized I needed to join the 21st century as a writer. At PEN we had begun to use some tools of social media in publicizing cases of writers under threat, but I hadn’t engaged personally. I remember sitting with a group of women writers in Washington, DC, many younger than me, who were talking about their websites and blogs and Twitter, and Facebook. In 2007 writers having URLs, Twitter handles, Facebook pages was relatively new. Twitter had only launched the year before, and though blogs had been around for a few years, I had never written one. Facebook seemed an odd medium, also only a few years old. I was of the “private” generation; we were not prone to sharing our activities and feelings on a “social” platform. Those of us who’d been journalists were used to having to condense stories, but never to 140 characters which Twitter demanded. We were in a new communications age, and I needed to understand and at least to put a toe in the water, even if I didn’t jump fully in.
Encouraged by friends and agent, I set up a website. The developer urged me to blog. I didn’t want to blog, I explained. I wanted to write fiction and occasional journalism, but I agreed to post a blog once a month. I have done so for over ten years now. Often when I considered what was worth writing about each month, I found myself reflecting on work with PEN. When asked to write about PEN’s history as I’d witnessed it in anticipation of the Centennial, I reasoned I could post twice a month. That seemed a reasonable way to get through PEN’s history year by year. A serial blog. I have sped up the pace since Covid locked us all into our homes and travel has halted. I have now come to an end of this particular PEN Journey though I will write an introduction. I will also reference links to those blog posts I wrote after 2007 when I continued to work with PEN.
In this final post, I want to review a few areas of PEN International I feel I haven’t explored sufficiently, and I want to give a quick view forward of what and who came next.
In Journey’s 7, 8, 22, 25, 26, I touched on the work of the PEN Emergency Fund. I want to highlight that here. Founded in 1971 by Dutch Writer A. (Bob) den Doolaard who had an active role with PEN International, the PEN Emergency Fund fulfilled a missing link in PEN’s work. Doolaard noted that PEN had no mechanism to grant material aid to writers, especially those under threat who had to flee their countries so he and Dutch PEN set up the aid fund based in the Netherlands, operated under Dutch law. The PEN Emergency Fund gives a one-time grant to writers in dire circumstances and is able to act quickly. Over the years PEN’s Emergency Fund has provided rapid support for writers on every continent, especially those in Eastern Europe during the Communist era and those in the Balkans War in the 1990s and also to persecuted writers in Asia, Africa and Latin America. Every year dozens of writers have been helped with grants that have bridged to longer term answers. The Fund operates in close collaboration with PEN International whose professionals furnish the Fund with information and with the PEN centers and members who have contributed to the Fund. I’ve had the privilege of serving on the PEN Emergency Fund Advisory Board for a number of years.
Prizes: As a literary organization, PEN through its centers awards numbers of literary awards, but only a few literary prizes have been awarded by PEN International. Over the years the idea of a PEN International Prize for Literature or even for Peace has arisen. When I first took on the position of International Secretary, we were approached by a donor offering to give PEN $100,000 for the PEN International Prize for Peace. Well-meaning though the donor was, it quickly became clear that PEN International could not accept. The donor already had his first winner in mind—Bono. We explained that any prize would have to be independently judged with established criteria and nominating processes, and in order for PEN to give an annual prize, we would need to have a substantial financial commitment in an account to assure we could afford the prize each year as well as the cost of the judging and ceremony. We named the figure. The discussions broke off though the donor, I think, did find another way to give his prize though not through PEN.
The biennial PEN David T. Wong International Short Story Prize did come into being for a time, with a much more modest monetary award for a new writer, open to nominations by all PEN Centers and run by International PEN Foundation’s Gilly Vincent, who later became General Secretary of English PEN. Gilly was a pro and lined up well-qualified writers as judges. The nominations came in from PEN Centers around the world and the winner was often celebrated at PEN’s Congress. One of the first winners for 2002-2003 was a young Nigerian writer Chimamanda Adichie, who won for her short story “One Half of the Yellow Sun,” submitted by her local PEN Center USA West. The story went on to become the celebrated novel by the same name, and she went on to win wide international acclaim for that and other books. The PEN David T. Wong Prize was one of the first international recognition of her as a writer. The judges for 2003 were William Trevor, Michele Roberts and J.M. Coetzee who won the Nobel Prize for Literature later that year. The 2001 prize had been won by Rachel Seifert, who went on to have her first novel short-listed for Booker Prize.
PEN International’s Writers in Prison Committee, the PEN Emergency Fund and Oxfam Novib each year do give the Oxfam Novib/PEN International Free Expression Award to writers who work for freedom of expression in the face of persecution. The award is given to writers and journalists committed to free speech despite the danger to their own lives.
Many other literary awards and literary festivals are hosted by PEN’s centers around the world. I had the pleasure of visiting a number of those, including in Croatia and in Turkey, hosted by the PEN centers.
There are many aspects of PEN’s work I’ve touched on but not explored fully such as the formation of a PEN center, which technically can occur when 20 reputable writers get together and petition the International office. There is a limit of five centers per country; most countries have fewer, and many countries have only one center. The rationale for additional centers has been to reflect linguistic diversity in a country. For instance, Switzerland has French, German, Italian, and Esperanto centers, or to facilitate participation when the land mass is large. The U.S. used to have two centers, one based in New York and one in Los Angeles, but in the past years, the two centers have merged into one PEN America. In Canada where there is both large land mass and diverse languages PEN has two centers—PEN Canada based in Toronto essentially uses English as the primary language and Quebecois PEN uses French. In some countries there are many, many languages as in India, which also has a large landscape and has the All-India Center in Bombay and the PEN Delhi Center. The rationale depends largely on the ambition and needs of the writers on the ground. Often a center will form branches within a country to provide the services and community for writers.
One document I did not include in an earlier post was the rationale from PEN International Vice President and Nobel Laureate Nadine Gordimer regarding the formation and naming of centers as related to a petition from writers in South Africa to form an Afrikaans Center. I’ve copied it here because it was from one of PEN’s eminent and active members and because it articulated ongoing questions in PEN. Gordimer’s argument did not prevail at the Berlin Congress in 2006 where an Afrikaans Center, not a Pretoria Center, was voted in though the center is based in Pretoria. The reasoning nonetheless is worth considering. The dynamics are ongoing in a number of countries and will likely continue as new centers are added or removed when they grow inactive.
Nadine Gordimer: “Let me make it clear. My objection to the formation of an Afrikaans language PEN club has no significance whatever of any kind of prejudice against my brother and sister South Africans, who are Afrikaans speakers and writers just as I am an English-speaking writer. We have eleven languages in our country. I should have exactly the same objection to the formation of an isiZulu or isiXhosa Club. We cannot have separate-but-equal (shades of apartheid) Clubs for every language, even though most of which have the strong linguistic claim of ante-dating colonially imported English and colonially created Afrikaans. I support a vigorous and linguistically open South African PEN Club, to have local representation in each region, with membership actively pursued among writers in whatever South African languages are theirs. Only such a chapter could have the strength to fulfil our needs…Historic-culturally determined circumstances give us both the necessity to overcome them and the fine opportunity to make full use of them, for our writers and our poly-literature.”
PEN is a breathing, living organization whose main body has been working around the world for a century with new members and centers joining every year as other centers at times have fallen dormant or closed. It is a fellowship of writers, of citizens in civil society holding watch over freedom of expression, linguistic diversity, over literature, and over the imagination and art by which societies flourish. Particular issues and threats change according to the times. PEN declares itself an apolitical organization, yet it is an organization whose central principle and commitment to freedom of expression sets it in the fray of politics since an early warning of a society descending into authoritarianism is the arrest of its writers and the closing down of space for free expression.
Changes in PEN leadership internationally and in centers effect the organization, but the Charter holds the whole body together. The leadership of PEN International used to reside in the President, the International Secretary and the Treasurer as the Executive, which represented the Centers’ Assembly of Delegates between two annual Congresses. The narrative of this PEN Journey has shown the change in the organization and its governance as it has grown and the world in which it operated has altered. PEN International has more than doubled in size over the last three decades to 155 centers in more than 100 countries. It now holds only one Congress a year, and the leadership is a partnership among the President, the International Secretary, the Treasurer, and an elected 7-member Board representing the Centers. Work is facilitated by an Executive Director, a position first hired in 2005, who heads the staff. Depending on the skills and experience and personality of each, the dynamic changes. In my term, I tended to be hands-on as an International Secretary. The President Jiří Gruša with whom I served was engaged as the Director of a Diplomatic Academy and had not been very active in PEN before he took the role of President. I would check in with Jiří before each monthly board meeting, explain the agenda as I saw it, ask if he wanted to add or change any items and if he wanted to attend. Jiří, a former prisoner of conscience, had lived the principles of PEN, understood them and with experience, knowledge and wit was an authentic voice on the international stage. But the day-to-day decision-making and running of the organization he largely left to me and then with the first Executive Director, the Board and the staff.
Jiří’s successor John Ralston Saul, former President of PEN Canada, had been a long time PEN member, active in the organization with experience in governing. He took on a much more active role as President, working with International Secretary Eugene Schoulgin (Norwegian PEN) and then International Secretary Hori Takeaki (Japan PEN). John traveled the globe visiting PEN centers and government officials and taking on the issues of his period. After John, PEN elected its first woman President Jennifer Clement, former President of PEN Mexico, who took on the work, along with a special focus on the issues of women globally. She spearheaded, along with PEN’s Women Writers Committee, a Women’s Manifesto and later an Imagination Manifesto and will serve until the end of the Centenary Congress in England in 2021. Kätlin Kaldmaa (Estonian PEN) has served as International Secretary during this time along with longtime PEN member Carles Torner as Executive Director.
Unfortunately over the years as PEN’s website has been upgraded, the content has not always been exported so many of the documents and speeches and records have not followed into the digital universe. The narrative is carried in paper files which overflow in my basement and even more in PEN’s and in the memories of PEN members. My own PEN Journey has been an effort to record some of the history and offer a continuity of narrative during a particular period, through the eyes of one PEN member who has had the privilege and pleasure of standing up close for part of that history. I’ve tried to render the direction and actions. The flaws, the missteps of people, including myself, I’ve also witnessed but have largely left to the side in this narrative. My purpose has not been to be a critic nor a hagiographer, nor a novelist, but a reporter, recording the actions and the journey with a touch of personal memoir.
I will leave this journey by quoting from PEN’s Democracy of the Imagination Manifesto, unanimously passed at the 85th PEN World Congress in Manila, Philippines, October 2019:
The opening of the PEN International Charter states that literature knows no frontiers. This speaks to both real and, no less importantly, those imagined.
PEN stands against notions of national and cultural purity that seek to stop people from listening, reading and learning from each other. One of the most treacherous forms of censorship is self-censorship —where walls are built around the imagination and often raised from fear of attack.
PEN believes the imagination allows writers and readers to transcend their own place in the world to include the ideas of others. This place for some writers has been prison where the imagination has meant interior freedom and, often, survival.
The imagination is the territory of all discovery as ideas come into being as one creates them. It is often in the confluence of contradiction, found in metaphor and simile, where the most profound human experiences reside.
For almost 100 years PEN has stood for freedom of expression. PEN also stands for, and believes in, the freedom of the empathetic imagination while recognizing that many have not been the ones to tell their own stories.
PEN INTERNATIONAL UPHOLDS THE FOLLOWING PRINCIPLES:
- We defend the imagination and believe it to be as free as dreams.
- We recognize and seek to counter the limits faced by so many in telling their own stories.
- We believe the imagination accesses all human experience, and reject restrictions of time, place, or origin.
- We know attempts to control the imagination may lead to xenophobia, hatred and division.
- Literature crosses all real and imagined frontiers and is always in the realm of the universal.
Next and final installment of PEN Journey: Introduction—the Curtain Rises
Links below are to blog posts mentioning PEN after 2007. I was not writing official reports of Congresses or WiPC conferences or other events, but reflecting on PEN’s work, cases and the impact of ideas in my own monthly posts, some of which I used in writing this PEN Journey:
The Journey of Liu Xiaobo: From Dark Horse to Nobel Laureate
March 31, 2020
Arc of History Bending Toward Justice?
March 20, 2019
Gathering in Istanbul for Freedom of Expression
May 23, 2018
Women’s Voices Rising (Women’s Manifesto)
February 28, 2018
Liu Xiaobo: On the Front Line of Ideas
December 7, 2017
Reclaiming Truth In Times Of Propaganda (83rd PEN Congress in Lviv, Ukraine)
September 28, 2017
“Finding Room for Common Ground: No Enemies, No Hatred”
September 8, 2017
In Turkey, a show of solidarity with writers behind bars (PEN Turkey Mission)
February 3, 2017
Power on Loan
January 23, 2017
Hope for Songs Not Prison in 2017
December 27, 2016
Building Literary Bridges: Past and Present (82nd PEN Congress in Ourense, Spain)
October 3, 2016
Call for Help inside Iran’s Evin Prison
May 23, 2016
Spring and Release
March 18, 2016
View on the Bosporus: Rights in Retreat
January 29, 2016
Democracy in Africa: Who Can Chat with Kabila?
November 30, 2015
Life instead of Death…Rationality instead of Ignorance (81st PEN Congress in Quebec, Canada)
October 23, 2015
What Are You Not Reading This Summer? (WiPC Conference in Amsterdam)
June 11, 2015
Times and Tides
November 14, 2014
PEN on the Plains of Central Asia (80th PEN Congress in Bishkek, Kyrgyzstan)
October 7, 2014
Poets, Pardons and Ramadan
August 2, 2014
Women’s Progress: The Power of a Bridge…and a Double Yellow Line
March 12, 2014
Qatar: A Poet in a Desert Cell
November 1, 2013
The Last Colony?
October 15, 2013
Parallel Universe in a Glassed Concert Hall in Iceland (79th PEN Congress in Reykjavik, Iceland)
September 16, 2013
Living In and Beyond History (WiPC Conference in Krakow, Poland)
May 20, 2013
Two Voices Behind the Iron Doors
April 8, 2013
North Korean Writers in a Land of the Rising Sun (78th PEN Congress in Gyeongju, South Korea)
September 15, 2012
facebook or not?
June 28, 2012
Voices Around the World
January 30, 2012
Bridge Over the Bosporus: Citizenship on the Rise (77th PEN Congress, Belgrade, Serbia mentioned)
September 28, 2011
Tourist in Beijing: A Dance with the Censor
July 29, 2011
Ice Flows: Freedom of Expression
January 29, 2011
In the Woods: On History’s Doorstep
December 22, 2010
Full Moon Over Tokyo (76th PEN Congress in Tokyo, Japan)
September 30, 2010
Introducing Isabel Allende
May 21, 2010
“Because Writers Speak Their Minds”–2
March 31, 2010
“Because Writers Speak Their Minds”
February 24, 2010
January 18, 2010
Yellow Geranium in a Tin Can
October 27, 2009
China at 60–Fate of Liu Xiaobo?
September 30, 2009
A Time of Hopening (WiPC Conference in Oslo, Norway)
June 24, 2009
“There Will Still Be Light” *
April 30, 2009
The Intensifying Battle Over Internet Freedom
February 24, 2009
Charter 08: Decade of the Citizen
December 30, 2008
China from the 22nd Floor (Hong Kong Conference)
May 28, 2008
OLYMPIC RELAY– A POEM ON THE MOVE
April 21, 2008
Words That Matter
March 4, 2008
PEN Journey 45: Dakar, Senegal: The Word, the World and Human Values
PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
PEN International’s 73rd World Congress in Dakar, Senegal July 2007 celebrated the first Pan African PEN Congress with over 200 writers gathered from over 70 countries around the theme “The Word, the World, and Human Values.” The theme had been developed by PEN’s African centers who assisted in the planning of the Congress which brought together writers from every continent as well as from across Africa.
The setting was grand on the rugged Atlantic coast at Le Meridien Hotel. Government luminaries, including the President of Senegal Abdoulaye Wade and Prime Minister Cheikh Hadjibou Soumaré greeted delegates at the opening and closing ceremonies in the tiered auditorium where the Assembly of Delegates conducted PEN’s business. Ministers of Culture, Information and Foreign Affairs hosted dinners in the evening as did the President and Prime Minister.
Because PEN monitored the human rights situation in countries, particularly regarding freedom of expression, PEN vetted carefully countries where it held its Congresses. Senegal had prosecuted four journalists the past year, but none were in detention, and PEN Senegal and the International Writers in Prison Committee (WiPC) were advocating to abolish defamation laws used to repress writers across the continent. Senegal in general was an open society for writers. On the few occasions when PEN hosted Congresses in countries with more repressive regimes, it took no assistance from the government and used the occasion to advocate on behalf of the writers.
The 73rd Congress marked the end of my term as PEN International Secretary. At my first Congress as International Secretary, I’d opened with the image of a bridge soaring into the sky, a bridge that had taken decades to construct. I had suggested that for the last decade International PEN had been building an organizational bridge into the 21st century. Having occupied the position of International Secretary for three years on a daily basis, I could attest that PEN was a robust, though occasionally fragile, organization whose bridges across cultures were real, whose joints were welded by the principles of the PEN Charter and by the fellowship among writers.
For me, memories abounded—memories of the ancient city of Diyarbakir, Turkey where Kurdish and Turkish writers translated each other side by side for the first time; the gathering in Hong Kong where writers from mainland China, Taiwan, Hong Kong and the diaspora, along with other writers from around the world, met and shared ideas and literature; and the memory of the dungeons of Gorée Island with its dark doorway to the Atlantic, similar to “the door of no return” on Ghana’s Cape (Gold) Coast where the most basic human rights had been violated centuries before when men and women were shipped as slaves to other countries, including to my own.
At the Congress PEN members traveled to Gorée Island off the coast of Dakar to see and to pay homage to this history and through PEN’s work to act on behalf of freedom and human dignity today.
A Nobel Laureate in science once said, “Discovery consists in seeing what everyone else has seen and thinking what no one else has thought.” That could be said of the writer whose imagination saw bridges between people and cultures where others saw clashes and conflict.
Before each Congress I made a point of reading histories of PEN, particularly the history of the place where PEN was holding its Congress. The 73rd Congress was only the second time PEN’s whole international body had met in Africa. Forty years before a PEN delegate at the 35th Congress in Abidjan, Ivory Coast recalled ascending the stairs of the Congressional Hall between a double row of guards dressed in scarlet and gold with raised sabers. At that Congress PEN members took special notice of writers in prison in Communist and noncommunist countries. There were not many PEN centers in Africa then, but PEN Senegal existed. At the Congress the prior year in New York City in 1966, delegates from the Ivory Coast and Senegal had attended as had observers from Ghana, Kenya and Nigeria. By 2007 PEN had 15 centers in Africa, including in those countries whose writers had visited the New York Congress. Today PEN has 28 African centers.
At the Dakar Congress, writers from regions who hoped to develop PEN centers observed, including Uighur writers, Afar-speaking writers and writers from Tunisia, Bahrain, Iraq and Jordan, all of whom eventually formed PEN centers. Forty years ago International PEN also had observers from the Soviet-bloc. In all these instances, PEN had acted as a bridge to writers who aspired to share their literature and to work for freedom of expression in their societies.
In Dakar, International PEN President Jiří Gruša noted, “International PEN and its Centers are glad to be gathering in Senegal, a country which holds literature in high regard, in part because its first President Leopold Senghor was the internationally renowned poet and also a Vice President of International PEN.”
Mbaye Gana Kébé, Senegal PEN President, affirmed, “Senegal has remained a welcome land at the crossroads of all civilizations. In addition to that we have its democratic ideal and respect of human rights. This Congress taking place here consecrates a lasting and beautiful tradition of African hospitality.”
The Congress theme “The Word, the World, and Human Values” was explored thorough round table sessions including “Literature and the Oral Tradition” and “The Role of Contemporary African Literature in Intercultural Dialogue” and at International PEN’s first literary event “Freedoms” held outside under the stars. Hosted with TrustAfrica, a new African foundation that promoted peace, economic development and social justice, the evening and the panels featured writers from across Africa, noted Senegalese PEN Vice President Amadou Lamine Sall and General Secretary Alioune Badara Bèye who were instrumental in arranging the Congress. Writers included Bernard Dadié (Ivory Coast), Jean-Baptiste Tati Loutard (Congo), Fernando d’Almeida (Cameroon), Dieudonné Miuka Kadima Nzuji (Congo), Tanure Ojaide (South Africa), Frédéric Pacéré Titinga (Burkina Faso), Aminata Sow Fall and Pr. Abdoulaye Elimane Kane (Senegal), and Jack Mapanje (Malawi).
In the hotel’s meeting rooms, PEN’s standing committees adjourned. The Writers in Prison Committee (WiPC), chaired by Karin Clark (German PEN), focused on criminal insult and defamation laws, particularly in Africa. These laws endangered writers and resulted in imprisonments. During the previous year WiPC had followed 1100 cases worldwide of attacks on writers, ranging from killings, long term detentions, threats, and harassments. Around 320 of those had been in Africa.
PEN also brought attention to the refugee crisis in Iraq with an appeal for translators, writers and journalists who were being targeted for death because of their work. In a resolution supported by American PEN and passed unanimously, International PEN urged the US to protect these refugee writers and translators and to increase funding for UNHCR and other refugee services and remove barriers to resettling Iraqi refugee writers and intellectuals.
The Translation and Linguistic Rights Committee (TLRC), chaired by Kata Kulavkova (Macedonia PEN), considered the mounting threats to linguistic diversity in an English-dominated world. Delegate Esther Allen (PEN America) presented “To Be Translated or Not to Be: Globalization, Translation, and English,” a major survey of barriers to the exchange of literature and entrance into the international literary marketplace. The Assembly of Delegates passed a resolution calling on UN member states to comply with international conventions on linguistic rights.
The Women Writers Committee (IPWWC), chaired by Judith Buckrich (Melbourne PEN), met during the Congress and also at its own conference right after the Congress to examine the challenges faced by women writers, especially as related to freedom of expression and censorship, particularly in Africa. The writers also discussed women’s literacy and educational opportunities and explored the publishing potential for voices which struggled to be heard.
PEN’s Peace Committee, chaired by Edvard Kovač (Slovene PEN), met with an appeal to bring writers in countries at war together in an exchange of literature and ideas such as at a recent meeting between Turkish and Kurdish members
The Writers in Exile Network, chaired by Haroon Siddiqui (PEN Canada), reported that PEN continued to assist resettling writers under threat, often at universities, and also through partnership with the International Cities of Refuge Network (ICORN).
International PEN’s Executive Director Caroline McCormick and her team worked before, during and after the Congress on regional development. “International PEN is working in partnership with its African Centers to address challenges which they have identified in the region. Essential to this work is the role of continued engagement with reading, writing and ideas in bringing about change and empowering civil society.”
Each African center had its own history and focus though many overlapped. PEN Senegal, the first and oldest center in Africa, was dedicated to raising the profile of young and new unpublished writers and published an anthology of young writers and actively promoted work through its publications and competitions. The center had the advantage of a permanent writers house which was a drop-in center and focal point for the writing community and also accommodated visiting writers.
Guinean PEN had been established by the Women Writers Association of Guinea, which made it one of few African centers that had majority of women writers as members. Headed by Zeinab Koumanthio Diallo, President of Guinea PEN, the center ran its own museum and cultural center and raised the majority of funds through income-generating activities, including performances and cultural activities with a focus on literature and on raising awareness of social issues to include communities who didn’t normally have access to the world of literature. Projects included promoting reading in rural agricultural communities and using literature to support the rights of women and girls.
PEN International’s next regional focus would be Latin America in anticipation of the 2008 Congress. After a vigorous debate at the Congress, the Assembly of Delegates voted to move the 2008 Congress from Oaxaca, Mexico because of challenges to freedom of expression there to Bogotá, Colombia, hosted by Colombian PEN which was monitoring closely, along with International PEN, the situation for writers there.
The work of the 73rd Congress included the final disbanding of the International PEN Foundation which had served its purpose for over a decade as a charitable entity that existed with its own board alongside PEN International and enabled PEN International to receive charitable donations. Now that British charitable tax law had changed, PEN International, which was headquartered in London, could finally be incorporated as a charity.
The work of the Assembly of Delegates included elections of:
—International Secretary Eugene Schoulgin (PEN Norway), former WiPC Chair and International PEN Board member,
—Treasurer Eric Lax (PEN USA West), former International PEN Board member and former President of PEN USA West,
—International PEN Board members: Mike Butscher (Sierra Leone PEN), Haroon Siddiqui (PEN Canada), Takeaki Hori (Japan PEN) and Kristin T. Schnider (Swiss German PEN),
—Vice Presidents: Margaret Atwood (PEN Canada) for service to literature and Niels Barfoed (Danish PEN) for service to PEN.
Three new PEN centers were welcomed: Iraq, Jordan and Afar-speaking.
The Assembly adopted twelve resolutions from the Writers in Prison Committee focusing on the imprisonment of writers in China, Tibet, Iran, Uzbekistan, Eritrea, Cuba, Turkey, Tunisia and Vietnam, the killing of journalists in Mexico & Afghanistan and the forced closure of television stations in Venezuela.
One unexpected controversy arose just a few weeks before the Congress when the British government conferred a knighthood on Salman Rushdie. The act stirred disputes in literary and political circles which threatened to follow us to the Congress. We came prepared should questions arise. I don’t recall now if the question was asked at the closing press conference where Jiří and I sat in our new African dress which had been given to us by the Congress hosts. Along with the President of Senegal PEN we recalled the successes of the Congress and the African programs which PEN International committed to continuing.
Rather than revisit the Rushdie controversy, I quote here PEN International’s response from Vice President and Nobel Laureate Nadine Gordimer: “International PEN deplores the reaction of extremists to the honor conferred upon one of the world’s great writers, Salman Rushdie, by the Queen of the United Kingdom for his services to literature. The appalling reaction from extremists threatens not alone the principle of freedom of expression as a basic tenant of justice, but seeks to decree the violent end to the life of a writer, solely on the grounds of written words that did not call for any aggression against any group or individual.”
My personal memories of the impressive Dakar Congress include being driven around in a limousine as International Secretary. Because PEN Board Member Eric Lax was hobbling on crutches with his foot in a cast, he also hitched a ride. I would have been happy to go on the bus, but we both appreciated the gesture.
Before each PEN Congress while I was International Secretary, I studied French. I hired a tutor and talked with her for hours, practicing conversation and comprehension and jotting down what I might want to say. I understood that it was important to know the language of so many of PEN’s members, especially when the Congress was in a French-speaking country. I didn’t do the same with Spanish because my Spanish was more remedial, but I had studied French at university and so had some base. French colleagues used to say, “Your accent is cute and you are fearless,” which I think was a nice way of saying you’re not very good, but at least you’re trying.
Before I came to the Dakar Congress, I had taken out my notebook from French lessons and copied on a single page the phrases I thought I might want to say at some point. When I arrived at the opening ceremony, I was seated on the dais along with Jiří, PEN’s Vice Presidents, the President of Senegalese PEN and the President of Senegal. I had not been informed that I was expected to give a speech, but my name, along with Jiří’s, was on the program. I knew Jiří didn’t speak French, and I felt it would be insulting for neither of us to speak in one of the languages of the country. That morning I’d tucked my sheet of phrases into my bag, and as I sat there, I glanced at the accumulation of sentences; they were a kind of speech so for the first few minutes I spoke in French then said, “Now I’d like to shift to English so I can speak better from my heart.” Everyone had translation equipment.
When the closing ceremonies arrived, the same situation arose. With the Prime Minister of Senegal also on the dais, I was again listed on the program to speak. However, this time Senegalese PEN had written remarks for me in French, and I stepped over to my nearby colleagues at French PEN to practice.
To close out this final memory, I share here a portion of my report to the Congress. Each International Secretary and President and Board member and Staff member brings his/her talents, skills and affection to this organization which is held together in part by ideals and friendship. In marking progress, no one diminishes the work that came before. I continue to note in wonder the improbability of an organization of writers connected around the globe in 150 centers in more than 100 countries surviving for a century. With gratitude I recognize those who have come before and kept the organization together and those who come after and add to the bridges and structures or whatever metaphor suits at the time. Here is a brief summary of my journey those years as International Secretary:
As an organization we have grown in the past three years, both in numbers of centers, scope of activity, and size of the Secretariat. We have worked to strengthen the infrastructure of the London office so that it can better assist the centers and can coordinate the international work of PEN. We have put financial systems in place for budgeting and have expanded fundraising, and have established employment procedures and contracts for staff and transparent criteria for our own grant-making.
The Board, which now meets monthly by phone, has worked, along with the Staff and myself, in this process. I want to take this moment to thank the Board whose members work hard on your behalf and each of whom has always said yes when asked to take on a task. I’ve also had the pleasure of working with a wonderful staff, first Jane Spender, who has now retired and sends her best and with the highly qualified team of Caroline McCormick, Sara Whyatt and now Frank Geary and Karen Efford and newer members Tamsin Mitchell and Emily Bromfield…I want to thank former International Secretaries Alexandre Blokh and Terry Carlbom who have always been available when I’ve sought counsel. And I want to thank so many of you in the centers who have helped me in the work and my home center in America for sustained support. Finally we all want to thank Senegalese PEN for its work in putting on this Congress and all the African centers who participated in this effort.
To finance PEN’s growth we have raised funds from new funders and from existing funders, who have signed onto the expanded program for International PEN and have given us larger grants…
I’ve had the pleasure of working with and visiting many of you and your centers over the last three years…One of the greatest pleasures of working with International PEN has been developing friendships around the globe.
PEN is only as strong as its centers. We have been working through our regional program on a one-to-one basis with centers in Africa this year to develop strategic plans. Through the Board we have also been in touch with centers whom we have not heard from in long time to see if they still exist and to find out how we might help them. Through the workshops at the Congresses and in the consultations last year with the whole membership, we have developed for centers a guide to good governance which we will share later at this Congress. Most PEN centers already operate according to the principles of transparent membership criteria, regular elections, rotation in office, and governance by a constitution, but other centers need assistance in this area.
PEN began as a club of writers committed to the ideals which developed over the years. But a club does not mean that qualified writers should be kept out of the work of PEN or that PEN should be an exclusive Academy. There has always been the balancing of PEN as a club and PEN as a nongovernmental organization (an NGO.) Each center chooses its activities, but internationally, PEN operates as an NGO. That is why we have consultative status at the United Nations. Clubs do not receive this status. As an international organization we work to achieve goals related to civil society—the goals of promoting literature and defending freedom of expression. The work of International PEN, through its committees and through the centers and writers who chose to participate in the international work, serves these goals.
This year Caroline and I visited UNESCO several times and are happy to report that UNESCO officials are enthusiastically recommending PEN’s partnership under the framework agreement be renewed for another six-year period. They specifically praised PEN for its “significant modernization.”
At a PEN Congress in 1966 the Mexican novelist Carles Fuentes took note of “the improbable spectacle of 500 writers—conservatives, anarchists, communists, liberals, socialists—meeting not to underline their differences or to enumerate their dogmas, but to bear witness to the existence of a community of spirit while accepting diversity of interests.” That is still what PEN is and what PEN represents to the world.
The theme of this Congress—The Word, The World and Human Values—resonates and was chosen by PEN’s African centers. I am particularly honored to be finishing my term in Africa, for African literature and the literature of African American writers have had a significant influence on my own work as a writer. I’d like to end with a verse from Senegal’s great poet and first President and also International PEN Vice President Leopold Senghor, from his elegy written after the assassination of my countryman Martin Luther King. Senghor’s life offered a kind of bridge in the world. Through his life and his words, he showed how an individual and a writer can in fact enhance human values.
From Senghor’s “Elegy for Martin Luther King”:
“As the Reverend’s heart evaporated like incense and his soul
Flew like a diaphanous rising dove, I heard behind my left ear
The slow beating of the drum. The voice and its sharp breath close to
My cheek said: ‘Take up your pen and write, Son of the Lion.’
“And I saw a vision…”
You must read the poem to see the vision, but I can tell you it is a vision very much in the spirit of PEN.
Next Installment: PEN Journey 46: Wrapping Up