PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
In pulling out papers from 2005 of PEN conferences and the 71st World Congress, I came across two documents that told a very human story in PEN and a coincidence of life that I share here:
The first paper I skimmed was a talk I’d given as PEN International Secretary at the Translation and Linguistic Rights Committee Conference in Ohrid, Macedonia in September 2005; the paper included the testimony of a PEN member at the end. The second text I read was from the Round Table Papers of the PEN Congress a few months before, in June 2005. This paper was on the Congress theme Tower of Babel: Blessing or a Curse? The paper was the first in that publication and was written by celebrated Nigerian poet Niyi Osundare who speculated on what the world would be should there be just one language and then meditated on what in fact the world was. Shared below are excerpts from Dr. Osundare’s paper, “The Blight and Blessing of Babel:”
“A one-language world would be too simple, too linguistically neat, too unrealistic. And, I daresay, too unnatural. For everywhere in nature there is a tendency towards fission and mutation on an intra-and inter-generic basis. Variety is not only the sauce of life; it is also its source…
“Yoruba culture (the culture in which I was born and raised, and one that I know best) understands the necessity of diversity and inevitability of varieties in different aspects of human life. Hence the saying “Mee l’Oluwa wi” (Many, says the Lord) and “Ona kan o w’oja” (There are countless routes to the same market), both of them short, handy variations on a longer proverb “Oju orun t/egberun eye fo lai farakanra (The sky is wide enough for a thousand birds to fly without colliding). Corroborating this pluralist perspective is the folktale about the Tortoise, ever cunning and self-centered, who one day decided to capture all the wisdom in the world and seal it up in one pot for his own use in an effort to become the wisest being in the world. Of course, his project ended up in a laughable disaster as his pot fell to the ground and exploded while different fragments of the imprisoned wisdom dispersed in different directions, free for all, unmonopolisable. In an essentially pluralist Yoruba worldview, phenomena exist by mutual definition; a thing, a person loses its sense of proportion when there is nothing else to compare it with. The trajectory of life hardly ever follows one straight and narrow path; it must confront the crossroads, experience the thrills and tortures of decision and indecision, before arriving at the juncture of choice. And for the act of choosing to take place, there must be more than one…
“Literature (and the arts generally) is, no doubt, a powerful weapon in the struggle against the blight of Babel. By endowing our airy thought with that ‘little habitation’ and ‘name’ (hail Shakespeare, one of the supreme healers of the wounds of Babel), by generating universal sympathies, globalizing the particular and particularizing the global, by producing that music of the spheres whose winds stir the eaves in different lands, by evoking images which touch hearts across cultures, by articulating those humane values that are essential to human freedom everywhere in the world, by constantly lifting the human spirit and enriching, interrogating human reality with the supple possibilities of fiction…literature strives to restore some of the lost potentialities of Babel. For every significant writer is a bridge-builder of a kind, a witness, a participant-observer, an advocate of a truly humane future.
“No doubt, the phenomenon of Babel has left its fragmentations and dispersals. But it has also bequeathed to humanity a panoply of sounds and letters, an astounding (even if confounding) array of tongues which challenges the tyranny of uniformity and monotony of methods. It has necessitated the building of bridges across diverse tongues and cultures, these bridges being, in a way, a horizontal alternative and antidote to the vertical impossibility of the Tower itself.”
Dr. Niyi Osundare, a Nigerian PEN member, had moved to New Orleans for specialized education for one of his daughters and was also a member of the African Writers Abroad PEN Center. Recounted here is my talk to the Translation and Linguistic Rights Committee a few months after the Bled Congress, in September 2005. Only as I recently read the end of my paper did I grasp the connections and the range of PEN’s reach and work. My observations at the time:
The theme of the 8th Ohrid P.E.N. Conference—Writer Within and Without a Homeland—struck a particularly sonorous chord as I was preparing to come here.
In the U.S. the question of homeland has been on the national consciousness for the past month as one of America’s most diverse and multi-lingual cities—New Orleans—has literally disappeared. Its population evacuated as the city sank into the waters of the Gulf of Mexico. A large portion of the Gulf coast also fled in the face of Hurricane Katrina. Over a million people dispersed throughout the land in one of the largest displacements in the nation’s history. Many will never return to their homes.
In Europe and Africa, Asia and Latin America even larger displacements have occurred in the last century, often because of war, famine, politics, and also weather. All of us remember the disappearance of towns and villages and whole sections of coasts in the countries hit by the tsunami last December.
When a home is suddenly gone, family scattered, livelihood and career and ambitions all uprooted, one is forced to consider what endures, and what one can take with him. Home moves from a physical place to a place in consciousness.
The ability to speak with others and to tell the story is especially important and makes the idea of language as homeland compelling, also imagination as homeland, literature and art as homeland, and particularly relevant to PEN, a community of fellowship as homeland.
I’d like to read a message to PEN’s Africa Writers Abroad Centre from a Nigerian writer trapped in New Orleans:
This is my first real internet access since the disaster struck…I can’t thank you enough for your concern and care. It’s been all so overwhelming. My wife and I are alive and, after passing through five horrendous “evacuation centers”, have been allocated to the Red Cross shelter in Birmingham, Alabama. The nightmare of the past seven days is simply unimaginable. We very narrowly escaped drowning in our own house. Pursued by an 8-foot high toxic flood water (15 feet in the street outside our door), we were forced up a stuffy, airless attic, where we were holed up for 26 hours, with no food, no water, no prospect of any rescue. We were only saved by the fortuitous intervention of a neighbor who heard our shout for help when he came round with his rescue boat to pick up something from his own house. With life vests provided by him, we managed to swim out of our house, leaving everything we had behind. Right now, all our clothes, books, academic and professional credentials, travel documents, computers, manuscripts, etc are submerged in the dirty waters of the New Orleans flood. Hell has no other name… We deeply appreciate your concern. Kindly pass on our gratitude to all on your list serve.
Yours in the Eye of the Storm
I’m told he has been overwhelmed by the outpouring of concern. While the concern and offers of assistance can’t replace what was lost, it can fill in some of the spaces in the heart.
In the U.S. those displaced are at least relocated in the same country and for the most part speak the same language, though the difference in accents has its challenges. What has been heartening has not been the help of government agencies, but the outpouring of citizens in communities all over the nation and abroad. One would wish this empathy would prevail and continue.
The ability to imagine and to reach out to another and try to see from the other’s point of view is one of the elements of great literature and also of great people. This empathy is a value around which PEN has developed and one which PEN at its best embodies.
A community spread across 99 countries, shaped by different nationalities, cultures, races, religions, and languages, PEN is a fellowship of writers who appreciate the importance of telling a story and defend the writer’s freedom to tell it as he sees it and to tell it in the language of his choosing. Language is the writer’s tool, expressing the music of his thoughts and sounding the chords of his imagination.
Language, imagination and fellowship—all are a kind of homeland that can survive the elements and can even survive politics and war, a homeland, one of whose addresses we like to think is at P.E.N.
Dr. Osundare and I didn’t know each other at the time though perhaps met briefly at the Bled Congress which was attended by more than 275 writers. I know many of his colleagues from Nigerian PEN and at the time from the African Writers Abroad PEN. I made the connection only as I reviewed the papers. Dr. Osundare is now a professor at the University of New Orleans.
Next Installment: PEN Journey 37: Bled: The Tower of Babel—Part Two
PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
PEN’s work attests to the power of the individual and also to a particular vision of globalization that advocates the global right to free expression, a right that supersedes national restrictions.
In February 2005 Orhan Pamuk, one of Turkey’s most noted writers, received threats and had his books burned by nationalist groups objecting to comments he made to a Swiss magazine while he was abroad. He referred to an Armenian “genocide.” While the Armenian community rallied to defend him, their support heightened certain nationalists’ protest in Turkey. Orhan wasn’t in Turkey at the time and hoped the turmoil would die down, but a government official in southern Turkey ordered the seizing of his books from local libraries so that they could be destroyed; it turned out later that there were none of his books in those libraries.
At Pamuk’s request International PEN kept quiet publicly at first. In mid-April Sara Whyatt, International PEN’s Director of the Writers in Prison Committee (WiPC) and I had lunch with Orhan in London to discuss how PEN could help if the threat escalated. I was International Secretary of PEN at the time. We agreed that publicity at this stage could exacerbate the situation; however, we explained that PEN centers could work behind the scenes by direct contacts with their governments, and PEN would be prepared to step into public action should the need arise.
Pamuk intended to stay outside Turkey until late April/early May, but then he would be returning home to Istanbul. Sara stayed in touch with him and shared a plan for action if the threats resumed on his return. Meanwhile we told him PEN would continue to lobby for a change in the Turkish Penal Code that allowed the charges. Key PEN centers, who had good relations with their own governments, and centers from countries with influence in Turkey would make approaches. London’s WiPC would make similar approaches to Turkish officials in Ankara and also through mechanisms at the United Nations, OSCE, and the European Union (EU). At the time Turkey was hoping to become a member of the EU and was attempting to align its judiciary codes with those required by the EU. PEN also worked with the International Publishers Association .
PEN prepared a statement on the situation in Turkey from early 2005 and kept it updated with news and recommended actions for the over dozen PEN centers ready to respond on this case. There was also press guidance should the centers receive queries. Meanwhile PEN continued to work on the other cases of over 70 writers and intellectuals charged or in prison in Turkey, which had long been a country with a revolving door of writers harassed, detained, attacked and sent to prison.
On April 1, 2005 World Peace Day the Turkish press reported:
The investigation against author Orhan Pamuk due to this statement saying, ‘One million Armenians and 30,000 Kurds were killed’ [in Turkey] has ended with a case in which he is accused of violating article 301 of the new Penal Code (same as famous article 159 in the former one) “Insulting Turkish nationality” and with the demand of being imprisoned between six months and three years. The first hearing will take place at Istanbul Sisli No. 2 First Instant Criminal Court on December 16, 2005.
The Public Prosecutor claimed that Pamuk’s remarks in Switzerland’s Das Magazin were an infringement of Article 301/1 of the Turkish Penal Code which states that “the public denigration of Turkish identity” is a crime and that those found guilty should be given sentences ranging from 6-36 months.
With threats renewed by the Public Prosecutor and a lawsuit filed against Pamuk that could result in a three-year prison term, Orhan finally gave PEN the green light to launch its campaign. PEN centers mobilized globally, including in Turkey.
“It is a disturbing development when an official of the government brings criminal charges against a writer for a statement made in another country, a country where freedom of expression is allowed and protected by law,” I noted at the time.
Pamuk’s hearing in December, 2005 was approximately ten years after renowned Turkish writer Yaşar Kemal had been called to trial on similar charges in January 1995. Pamuk told a colleague he would underline two things in his statement:
1. What I said is not an insult, but the truth.
2. What if I were wrong? Right or wrong, do not people have the right to express their ideas peacefully in this Turkey?
At the judicial hearing, PEN members came to stand witness to the proceedings, including WiPC Chair Karin Clark, Turkish PEN President Vecdi Sayar, and International PEN board member and former WiPC Chair Eugene Schoulgin. Armored police officers escorted Orhan as protesters hurled a barrage of eggs and jumped on the car, punching the windshield.
PEN’s observers reported at the time: “The scenes around the first appearance of Orhan Pamuk before Sisli No. 2 Court of First Instance on 16 December 2005 at 11:00 were marked by constant shouting and scuffling turning ugly and violent at times. As those attending the proceedings left the court, eggs were hurled along with insults from the nationalists and fascists among the crowd lining the pavement across the street. This in full sight of the national and international media which had turned out in full…
“The courtroom was packed with well over 70 people—among them famous Turkish writers such as Yaşar Kemal and Arif Damar, and representatives of the European Parliament, several diplomats, members of Turkish and international freedom of speech organizations. The aggression and heckling inside and outside the court did not abate…”
The session ended after an hour and 15 minutes with an adjournment because the Ministry of Justice said that it needed more time to decide on the legal basis of the trial.
Hearing the news of postponement, International PEN President Jiří Gruša declared, “It is unbelievable that Orhan Pamuk, one of Turkey’s best known and eminent authors, is in this situation. What it indicates is a complete disregard for the right to freedom of expression not only for Pamuk, but also for the Turkish populace as a whole. This decision bodes ill for other writers who are being tried under similar laws.”
He added, “PEN demands that the trials against all writers, publishers and journalists be halted and that the laws under which they are being tried be removed from the Penal Code. We also call on the Turkish authorities to put a definitive end to the penalization of those who exercise their right to freedom of expression.”
At the time there were 14 other writers, publishers and journalists on trial under the newly revised “insult” law for criticizing the Turkish state and its officials. These included Ragip Zarakolu, publisher of books by Armenian authors and Hrant Dink, editor of an Armenian language newspaper, who was assassinated two years later.
For Pamuk the charges were dropped in January 2006, though on a technicality rather than on legal grounds protecting freedom of expression. The widespread opposition to Pamuk’s prosecution by PEN and other organizations succeeded, but as Turkish PEN President Vecdi Sayar noted in The New York Times: “There are many people abroad who fail to see beyond Orhan Pamuk’s trial. Saving a writer like Orhan Pamuk from prosecution may stand as a symbolic example on its own. But it is not an overall resolution for other intellectuals and writers that still face similar charges in Turkey.”
In March 2006 Orhan was the featured guest at PEN International’s Writers in Prison Committee’s biennial conference held in Istanbul, hosted by Turkish PEN.
On October 12, 2006 Orhan Pamuk won the Nobel Prize for Literature.
It could be said that the case of Orhan Pamuk signaled a long ride to the end of Turkey’s potential membership in the EU. In September 2006 the European Parliament called for the abolition of laws such as Article 301 “which threaten Europe’s free speech norms.” In 2008, the law was reformed, but according to the reform, it remained a crime to explicitly insult the “Turkish nation” rather than “Turkishness,” and in order to open a court case based on Article 301, a prosecutor was required to have approval of the Justice Minister; a maximum punishment was reduced to two years in jail. In November 2016 the members of the European Parliament voted to suspend negotiations with Turkey over human rights and rule of law concerns. In February 2019 the European Union Parliament committee voted to suspend accession talks with Turkey.
Turkey continues to be one of the most problematic countries for writers, especially on certain topics. While Turkey’s Penal Code relaxed for a while, allowing more space and freedom for writers, in the last years, the code and its execution has grown more onerous than ever.
In that spring of 2005, I attended an event celebrating Press Freedom Day (May 3), hosted by Italian PEN in Venice. There I shared testimonials from writers on whose behalf PEN had worked. I share these again here:
** Cuban journalist and poet Jorge Olivera Castillo was conditionally released from prison in December 2004 after serving 20 months of an 18-year sentence. He wrote:
Your solidarity has been a light in the darkness. Thank you for having elected me as an Honorary Member…[I send] to all of you my gratitude for your messages of support and your unflagging concern.
** Nkwazi Mhango, Tanzanian journalist in exile, wrote:
Believe it or not tears are gushing as I am writing this message. No way in whatsoever manner my family and I can reciprocate your love and commitment to our plight. THANKS AGAIN AND AGAIN AND AGAIN MORE.
** On a sadder note the following was received from Tunisian internet writer Zouhair Yahyaoui, who died suddenly in March 2005 from a heart attack after he’d been released from prison:
Your email gave me once again a lot of hope for a better future in my country at a time when the dictatorship uses all illegal and barbaric means to make us give up and abandon all forms of protest…The fact that I continue to struggle to obtain our right to freedom of expression, here in Tunisia, is thanks to support of members of International PEN and other international organizations. Thank you again to you, to the Writers in Prison committee of International PEN and to all the PEN clubs all over the world who have supported me enormously during my imprisonment and who continue to do so.
** And from Chinese writer Jiang Qisheng:
… I am not a remarkable person. I am just an ordinary guy who did something extraordinary because it was the right thing to do…If my own case has any special significance it is only that it forces people to face a highly embarrassing fact—the fact that even now, in the dawn of the 21st century, a Chinese citizen can be imprisoned for what he says.
** I ended with a passage from the book This Prison Where I Live, the collection of prison writings drawn together by International PEN’s Writers in Prison Committee. In the afterword Malawian poet Jack Mapanje, who himself was in prison during the autocratic rule in his country, tells how bits of news managed to get smuggled into him in his concrete cell filled with spiders and cockroaches, scorpions and bats and bat droppings.
I found the note, unusually fat…I found a bulletin of typed world news and two poems by Brecht…Pat also enclosed two honorary membership cards from International PEN’s English and American centers, issued in London and New York respectively. They each bore my name. I had been made a member of PEN. Well, well, well!…
Then there was a cutting from Britain’s Guardian newspaper. Lord Almighty! A picture of Ronald Harwood, Harold Pinter, Antonia Fraser, and other members of English PEN reading from my book of poems in protest at the Malawi High Commission in London! It must sure have an effect, I thought. Ten thousand miles away, among the cockroaches of the prison where I lived I felt utterly humbled. Shattered. Such generosity, such warmth I surely did not deserve. All for one slim volume of poems? Why hadn’t I written more poems? I was dumbstruck. Despair vanquished. ‘I am belonged,’ I heard myself whisper.
Next Installment: PEN Journey 36: Bled: The Tower of Babel—Part One
PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
PEN has always been about building bridges, finding the byways of fellowship among writers whose currency is language and imagination and whose hope is that even with radically different histories and backgrounds, writers might find a way to sit down across a table from each other and share stories and listen to each other and thereby have a beneficent influence on the way they and their societies see themselves and others.
It is an idealistic goal that has been battered in PEN’s hundred year history, and yet the organization continues; the dialogues continue, and writers from over 100 countries continue to meet and talk, even from countries whose governments have not found peace in decades. There have been moments of seeing that optimism realized, at least for a time, and also seeing it smashed.
The next section of these PEN Journeys covering the years 2004 (PEN Journey 33) through 2007 (August) will focus on my years as International Secretary of PEN International. I will travel through events chronologically, the number of events increasing considerably as the role demanded. I will try to knit these together as we continually try to do as an organization.
In January, 2005 we held our first board meeting of the year in Vienna where PEN President Jiří Gruša had recently taken up the position as Director of the Diplomatic Academy of Vienna which hosted us. The formal board meeting itself took place in the basement of the hotel restaurant where we were staying. Around the table in the cozy space where we sat on chairs and on a long booth was PEN’s diverse board from Algeria, Colombia, France, USA, Czech Republic, Denmark, Finland, Croatia, Australia, Norway and Japan. The search for an executive director, the new financial and employment systems going into place in the office, an upcoming meeting in Stavanger, Norway with the old Cities of Asylum Network, and an upcoming meeting in Diyarbakir, Turkey with Kurdish and Turkish PEN—all populated the agenda as did the omnipresent discussions on fundraising.
For me, the imminent departure of my Marine son from the combat zone in Iraq hovered in the corner of my mind. We were staying at a pension hotel with small rooms—single bed, dresser and nightstand; I could almost touch the walls on both sides. Outside it was snowing. I’d come to Vienna unprepared for the snow and had bought at a sale a large puffy yellow coat that now draped across the bed for warmth. At night in the dark as I fell asleep, I thought about my son and one night dreamed a desperate dream. Then the phone rang; it was 1:30 in the morning. My husband’s voice woke me. “Wheels are up!” he declared. “They are on their way home!” I still remember the moment, lying there in the dark, snow glistening in the light through the small window and feeling as though the walls had suddenly expanded and a weight lifted that I hadn’t been fully aware I was carrying. The memory…the snow, the Cathedral we passed each day in the square and at dusk in the evening, the puffy yellow coat…
I was wearing that same coat as snow fell later that month in Washington, DC the day my son finally pulled into our driveway. I was sitting on the front porch swing in the snow waiting for him, thinking about the hotel room in the dark, the restaurant basement where we helped craft a conference for writers from the hostile parties in Turkey and another to find sanctuary for writers fleeing oppression—all these memories are wrapped together in a moment of return and of the spirit lifting and life opening a corridor to walk down.
The next meeting I attended that winter on February 15, 2005 celebrated the 80-year anniversary of Czech PEN. In Prague Jiří and I toasted the endurance of his PEN Center which had been founded by Karel Čapek and 37 Czech writers on that day in 1925. Czech PEN had survived the Second World War, the Cold War, the Soviet occupation and finally the liberation. Former prisoner, playwright and PEN member Václav Havel had become President of the country and his good friend and also prisoner Jiří Gruša was now President of International PEN. Under the auspices of the Minister of Culture, we met with Havel and playwright Tom Stoppard, himself Czech, and Jiří Stránský, President of Czech PEN at the Louvre Café where the original PEN gathering had taken place. Later, the Mayor of Prague hosted a reception with Czech PEN members in the Old Town Hall where he opened an exhibition celebrating “Eighty Years of the Czech PEN Club.”
The following week Writers in Prison Director (WIPC) Sara Whyatt and I traveled to the city of Stavanger, Norway which sat on the sea with a harbor and ships at dock. The Stavanger meeting brought together PEN and members of the now disbanded International Parliament of Writers, an organization founded after the fatwa against Salman Rushdie. The Parliament of Writers had developed a program to house writers in cities of asylum, but the Parliament of Writers no longer functioned. Many of the cities, however, still wanted to continue their hospitality for writers at risk. Stavanger itself hosted writers, including poet and novelist Chenjerai Hove, who’d been president of Zimbabwe PEN until he’d had to flee the government of Robert Mugabe. Hove was a fellow at the House of Culture in Stavanger until he passed away in 2015.
Helge Lunde, director of the Stavanger International Festival of Literature and Freedom of Speech convened PEN, representatives from the old Parliament of Writers and representatives from some of the cities that wanted to continue the program. In a several day meeting, the outlines of what would become the International Cities of Refuge Network (ICORN) were laid down with PEN as the vetting organization for applications and also a source of hospitality when writers arrived in their new temporary homes. ICORN remains active today in partnership with PEN in over 70 cities which promote and protect freedom of expression and host writers and artists at risk by providing housing, an income, literary arenas, scholarships and grants. PEN’s Writers in Prison Committee and ICORN regularly hold biennial meetings together.
The following weekend at Princeton University the relatively new Independent Chinese PEN Center (ICPC), founded in 2001, honored Liu Binyan, one of its founders and first President. ICPC’s members live both in China and abroad. The PEN Center gave them the ability to talk with each other and hold programs together, often in Hong Kong. Because of his writing and criticism of the Chinese Communist Party, especially after Tiananmen Square, Liu Binyan had not been allowed to return to China after an academic stay in the U.S. Though he never saw China again, in the U.S. he wrote and worked as Director of Princeton University’s China Initiative. (Nobel Laureate Liu Xiaobo was also a founder of ICPC and its second president.) At the dinner at the Princeton Faculty Club, ICPC members and China scholars presented Liu Binyan the book Living in Exile, written by distinguished essayists in China and abroad and dedicated to Liu who had spent considerable time in detention and in and out of labor camps. Later that year Liu Binyan passed away at his home in New Jersey.
In March “The International PEN Diyarbakir Seminar on Cultural Diversity” convened the largest and most ambitious conference that quarter in the primarily Kurdish southeast of Turkey. For years the Writers in Prison Committee had focused on cases in this dangerous region where fighting between the Kurdistan Workers Party (PKK) and the Turkish military had resulted in multiple imprisonments and killings. However, a rapprochement appeared to be expanding between the government and Kurdish citizens. In this space, PEN International had been working with Kurdish PEN and Turkish PEN to prepare this historic meeting of the two centers, along with PEN’s leadership of the Translation and Linguistic Rights Committee (TLRC). For the first time Kurdish writers and Turkish writers would speak side by side from the same stage in Kurdish and Turkish with translations of each language.
My predecessor as International Secretary Terry Carlbom had been instrumental in the planning, and we all agreed he should continue as coordinator of the seminar. Seventy delegates from a dozen countries gathered in the ancient city of Diyarbakir/Ahmed for five days. Diyarbakir dated back at least 5000 years, one of the oldest cities in the ancient land of Mesopotamia between the Tigris and Euphrates Rivers. Later it was dominated by Persia and by Alexander the Great. Because of its strategic position, Diyarbakir’s sovereignty changed many times, was part of the Roman empire, later conquered by the Arabs in 639, by Tamerlane in 1394; the Ottomans conquered in 1515. Diyarbakir continued through cycles of battles for control.
Old Diyarbakir was a standard Roman town circled by a wall, the stones of which still stood. The black basalt wall was said to be second only to the Great Wall of China. Within the walls a labyrinth of cobbled streets and alleyways unfolded, leading to towers where we could see the rivers and gardens and the city’s mosques and street life below, where caravan travelers used to stop on the silk road.
Before the conference began, PEN International Program Director Jane Spender and I explored the twisting paths and shared black tea in a central plaza with Carles Torner, vice chair of the Translation and Linguistic Rights Committee. As an American whose national history extended back barely 400 years, this accumulation of history in the streets and walls and buildings was mind-bending. In stones, in ideas…where did history reside and how did it evolve?
On the first evening Diyarbakir’s Lord Mayor Osman Baydemir greeted us at the Town Hall for a Newroz (New Year’s) reception. I thanked him on behalf of PEN for all he and the city had done to support this seminar. “It is a treat for us to visit one of the world’s oldest cities, with a history that could occupy the imagination of a community of writers like us for years to come,” I said. “Central to the Charter and ethos of PEN is a celebration of the universal which binds us as human beings and of the diversity which distinguishes each individual—the specific history, language and culture. It is our challenge and our aspiration as writers and members of PEN to provide the forums where cultures don’t clash but communicate. That is what we hope to do here in Diyarbakir.”
The first full day of the seminar we spent at the Newroz Festival. Our delegation was seated in an honored place in the bleachers which turned out to be behind the mother of Abdullah Öcalan, one of the founders and leaders of the PKK who was currently in prison. On the grounds in front of us spread thousands/ hundreds of thousands—some said a million people—celebrating the Kurdish new year, a time that coincides with the March equinox. Terry Carlbom and I were soon escorted to the main stage where we stood looking out over a sea of people as far as we could see, many in colorful local dress. Because PEN is specifically a nonpartisan/nonpolitical organization, we felt some ambivalence at the appearance of being swept into the Kurdish cause; on the other hand, the experience was one I won’t forget. The day was celebratory without violence. If there were political speeches, they were not translated for us, and we were accompanied by our Turkish colleagues who also attended.
That evening in opening the conference, I noted, “In Diyarbakir/Ahmed this week we’ve come together to celebrate cultural diversity and explore the translation of literature from one language to another, especially to and from smaller languages. The seminars will focus on cultural diversity and dialogue, cultural diversity and peace, and language, and translation and the future. This progression implies that as one communicates and shares and translates, understanding may result, peace may become more likely and the future more secure.”
The official program began with the Lord Mayor and the President of Kurdish PEN Dr. Zaradachet Hajo and the President of Turkish PEN Mr. Üstün Akmen and a keynote speech by Kurdish author Mehmed Uzun. The following evening Turkish writer Murathan Mungan delivered an introductory address to a public gathering.
At the conference itself Kurdish and Turkish writers, poets, publishers and translators shared history and literature across their linguistic borders. Through discussion and readings and performances, they addressed the importance of cultural diversity as a value in a culture of peace.
Renowned Turkish/Kurdish novelist Yaşar Kemal, former president of Turkish PEN, had been invited but was ill and sent a message instead. He noted that the world was going through a difficult period and was faced with terrible destruction. He asked, “What makes human beings? Love, compassion, peace, friendship…Human beings are the only creative beings in the world.” Local cultures are being destroyed and with that is the destruction of languages and art and values, he said. In life and death we have to stand against a terrible destructive force in favor of local and national culture. “I believe your meeting will be successful,” he predicted.
Kata Kulavkova, Chair of the Translation and Linguistic Rights Committee emphasized the importance of the capacity to imagine, the importance of cultural memory and openness to dialogue. “Europe needs all identities, including Kurdish identities,” she said, noting that every culture is the center of the world for itself. “Turkish and Kurdish culture depend on each other to promote Turkish/Kurdish universal culture.”
Hüseyin Dozen of Kurdish PEN noted that literary translation helps a language to flourish; languages that are not standardized are enriched by literary translation which is an art rather than a scientific discipline. As far as languages that have no official status or have been prohibited, oral literature plays a central role, and the work of a translator must not neglect this kind of literature in his work.
PEN Vice President Lucina Kathmann led a discussion on “Bridging Borders” among women writers. Müge Sökmen of Turkish PEN moderated a discussion on Diversity and Literary Translation; Kurdish PEN member Berivan Dosky moderated a discussion on Cultural Diversity and Peace; Turkish PEN’s Vecdi Sayar led the discussion on Cultural Diversity and Dialogue, and Aysu Erden of Turkish PEN moderated a panel on Cultural Diversity and Linguistic Diversity.
One of the highlights of the conference was a visit to Hasankeyf, reputed to be the oldest continuing settlement on the planet and a cradle of civilization. Built into the sandstone cliffs in southeast Turkey, Hasankeyf had yielded relics that dated the site even earlier than the 12,000 years recorded, perhaps as old as 15,000 years. This Kurdish town of southeast Anatolia was threatened by a dam the Turkish government planned to build on the Tigris River. The Ilisu Dam would drown the town as the water was diverted and eventually would submerge Hasankeyf under as much as 400 feet of water.
As we journeyed up the stone steps to the ruins of Hasankeyf Castle and later as we ate lunch in a cave, then bought small souvenirs from children who lived in the town, our delegation fell in love with the setting and the people. Several of us returned home and began writing about Hasankeyf in an effort to preserve its heritage. We were not alone. Worldwide protests to save this ancient site had been lodged, and the dam had been delayed. I set a google alert so that every time there was mention of the Ilisu Dam, I would know. Lucina Kathmann and I began exchanging latest news.
In spite of worldwide protests, the giant Ilisu Dam was completed after many delays in July, 2019. It began to fill its reservoir, tapping water from the Tigris River and diverting it from Iraq. The rising water levels are now slowly submerging the town of Hasankeyf, flooding the area which had been settled for millennia. The population for the most part has had to move. The waters have risen 15 meters and continue to rise around 15 centimeters per day, according to a February report by Reuters.
Turkey’s rapprochement with the Kurds has also taken a turn away from the opening and the cultural diversity we celebrated in the 2005 Diyarbakir Seminar. But literature was exchanged there; friendships were made, and the dialogue among PEN members continues. Individual by individual has always been the strength and the modus operandi of PEN.
Next Installment: PEN Journey 35: Turkey Again: Global Right to Free Expression
A few days before I flew out to Dakar, Senegal for a PEN conference in November 2004, my youngest son, a Marine in Iraq, called and told my husband and me that we would not hear from him for a while. We knew, without being told, that the U.S. and British troops were likely about to return to Fallujah, the center of the insurgency. Civilians there had been advised to get out of the city, and they were leaving.
On the opening day of the PEN conference in Dakar, November 7, 2004, the battle for Fallujah began. The headlines in the newspapers in Dakar were about the civil war raging in neighboring Ivory Coast so I was not reading about Iraq during the five-day PEN Africa meeting. In 2004 there were no iPhones or phone news feeds and rare coverage of the Middle East was on the evening news. I was quietly attentive each day and prayerful and focused on PEN’s work.
I have modest notes from the first PAN Africa conference, but I have some of my most vivid memories, most particularly of the people I met and of my first trip to Gorée Island just off the Senegalese coast opposite Dakar, a place of its own historic upheaval. Gorée Island was the site of the largest slave-trading center on the African coast from the 15th to the 19th century, ruled successively by the Portuguese, Dutch, English and French. The dungeons and portals to the sea where men and women and children were sent out in chains still stood along with the stucco houses of former slave traders.
A tall Gambian doctoral student assisting Senegalese PEN guided a few of us around Gorée. Fluent in French, English and Spanish, he was writing a doctoral thesis on the secrets of history and myth in the epic of Kaabu according to Mandingo oral traditions—clearly a future PEN member. Thoughtful, knowledgeable, he spent the day sharing history. During and after the Dakar meetings, our paths crossed in subsequent PEN conferences and congresses, and we know each other still. Dr. Mamadou Tangara earned his doctorate at the University of Limoges in France shortly after and eventually became the Gambian Permanent Representative to the United Nations. During Gambia’s constitutional crisis in 2016-17, he and other diplomats called for the president to step down peacefully; he was dismissed, but when power changed hands a few months later, he was reappointed as Minister of Foreign Affairs for the Gambia. The friendship with Mamadou Tangara remains and is one of my many valued friendships from PEN.
Mamadou’s mentor at the time was an older Gambian journalist and editor Deyda Hydara, who joined PEN members from more than a dozen African centers in this conference to prepare for PEN’s first PAN African World Congress in Senegal in 2007. The Congress would be PEN’s first in Africa since the 1967 Congress in the Ivory Coast when American playwright Arthur Miller was International PEN President. Though the Gambia didn’t yet have a PEN Center, Deyda was planning on starting one. At the time Deyda Hydara was co-founder and primary editor of The Point, a major independent Gambian newspaper. He was also correspondent for AFP News Agency and Reporters Without Borders and was an advocate for press freedom and a critic of his government’s hostility to the media.
A month after PEN’s Dakar conference, the Gambian government passed a bill allowing prison terms for defamation and another bill requiring newspaper owners to purchase expensive operating licenses and register their homes as security. Deyda Hydara announced his intent to challenge these laws. Two days later on December 16, 2004 Deyda Hydara was assassinated on his way home from work. To this day his murder remains unsolved. The following year Deyda Hydara won PEN America’s Freedom to Write Award posthumously and later the Hero of African Journalism Award of the African Editors Forum.
Deyda Hydara was a dynamic voice for writers at the PEN Dakar conference and for the need of PEN’s African centers to work together against repressive press laws.
The theme of the Dakar meeting—“New Partnership for African Development and Culture”—involved coordinating work among PEN’s African centers, including the nomination of a candidate for International PEN’s board at the 2005 Congress in Bled, Slovenia, assistance to dormant African centers and support for creating new African centers. (There are now more than 25 PEN centers in Africa.) Several African PEN centers also committed to working together in fundraising for projects. Remi Raji of Nigerian PEN took on the role of PAN coordinator, and Mike Butscher, executive secretary of Sierra Leone PEN, was the administrator.
PAN (PEN African Network) was relatively new. In 2001 Dr. Vincent Magombe, a Ugandan journalist and member of PEN’s African Writers Abroad Center and member of PEN’s first International Board and Terry Carlbom, PEN’s International Secretary, had taken a trip to visit many PEN African centers in order to promote activity and develop greater participation in Africa. At the 2003 Mexico Congress members from seven of PEN’s African centers met to launch the PEN African Network (PAN). At the 2004 Congress in Norway representatives from twelve African centers came together for a PAN meeting. By Dakar PAN had grown to over a dozen of PEN’s African centers who agreed to help plan the 2007 World Congress in Dakar.
The implementation and heavy lifting for the Congress would depend on PEN Senegal, one of the oldest and best organized of PEN’s centers in Africa. Senegalese PEN had offices, a small theater and even housing for visiting writers, administered by its General Secretary, poet Alioune Badara Bèye. Because the country’s first President (1960-1980) Leopold Sédar Senghor was himself a renowned poet and a Vice President of International PEN, Senegal had a long tradition of support for literature that was unparalleled in most countries.
The Dakar PAN conference opened on the International Day of the African Writer and was coordinated with the Senegalese Writers’ Association and presided over the by the Minister for Culture. The ceremonies included a literary evening along with traditional Senegalese instrumental ensembles and dance.
The planning work for the 2007 Congress got underway the following day in a large meeting room in Senegal PEN’s writers’ compound. As International Secretary, I addressed the gathering and shared a 1922 news report about PEN that began: Le Coeur n’a pas de pays. (The heart has no country) then continued: “Today when many are claiming a clash of civilizations and fear across borders is rising, PEN can continue to demonstrate international fellowship through its literary programs, its work on behalf of imperiled writers, its support of writing in all languages and cultures, its assistance to writers in exile and its development of new centers, particularly in Africa. PEN’s strength is its members, and it is a pleasure to be here with committed writers from some of PEN’s strongest and also PEN’s emerging African centers.”
Given the conflict next door in the Ivory Coast and in Iraq, Afghanistan and other areas of the world, it seemed especially important to have these positive actions of fellowship growing. While the PAN conference was serious in purpose, it was also full of comradery. I chaired one session and remember looking out at the table of more than a dozen men and only one woman besides myself. I suggested at PEN’s follow-up conference in Ghana next spring, the centers include their women members. The men looked around the table as though only now noting the imbalance. I smiled. The other woman at the conference Koumanthio Zeinab Diallo from Guinea spoke French, and when the translator repeated my words to her in French, she smiled. C’est vrai! and nodded her approval.
Since I had taken on the position of International Secretary, I’d been studying French to get to a passable conversational level. It turned out Zeinab was studying English with the same goal. Mamadou Tangara set up a competition between us which he judged every time the three of us saw each other over the months and years ahead at PEN meetings. Even with our salad of language, Zeinab and I communicated and often laughed together though I don’t think either of us achieved the fluency we wanted. A poet, Zeinab wrote in Pular as well as French. She also worked as an Agricultural Engineer and was a development consultant for the UN Development Programme.
At the PAN conference Senegalese PEN presented an award and tribute to its member Fatou Ndiaye Sow who had passed away just the month before while attending a meeting abroad. A poet, teacher and children’s writer, Fatou had been a friend to many of us and was an early member of PEN International’s Women’s Committee. I read a tribute to Fatou by Lucina Kathmann, a close friend of hers and early chair of PEN’s Women’s Committee.
When I took on the role of International Secretary a few months before, there was already a full agenda underway, and I was grateful to Terry Carlbom, my predecessor, and to Jane Spender, the Administrative Director; Terry also attended the Dakar conference. The next three PEN Congresses were lined up to be developed—Bled, Slovenia in 2005, Berlin, Germany in 2006, and Dakar, Senegal in 2007. Each of these would be hosted by experienced PEN centers so while much work was yet to be done and funds raised for these Congresses and for other activities ahead, solid groundwork had been laid.
A new initiative in those early days as International Secretary was to revive and develop PEN’s presence in the Caribbean. The request originated with the UNESCO representative in Jamaica who was himself a writer. A proposal to explore the possibility was developed in partnership with Canadian PEN’s Executive Director Isobel Harry, who’d spent time in Jamaica, had known one of its most famous residents, musician Bob Marley, and knew numbers of Caribbean writers living in Toronto, some of whom were members of Canadian PEN.
Historically, the Caribbean had been underrepresented in PEN except for the existing Puerto Rican Center and a Jamaican PEN Center that had been active from 1948 until the early 1980’s but had disbanded in 1987.
The Caribbean was enjoying a literary renaissance with events like the CARIFESTA (Caribbean Festival of the Arts), the Calabash Literary Festival and with St. Lucia’s Derek Walcott winning the Nobel Prize for Literature.
In early December, 2004 Isobel and I traveled to Jamaica to meet with writers, professors and UNESCO to determine who and how a PEN center might be launched. PEN Canada had an ongoing relationship with Caribbean writers as did Quebecois PEN, which was working with Haitian writers to help develop a PEN center there. Haitian writer Georges Anglade, who lived part time in Montreal and was the founding President of Haitian PEN, had recently attended the PEN Congress in Tromso, Norway. (Ref Haitian Farewell)
At the minimum, to form a new PEN center at least 20 qualified writers have to come together, sign and agree to commit to the Charter of PEN and propose a reason and program for their center.
Isobel and I flew to Kingston, arriving from the early blasts of winter into the Jamaican sun. It was not hard duty. Over the course of three days we met with a dozen writers, professors, festival organizers, human rights activists and the UNESCO representative Alwin Bully, who was also Chair of the CARIFESTA Task Force. UNESCO’s mandate was to integrate the Caribbean, and Alwin Bully saw PEN as a unifying organization and thought a PEN Center might include writers from many of the Caribbean islands.
Isobel and I met with him several times as well as with the founders and producer of the Calabash International Festival and with journalists from the Jamaica Observer, professors at the University of the West Indies, chief curator of the National Art Gallery, the Vice Chancellor of the University of the West Indies, and the former head of the Human Rights Council. All were enthusiastic about the possibility of a PEN Center.
Colin Channer and Kwame Dawes, founders of the Calabash International Literary Festival, offered to host a planning meeting before the next festival. UNESCO offered to fund the workshop/planning session and include writers from many Caribbean countries. The Vice Chancellor of the University of the West Indies, which had three main campuses in Barbados, Trinidad and Jamaica, said the university could perhaps provide institutional support. Professor Carolyn Cooper of the Department of Literature in English and board member of the Calabash Festival and a writer said she’d be glad to be a founding member and help recruit so that the PEN center had an inclusive group of all types of writers.
Florizelle O’Connor, the former head of the Human Rights Council and member of the UN Sub Commission on Human Rights was also enthusiastic about a PEN center. She felt the right to freedom of expression and access to information were issues that needed protecting in Jamaica and the Caribbean.
Questions arose on where a Caribbean PEN center would be located—Jamaica, Trinidad, other? Other writers, including journalists from the Jamaica Observer, emphasized that a center would need equal representation of writers and journalists and no one constituency should be keeper of the PEN flame.
Writers who lived part time in Jamaica and part time in Toronto, New York, London and elsewhere noted that most writers far from home sought ways to keep strong the bonds and identity with the Caribbean; a PEN center could help. Each interview resulted in a list of at least four to six more people to speak with, including later Marlon James, who would eventually win the Man Booker Prize.
At the end of our three-day trip circling Kingston aglow with red, green and gold Christmas lights and swaying palm trees, we concluded a PEN Center would happen. At its best it could bring together writers, journalists and creative people in the islands and provide further access to each other, broaden access to the world of literature and enable writers to present a collective voice for greater impact on issues such as freedom of expression.
The writers would have to decide the questions ahead—who would be eligible, the balance of journalists and creative writers and the diasporic writers whose numbers might exceed the local writers. A large unresolved question was whether the PEN center would be Jamaican PEN as in the past or a pan-Caribbean PEN.
As we left the island to return to our winter, it was agreed the discussions would continue among the writers, including those Caribbean writers in New York, Toronto and London and with UNESCO. A workshop/planning meeting in association with the Calabash Festival and the University would be held, probably in May 2005. Isobel would return.
In 2006 the Jamaica Center was voted into PEN at the Berlin congress and joined over 135 PEN centers worldwide.**
Next Installment: PEN Journey 34: Diyarbakir and Beyond—Finding Byways for Peace
*Current African PEN Centers: Afar, Afrikaans, Algerian, Egyptian, Eritrean in Exile, Ethiopian, Gambian, Guinea-Bissau, Guinean, Ivory Coast, Kenyan, Liberian, Malawian, Malaysian, Mali, Mauritania, Moroccan, Nigerian, Senegal, Sierra Leone, Somali-Speaking, South African, Togo, Tunisian, Ugandan, Zambian, Zimbabwe
**Current Caribbean PEN Centers: Cuban, Haitian, Jamaican, Puerto Rican
PEN is a work in progress. It has always been a work in progress during its 100 years. Governing an organization with centers and members spread across the globe in over 100 countries can be like changing clothes, writing a novel and balancing a complex checkbook all while hang gliding. Perhaps an exaggeration, but not by much.
In 2004 the leadership of President and International Secretary were at the center of the governing structure along with the Treasurer and a relatively new Board. The President represented PEN in international forums. The International Secretary was tasked with overseeing the office and the centers of PEN and with any tasks the President handed over like running board meetings and setting up the agenda for work. The concept was that PEN should be able to elect as President a writer of international stature to represent PEN in global forums but not have the obligation to run the organization. That could be the role of the International Secretary, along with the Board and staff.
When I assumed the role of International Secretary, PEN did not yet have an executive director, though the consensus had built from the strategic planning process that we needed one. Both the President and International Secretary were volunteer, unpaid positions, which meant they were not full time. At the post-Congress board meeting after Tromsø, we agreed to begin a search for an executive director.
I suggested monthly board meetings, which had not been the practice. We could do these by phone, which meant there were only a few hours a day when everyone would be awake. If Judith Rodriguez in Melbourne, Australia could stay up past 11pm and Eric Lax in Los Angeles didn’t mind waking up at 7am, the rest of us—Takeaki Hori in Japan, Sibila Petlevski in Croatia, Eugene Schoulgin in Norway, Elisabeth Nordgren in Finland, Cecilia Balcazar in Colombia as well as President Jiří Gruša when he joined from Vienna or Prague and me in Washington, DC or London—could find our time zone and call in. The technology was not as sophisticated as today, and we didn’t yet use skype so the calls were not cheap, but we began to manage each month.
As International Secretary, I was in charge of overseeing the office and staff, working with centers on conferences and projects and along with Jiří, liaising with our partners like UNESCO. Administrative Director Jane Spender and I drew up the agenda for each board meeting. I always checked with Jiří to see if he had items to add and to see if he wanted to join the board meeting. I chaired most of the board meetings and much of the Assembly of Delegates at the Congresses. English was not Jiří’s first or second language, and he had other large obligations. During his presidency, he took on the Directorship of the Diplomatic Academy of Vienna, where we held our winter board meetings. This division of tasks between Jiří and me was quite different when the next President John Ralston Saul took on the presidency in 2009, along with Takeaki Hori as International Secretary. John was a much more hands-on President than Jiří. The President and International Secretary were a team and usually agreed between them who would do what.
One of my most important and enjoyable partnerships was with Administrative Director Jane Spender, who was promoted to Program Director for Jane had been instrumental in the thinking and execution of PEN International programs first years. I tried to spend at least a week to 10 days each month in London or on the road for PEN. I was able to finance my travel outside of PEN’s budget. Jane and I worked closely together as we outlined what yet needed to be done in PEN’s move to modernize systems. Each International Secretary had operated in a way that worked for the time. In my tribute to retiring international Secretary Terry Carlbom, I’d noted that early in PEN’s life, around 1924 at a meeting in Vienna, the French representative had turned to the German representative and said, “PEN means Paix Entre Nous (“Peace between us.”).* Members did not always agree with each other and would perhaps even get angry, but the hope was that members would honor and serve that acronym well.
After Terry debriefed me at the PEN Congress in Tromsø, one of my first visits was to Paris to talk with former International Secretary Alexander Blokh, who had held the position for 17 years, to listen to his experience. The times and the demands were changing from Alex’s day as PEN grew and as the world sped up and shrank at the same time with the advent of the internet.
One of my early calls was to George Gawlinski, who had taken PEN through the strategic planning process in Bellagio in 2003 (see PEN Journey 28). George’s advice was that we hire an interim executive director while we did a search for an executive director. He said he happened to know that one of the best in that business was available, a man named Peter Firkin. He could come in, help us get systems in place like employment policies which we didn’t have, a budget which we didn’t have and help set up the systems the office would need to appeal to a first rate executive director and also begin relieving the impossible workload Jane and the staff bore. Jane and I interviewed Peter together. After about twenty minutes (or less), we exchanged relieved glances over the table and knew we had found who we needed for that moment.
A grey-haired New Zealander with wide experience with organizations and a love for books, Peter spoke with the Board and Jiří, and PEN hired him to come in several days a week to begin helping, including assisting in the search process. My notebook of lists had already grown quite full, and now these lists Jane and I allocated among the three of us. One of the big tasks was to develop an overall budget for the organization. The Writers in Prison Committee operated with a budget, but the rest of the organization operated project by project and at the end of the year, a list of expenses and income was recorded. There was not a budget projected forward for the whole organization, rather an accounting of money spent and money received. The only way to draw up PEN’s first budget was to look at what was spent the year before and project forward. The budgeting processes also needed to be set in place. American PEN sent over its financial director to work with the London office for a week with Jane and Peter and the Treasurer Britta Junge Pedersen and bookkeeper Kathy Barazetti. It took a while, but we eventually had a comprehensive, estimated budget for the whole organization.
Another task was to revise our status with the British Charity Commission, which oversaw all charities in Britain. The work of human rights organizations had been regarded as being political in nature, therefore not permitted charitable funds. Some organizations like International PEN had set up charitable trusts—the International PEN Foundation—to raise funds for their educational work. But with a change in the law, human rights organizations were now accepted as a-political. With Peter’s help we found a law firm that could take us through the process to dissolve the International PEN Foundation so International PEN could operate as one charitable organization.
We also found new and highly respected auditors. All these were the nuts and bolts on the continued journey to improve and modernize International PEN. During Terry Carlbom’s tenure as International Secretary, we had gotten rules and regulations and procedures updated and approved and the strategic planning process underway. The tasks and lists to get International PEN operating more efficiently seemed endless, but each day Jane and I checked more items off the lists.
We hired a highly recommended search firm, which Human Rights Watch had used successfully. Jane and Sara made it clear they did not want to be considered for the position of executive director. Jane was made the Program Director and Sara remained the Director of the Writers in Prison Committee. The board set up a committee to oversee the search, to read resumes given us, help set out the tasks and interview questions for finalists and ultimately to interview final candidates. The committee included Eric Lax, Eugene Schoulgin, myself, and Peter Firkin. We consulted closely with Jane and Sara who also interviewed the finalists.
All of this work related to the systems of the organization and were interesting and enjoyable because of the colleagues I was working with even with long hours and sandwiches for dinner at the office. But the most fun was the programs and going out into the world and working with writers. My first trip was to Dakar, Senegal, where one of our oldest African Centers had committed to host the 2007 PEN Congress and was bringing together all the African centers for a conference. One of PEN’s early Vice Presidents had been poet Leopold Senghor, who was also the first President of Senegal. A sentence I wrote and memorized before going there I remember to this day: Il n’a que qelques autre pays dans le monde ou l’ecrivain est plus honore qu’au Senegal. “There are few countries in the world where the writer is more honored than in Senegal.”
In December I left for Jamaica with Canadian PEN’s executive director Isobel Harry. Writers in Jamaica, along with UNESCO’s representative there, wanted to start a PEN Center for the Caribbean.
*P.E.N. acronym stands for Poets Essayists and Novelists; along the way it expanded to Poets Essayist/Editors and Novelists
Next Installment: PEN Journey 33: Senegal and Jamaica: PEN’s Reach to Old and New Centers
The week before PEN’s 70th World Congress in Tromsø, Norway in the Arctic Circle, my oldest son competed in the Athens 2004 Olympic Games, the only wrestler to qualify for TeamGB (Great Britain). He had dual citizenship and was the first British champion to qualify for the Olympics in wrestling in eight years. In his sport, there was no seeding of competitors; instead, after making weight, each wrestler reached into the equivalence of a hat and drew their first round competitions. True to his history, my son drew the best opponents. As one news commentator noted: “Coming to the mat is Nate Ackerman, born in the US, wrestling for Great Britain, getting his PhD in mathematics at the Massachusetts Institute of Technology…but that won’t help him now as he faces the three-time World Champion from Armenia.” My son lost to the Armenian wrestler. His other opponent was the world bronze medalist from Kazakhstan who went on to win the silver medal at the Olympics. Though my son didn’t win either match, he also didn’t get pinned, and he wrestled nobly. The Olympic Games in Athens was a magical time.
I was heading to Tromsø with a smile inside, though behind my smile was also a quiet attention that never left me for my youngest son, a Marine, was in Anbar Province, Iraq that summer, patrolling in 120° and alert for IED’s and snipers along the roadside. He had missed his brother in the Olympics and his brother missed being able to talk with him.
As I changed planes in northern Europe, I realized I was going to need a coat in the Arctic Circle and bought a light foldable one at an airport shop which I took to a decade worth of PEN Congresses after. On the plane I reviewed the stack of PEN papers and resolutions.
I was arriving at the Congress having agreed to stand for International Secretary. (See PEN Journey 30). The other PEN member standing was Giorgio Silfer, a poet and playwright and president of Esperanto PEN.
Norwegian PEN hosted over 300 writers, editors, and translators from at least 60 countries for the 70th World Congress whose theme was Writers in Exile—Writers in Minority Languages. The Rica Arctic Hotel where we stayed and met was an easy walk to the small downtown of Tromsø, capital of northern Norway, well above the Arctic Circle and called “the Paris of the North.”
Kjell Olaf Jensen, President of Norwegian PEN, reminded delegates that the Congress themes reflected the literary scene of Tromsø, which would soon join the International Network of Cities of Asylum as the fifth Norwegian city. (This network later developed into the International Cities of Refuge Network (ICORN) in 2006 with PEN’s Writers in Prison Committee as a partner and with the inaugural meeting in Stavanger, Norway.) One of the guiding voices in the exile network Professor Ole Danbolt Mjøs, director of Tromsø University’s Peace Center and President of the Norwegian Nobel Committee, spoke at the Welcome Party Ceremony as did Ole Henrik Magga, President of the Sami Parliament. Half of the estimated 50,000 Sami in the world lived in Norway. Crown Prince Haakon of Norway officially opened the Congress the next day noting, “Freedom of speech is a source of power. If used constructively, it is amazing what speech can do. It can fight corruption, free political prisoners, and make oppressive regimes crumble.”
The two themes of writers in exile and writers in minority languages intertwined throughout the Congress with readings and round tables at cafes and pubs in the midst of Tromsø’s annual International Literary Festival and the International Nana Festival of Aboriginal people. Literary and musical programs included the Sami singer Mari Boine in the Arctic Cathedral and the work of the celebrated but deceased Sami poet, singer, and writer Nils Aslak Valkeapaa. PEN’s programs highlighted some of Norway’s own writers in exile: Mansur Rajih from Yemen, Soudabeh Alishahi from Iran, Islam Elsanov, a film maker from Chechnya, and Chenjerai Hove from Zimbabwe as well as guests Reza Baraheni (Iranian writer living in Canada), Turkish activist Şanar Yurdatapan, and former Russian prisoner and writer Grigory Pasko.
A conference at Tromsø University under the theme “Should Writers Live in Prison?” preceded the Opening Ceremony. Storyteller Easterine Iralu of the “Nagaland nation” addressed the delegates in the main lecture hall: “Every man is a story and every nation is a bristling galaxy of stories. Every nation should be given the right to tell the story by its own story tellers…We are an oral society. Naga writing is an aboriginal achievement.”
In later panels Lebanese novelist Amin Maalouf said, “Poets and writers must reinvent the world. This is not a task to be left to politicians. Is this a century of bombs or poems?” Norwegian bestselling author Jostein Gaarder expanded the questions: “How wide are the ethical horizons of literature and art? The question for writers and artists at the start of the third millennium must be what shift in consciousness do we need? Literature is nothing less than a celebration of mankind’s consciousness. So shouldn’t an author be the first to defend human consciousness against annihilation?”
At his first Congress as PEN International President Jiří Gruša told the delegates, “I myself have experienced persecution and really esteem people who help authors to freedom. I know how vital it is to have somebody outside the prison who cannot be stopped. ” He challenged writers to invent and combine practical and stylistic literary methods “to conquer plagues and pestilence that threaten human, moral and planetary evolutions.” He and the delegates of the Congress condemned recent terrorist attacks on a school in Beslan, Russia which had taken the lives of hundreds of children just a few days before. Jiří also paid respect to poet, Nobel laureate and PEN member Czeslaw Milosz, who had recently passed away. “It is with deep grief that the PEN family sympathizes with the people of Poland. We shall miss him, but his work will continue to inspire people from one end of the world to the other.” Milosz was a member of the Writers in Exile American Branch of PEN.
In addition to attending the rich literary panels and discussions, PEN’s Assembly of Delegates passed a resolution that urged authorities to assist in freeing Christian Chesnot and Georges Malbrunot, two French journalists currently held hostage in Iran. Encouraged by Nicaraguan poet Ernesto Cardenal, delegates and participants also signed a petition to the Islamic Republic of Iran demanding that Dr. Nasser Zarafshan’s life be protected and that he be immediately and unconditionally released. Delegates also signed a petition to the President and Government of Russia calling for a multilateral dialogue and an end to the violence in Northern Caucasia and a restoration of civil living conditions in the Chechnyan Republic, including open access so that local and national media could report events in the region. (Chesnot and Malbrunot were released from Iran a few months after the Congress, in late December, 2004. Zarafshan was not released until 2007.)
The Assembly passed resolutions from the Translation and Linguistic Rights Committee (TLRC) urging authorities of the Russian Federation to grant cultural rights to all minorities, including use of regional languages, and the same appeal was sent to authorities in Turkey, Iran and Syria regarding Kurdish language and culture.
Writers in Prison Committee (WiPC) resolutions which the Assembly passed focused on the repression of free expression for writers seeking asylum in Australia, on harassment of certain journalists in Canada, attacks on writers in Chechnya, imprisonments in China and Cuba, censorship and harassment of writers in Egypt, arrests in Eritrea, hostage-taking in Iraq, detentions in the Maldives, killings in Mexico, detention and ill treatment in Myanmar, murder in Nepal, killing and disappearances in Russia, bombings and assassinations in Spain, imprisonments in Turkey, restrictions on the free flow of international writing in the U.S., imprisonments in Uzbekistan and Vietnam, and restrictions on free expression in Zimbabwe.
The WiPC resolutions had been discussed at the earlier Writers in Prison Committee meeting where a new chair had been elected from four candidates. Karin Clark of German PEN would replace Eugene Schoulgin, who was stepping down after four years and was running for the Board of International PEN.
At the Assembly of Delegates, Eugene introduced guest of honor, former Russian main case and journalist Grigory Pasko, who told the delegates that “although he had not been able to thank all those who had worked on his behalf while he was in prison, he now would like to thank everyone again and again. Unfortunately he could not now say that Russia had become more democratic, but he would continue to fight to make it so, supported by all his friends in the Assembly hall.”
Election for the Board of PEN included eight candidates for three open positions. Eric Lax (PEN USA West), Judith Rodriguez (PEN Melbourne), and Eugene Schoulgin (Norwegian PEN) joined the Board. Three new centers—Basque, Guatemala and Kosovo—were admitted into PEN.
At his last Assembly as International Secretary Terry Carlbom told the delegates, “Our greatest strength is ultimately our capacity for empathy, compassion and solidarity. Ours is not the solidarity of the collective herd; it is the solidarity of the concerned and caring individual, a solidarity with a fragile world and fragile civilization. And the solidarity that sometimes can provide comfort in the rather lonely process of creative writing…I have been proud to serve.”
At the Congress Terry saw the passage of the final amending resolutions on the Regulations and Rules of Procedure he had dedicated a significant portion of time to as International Secretary. Updating rules and regulations to bring them in line with the changes PEN had made to its governance was not a task for many writers. I was grateful to Terry that these documents were now drafted and a working document for strategic planning was in hand.
The election for Terry’s replacement as International Secretary was between Giorgio Silfer (Esperanto PEN) and myself. Giorgio’s speech to the Assembly was a poem, an unusual and memorable presentation for office. Giorgio was a linguist and a poet and participated actively on the Peace Committee and Translation and Linguistic Rights Committee. I was a novelist and journalist and activist on the Writers in Prison Committee and Women’s Committee. We had both worked with all committees, but we had our corridors and respected each other. My statement was more traditional.
I was elected the new International Secretary of PEN. I glimpsed the work ahead when I sat down with Terry in the hotel lounge after the election. He told me in November I needed to be at Senegal PEN‘s conference with African centers in Dakar in preparation for the 2007 PEN Congress there, and in the spring I was in charge of a conference PEN was holding in Diyarbakir, Turkey with Kurdish and Turkish PEN. Great, I said. Can you show me the budget and program for the Diyarbakir conference? Terry explained that we didn’t have a budget yet, but he offered to continue helping with this conference. I was to learn quickly that unlike the Writers in Prison Committee, the rest of International PEN worked in a more unstructured fashion, without clear budgets but with relationships that usually came through. I began making lists. My tenure as International Secretary would include notebook after notebook of lists of tasks to be done.
A solace as I left that meeting was that I would be working with Jane Spender, Administrative Director, who was smart, a friend, and had gotten PEN through remarkably tight places before. Jane and I both knew that time was not on our side if we didn’t modernize further. I put on my new PEN coat and went for a brisk walk with Jane in the drizzle towards the next venue. PEN International had been asked for the first time by a major funder to provide an evaluation of a major grant. No one before had asked that of PEN, but it would surely be asked more and more in the future. We walked down the wet Tromsø streets considering what was before both of us. We had to figure out how to do an evaluation and much more…
Next Installment: PEN Journey 32: London Headquarters: Coming to Grips
I was having lunch with my husband at a Georgetown restaurant in Washington, DC on a Saturday in May, 2004. I was due to fly out the next day for Barcelona to attend International PEN Writers in Prison Committee’s 5th biennial conference, part of a larger Cultural Forum Barcelona 2004. My husband and I were talking about our sons—the oldest was getting a PhD in mathematics and was also training for the 2004 Olympics as a wrestler, hoping to make the British team. (He had dual citizenship.) The younger, recently graduated with an advanced degree in International Relations, had just deployed to Iraq as a Marine 2nd Lieutenant and was heading into a region where the war was over but the insurgency had begun. It was an intense time for our family, yet as parents there was not much we could do except to be there, cheering for our oldest at his competitions and writing letters and sending packages and prayers for our youngest. It was a time when as parents we realized our children had grown beyond us and were taking the world on their own terms.
I was planning to be away for the week in Barcelona where PEN members from around the world were gathering for the Writers in Prison Committee (WiPC) and Exile Network meetings. Carles Torner, PEN International board member, chair of PEN’s Translation and Linguistic Rights Committee and former President of Catalan PEN, had helped arrange International PEN’s participation and funding as part of the Universal Forum of Cultures—Barcelona 2004. This would be the largest WiPC conference to date with delegates from every continent and multiple speakers and side events.
Carles, a poet, fluent in PEN’s three official languages English, French and Spanish, was one of the highly respected, organized and talented PEN members. He’d also been involved in the years’ long reformation of PEN International. As members looked to who could be a strong replacement for the current International Secretary when Terry Carlbom’s term ended in a few months, there was widespread enthusiasm for Carles to stand for the office. I was among the enthusiasts.
My phone rang at that Saturday lunch. International PEN Board member Eric Lax, already in Barcelona for meetings, said he had news and a question; he told me he was calling on behalf of others as well. The news: the Catalan government had also recognized Carles’ talents and had offered him a position as Director of Literature and Humanities Division at Institut Ramon Llull to promote Catalan literature abroad. A father of three, Carles had accepted this paid position which meant he couldn’t stand for PEN International Secretary, an unpaid position. He wouldn’t have the time for both, and there would be conflicts of interest.
Eric asked if I would allow myself to be nominated. A number of members and centers, including the two American centers, were asking, he said. PEN’s Congress where the election would take place was only a few months away in September and nominations were due soon. I was flattered but said no for a number of reasons. Eric asked that I not answer yet, just come to Barcelona, talk with people and let them talk with me.
The International Secretary who worked with the Board and President to run International PEN was not a position I aspired to, but I agreed to come to Barcelona with an open mind. I’d worked with PEN in various roles, including as Chair of the Writers in Prison Committee, for over 20 years. I’d been both inside and outside the reform process that was going on. I understood, at least in part, what PEN was aiming towards and what it would take for this sprawling organization to operate competitively among nongovernmental organizations in the 21st century. I’d sat on boards of several global nonprofit organizations, including Human Rights Watch, Save the Children and the International Crisis Group.
In Barcelona delegates from a number of PEN centers urged me to stand for the office. I asked whether they thought this was the time for an American to take on this leadership role given the controversy over US engagements. “We don’t think of you as American,” some said, perhaps because I’d also lived in Europe for six years during my work with PEN.
I kept my own personal life quiet as I always did, but I did share with Carles, who was urging me to stand, that I had a son in the Marines in Iraq and was committed to him. I didn’t want to get involved in political controversies over the war. “Your focus has always been on freedom of expression,” Carles reminded me. PEN was not an anti-war organization; its focus was on protecting freedom of expression for writers to agree or disagree on issues, not to take political positions unless relating to abuses of human rights.
Mike Roberts, PEN American Center’s Executive Director, was among those encouraging me to stand for the office. He said American PEN would support me however they could with help and advice. We both understood that the organizational models of many American nonprofit organizations could benefit PEN, including the need to have a paid executive director. There was much to be said for the culture of the volunteer which PEN operated in, but given how complex and widespread PEN’s work had grown, it was going to be more and more difficult to compete for funding if there was not a paid professional executive director in the international office in addition to the talented administrative staff and Board of PEN. Certain funders were already telling us as much. Case in point was that Carles, an experienced literary organizer with a family to support, simply could not afford to take on such a demanding position gratis. Eugene Schoulgin, chair of the Writers in Prison Committee, also encouraged me. I left Barcelona thinking deeply about standing for this position which would require significant time and travel.
That question absorbs many of my personal memories about the Barcelona conference. I remember the impressive venue and the conversations with friends and colleagues and the many presentations, including by Anna Politkovskaya and an opening talk by Salman Rushdie, the new President of American PEN who called for the US government to open a wider dialogue with the world.
Fortunately, I have papers from the 2004 Writers in Prison Committee meetings. We met over five days and also joined public discussions on literature and memory and the responsibility of writers during times of war. The WiPC continued its focus on issues of impunity and the effect of anti-terror legislation on free expression as documented in PEN International’s two reports issued the previous year.
Joan Smith of English PEN reported that anti-terror legislation was having an impact with democratic countries reacting out of fear to the events of September 11 and either tightening existing legislation or implementing new legislation. Countries such as Cuba were taking advantage for as attention deflected from them, they were cracking down on more dissidents. Countries such as Uzbekistan and other Central Asian countries were using the war against terrorism to win support from the US and western Europe.
Müge Sökmen of Turkish PEN spoke of the danger of silencing dissident voices, a move that would lead to an increase in state terrorism. Since the 9/11 attacks in the US there had been a 20% increase in the number of imprisoned writers. The lifting of Article 8 of the Turkish Anti-Terror Law was welcomed but was in the context of Turkey’s bid for acceptance into the European Union.
Nigerian writer and journalist Kunle Ajibade, who had been sentenced to life imprisonment in 1995 for “conspiring to overthrow the government,” had been freed in 1998 in part because of PEN’s work. But he told the group, “Many of us have been asking, is this what we went to jail for? What has all our struggle come to? A mere clearing of the path for another set of murderers and looters? Right now, a cloud of despair hangs over us.”
Ali Lmrabet, Moroccan journalist, who had been sentenced to three years for insulting the King, also spoke. However, Cheikh Kone, a journalist from the Ivory Coast who’d fled to Australia, had been denied a visa to Spain and so an empty chair was placed at the speaker’s table. Kone had been detained since 2001 in a refugee camp in Australia and was finally released in July 2003 after PEN’s campaign, but the Australian government had invoiced him for $89,000 for the cost of his detention.
Aaron Berhane, an Eritrean journalist who fled to Canada in 2002 reported his situation and the help International PEN’s WiPC and Canadian PEN had given through the Writers in Exile Network. The Network, started in 1994, was currently chaired by PEN Canada and included PEN centers in Austria, Switzerland, Sweden, Norway, England, USA West, and Germany and had helped exiles from Cuba, Sierra Leone and other countries.
A panel with representatives from OSCE, UNESCO, the UN Human Rights Commission, the International Publishers Association (IPA), and the International Freedom of Expression Exchange (IFEX) gathered with PEN to explore cooperation and joint work around issues of freedom of the media, including campaigns on individual cases and pressure on countries to change their laws to conform to democratic standards.
Ambeyi Ligabo, Rapporteur on Freedom of Expression in the office of the UN Commissioner on Human Rights said he believed the two new threats to freedom and liberty were terrorism and anti-terrorism legislation. He was concerned that countries such as Denmark which professed to be a beacon of democracy were actually denying liberties to their citizens. He was concerned that legislation introduced in some African countries had undermined the progress human rights campaigners had achieved, and he urged collaborative efforts in fighting new threats to free expression.
The WiPC Steering Committee, which consisted of representatives from ten PEN centers, presented its report with suggestions for WiPC headquarters and for the PEN centers on how to expand PEN’s work, its outreach, its funding and its cooperation. A three-year plan was adopted.
The final work of the WIPC conference was an agreement on a campaign calendar for 2004-2005 with an over-arching theme on the issue of Freedom of Expression and Anti-Terrorism.
In accepting PEN’s WiPC statement on freedom of expression from the conference whose theme was “The Value of the Word,” Catalonia’s Minister of Culture declared: “The word is an inspiration for the imagination, a means for peace and a vehicle for freedom. Literature and the word must always be above conflict. PEN has been in the forefront in the fight to secure the value of the word. The value of the word is a guarantee for a better world and more necessary than ever.”
It was agreed the next WiPC Conference would be held in Istanbul in 2006, hosted by Turkish PEN.
Before I left Barcelona, I went to visit the Gaudi Cathedral (La Sagrada Familia) which I’d first seen at PEN’s 1992 Barcelona Congress where I’d been so impressed by its majesty and complexity, I wanted to return. Architect Antoni Gaudi had originally planned a cathedral with 18 Gothic spires, but he got hit and killed by a trolley before his elaborate design was realized. Over 100 years later, the cathedral was still unfinished. Gaudi had applied for a construction permit in 1885 but no one ever answered. (It took the city 137 years before a building permit was finally issued in 2019, along with a $5.2 million fee.)
Gaudi defined architecture as the “ordering of light” so that the sun shined differently on the cathedral stones at each moment of the day, producing the myriad effects of light. In the intervening years others had worked to complete Gaudi’s design, but the cathedral remained unfinished. It was nonetheless a magnificent architectural achievement, a harmony or even disharmony of hundreds/thousands of artisans over the century who created this living work of art. I stood in an open space and stared up at the sky.
Next Installment: PEN Journey 31: Tromsø, Norway: Northern Lights
The 2003 International PEN Congress in Mexico City celebrated the First Congress of the Americas. Hosted by Mexican PEN, it was also supported by Canadian PEN, Quebecois PEN, American PEN, and the Latin American PEN Foundation. Organized around the theme of “Cultural Diversity and Freedom of Expression,” the 69th Congress welcomed delegates from 72 PEN Centers from every continent except Antarctica.
As well as reporting on the welcoming of new centers, Part 1 of PEN Journey 29 recounted an historic Charter amendment, major rules and regulation changes and a strategic plan—the nuts and bolts and essential frame for any organization, especially one as complex as International PEN as it sought to modernize its governance and structure. In Part II the focus turns to the substance of PEN’s work and of the 2003 Congress.
The final gathering under the presidency of Mexican poet and novelist Homero Aridjis, PEN’s 69th World Congress hosted more than 250 participants, speakers and guests, including Nobel laureate and PEN International Vice President Nadine Gordimer and also listed on the literary programs Nobel laureate and former PEN International President Mario Vargas Llosa and many writers from the Americas—Michael Ondaatje, John Ralston Saul, Francine Prose, Andrés Henestrosa and writers from at least 12 indigenous regions and languages in Mexico—Huichol, Maya, Mazahua, Mazatec, Mixtec, Náhuatl, Tenec, Tojolab’al, Tzotzil, Wuirárica, Yoleme, Zapoteca.
Homero Aridjis noted: “The Congress programs explore the literature of the Americas, of Canada, the United States and Latin America, shining a particular light on the indigenous literatures which are so essential to understanding the cultural map of our continent from Chile to Canada.”
“At this Congress indigenous, native literature became a part of International PEN through presentations,” Carles Torner, Vice Chair of the Translation and Linguistic Rights Committee told the Assembly though he noted the Indian languages were still not represented in the Assembly. “But for many years to come the Mexican Congress will be remembered as the Congress at which indigenous literature entered PEN.”
Mexican PEN President María Elena Ruiz Cruz reflected that the Congress theme “Cultural Diversity and Freedom of Expression” gave PEN the opportunity to work on two essential aspects of its core mission—respect for human rights of those whose medium is the word and respect for sovereignty and cultural diversity, which is essential in the face of increasing anti-democratic tendencies.
One of PEN’s main cases Mexican Brigadier-General José Francisco Gallardo Rodríguez addressed the Assembly, thanking PEN for all its efforts on his behalf. Released from prison just the year before, he said that without the work of PEN’s Writers in Prison Committee, it would have been very difficult to obtain his release. He asked his wife to address the Assembly.
Señora Gallardo said her husband had spent eight years and three months behind bars. To this Congress they had brought the many books that had been sent to him by PEN members when he was in prison, books in many languages. They were displaying them at the book festival in the conference hall. These books had helped him endure imprisonment. “The windows were opened; there were no walls for him; he did not feel he was in prison,” she said because of these books. They would visit him and instead of finding someone who was inhibited and shy, he was the opposite and would encourage them to keep fighting. With PEN’s support they had been able to obtain his freedom. They received 35,000 letters, some of which delegates could see in the boxes they had also brought with them. It was the strength of that ink that had enabled her husband to be with PEN on this occasion, she said.
General Gallardo told the delegates that on November 9, 1993 he had published an article on reforming the army in a military magazine. From that moment he had been persecuted by the military high command who had tried to take away his right to free speech, a right—as he had told them—that was enshrined in the Mexican constitution. For this he had been imprisoned for eight years and three months. The high command had harassed his family, attempting kidnapping and shooting, but he was convinced that they had survived because they had stayed firm. His stand on freedom of speech had started a debate on one of the prohibited subjects in Mexico—the army. He had also acted in defense of freedom in teaching and in research as a university student; his article was the result of research he had undertaken on the need to greatly reform the Mexican army. It had created considerable conflict in Mexico and had demonstrated that to do away with the culture of impunity in Mexico and to transform the Mexican state, first the army must be reformed—it must be returned to its barracks so that democracy and justice could be achieved in Mexico.
International Vice President Nadine Gordimer expressed her great concern, which she knew was shared by everyone, she said, at what had been happening for the past ten years to mainly young and poor women, and some students and workers. She wanted to propose the recording of the Congress’s condemnation regarding the murders of women in Ciudad Juarez. She did not know whether there had been any inquiry into the torture and abductions of these young women in towns on the Mexican-American border or a great deal about their circumstances, but they seemed to be young and poor and defenseless and because PEN was concerned for human dignity as well as having very strong feelings about violence and victimization, she felt it would be appropriate for PEN to ask for an enquiry into the whole matter. A letter of concern and protest was drafted and signed by delegates and PEN’s leadership to Mexico’s President Vicente Fox, who was listed on the as attending the Congress’ Opening Ceremony.
At the Congress PEN’s Writers in Prison Committee delivered two reports—one on Freedom of Expression and Impunity Campaign and the other on Anti-Terrorism, Writers and Freedom of Expression. Isobel Harry of Canadian PEN reported that the Freedom of Expression and Impunity Campaign launched with assistance of Canadian PEN, American PEN and WiPC headquarters last year at the San Miguel de Allende WiPC Conference and had produced a study of over 400 cases of murders of writers since 1992. It also produced a handbook on how to campaign against killings with impunity. PEN had highlighted cases of killings with impunity for the UN Commission on Human Rights where a submission had been made. PEN called upon the United Nations, the Inter-American Commission on Human Rights of the Organization of American States and national governments to bring to justice those who employed murder as a tool of censorship. The Impunity report, published in English and Spanish and the handbook was available to all centers, and an Impunity Watch was being set up to alert PEN members to react to killings as soon as they were reported.
Joan Smith of English PEN reported on the Anti-Terrorism, Writers and Freedom of Expression report which grew out of PEN’s London meeting in November 2001 shortly after the 9/11 attacks on the United States. In this report just published in English, French and Spanish 35 countries had been identified where “anti-terror” actions curtailed free speech and challenged legitimate protest in France, Britain, Russia, Israel/Palestine among others. The situation had also led to alliances between the U.S. and countries with poor human rights records such as Uzbekistan. The “war on terror” can empower those who use violence, she said, legitimizing them as much as suppressing. The report was distributed at the meeting and would be given to PEN Centers’ local news media and also to Foreign Offices.
Eugene Schoulgin, Chair of the Writers in Prison Committee, noted in his 2003 Report to the Congress, “We have deep concerns that the called fight against international terrorism has in far too many countries and situations become a tool in the hands of those in whose interest it is to silence intellectual criticism and persecute writers and journalists who raise their voices in protest. The legislation in defense of the right to free expression is weakened and more short time sentences and many more cases of harassment are reported to us.”
The Assembly passed Writers in Prison Committee resolutions condemning attacks on writers and limitations on freedom of expression and impunity in the Americas, Algeria, Belarus, China, Cuba, Ethiopia, Iran, Italy, Myanmar (Burma), Russia, Syria, Tunisia, Turkey, Uzbekistan, Vietnam, USA, and Zimbabwe. These resolutions were added to by resolutions from the Translation and Linguistic Rights Committee on Minorities in Russia and on linguistic rights of Kurds in Turkey, Iran and Syria. Resolutions from the Peace Committee focused on Israel & Palestine and Chechnya.
At the 2003 Congress Homero Aridjis stepped down after six years as President. Only one candidate was presented for the office: Jiří Gruša, Czech/German writer and a close colleague of PEN Member playwright Václav Havel, who had once been a PEN main case when he was imprisoned and later had served as President of his country. Václav Havel had finished his term of office earlier that year and had been approached to stand as President of International PEN. Instead he recommended his close friend Jiří Gruša, nominated by Austrian PEN.
Wolfgang Greisenegger of Austrian PEN told the Assembly that Jiří Gruša was not only a poet, essayist and novelist and fluent in Czech and German, he was also a journalist of conviction “who would always fight for the right cause, in the best PEN tradition.” As a dissident and a close friend of Václav Havel, he had paid dearly for his convictions, both by being forbidden to publish his work and by imprisonment and loss of his citizenship. However, his struggle on behalf of freedom of expression had led him to continue even under the worst conditions of a communist regime as a publisher and reader, first in Czechoslovakia and then in exile in Germany. His voice could not be silenced, and he moved not one inch toward totalitarianism. Under the new republic he was appointed Czech Ambassador in Germany by Havel, and he later served his country in the same capacity in Austria. But even as a diplomat and civil servant, he never ceased to be a free intellectual, daring to speak out when necessary. “Freedom fighter, dissident and experienced diplomat makes him ideal to be PEN’s next International President.”
Cecilia Balcazar of Colombian PEN seconded the nomination. Others noted Jiří Gruša had also been a signatory of the famous Charter 77 which had preceded the overthrow of the communist regime in Czechoslovakia.
After discussion on the need for having a wider choice of candidates in the next election, Jiří Gruša addressed the Assembly. He stressed that he had lived more than half his life under regimes that had suppressed freedom. He came from a small nation that had been forced to fight for its language and its statehood, and he knew firsthand that a state and a language did not automatically guarantee freedom.
In his official statement, he said, “International PEN, the only organization above and beyond all national and cultural borders, draws its strength from the amicable and responsible cooperation of its authors. It unites the diversity of languages and thus is given a more diversified mission. In addition to the defense of the freedom of the word comes a battle for the multiplicity of linguistic innovation for the ability to create a metaphor of our being. These are the hallmarks of every literature and they form the basis of our international standing. The men and women gathered in International PEN pursue writing as an art, and are ready to assume all the needed risks. H.G. Well’s slogan—no politics under any circumstances—remains valid, even if it has become more politicized. Today it also means leaving room for the free expression of metaphoric quality—irrespective of governments.” Jiří Gruša was elected the next President of International PEN.
In the limited free periods at the Congress delegates also explored the city. Homero had pointed out that Mexico City was the historic, political and economic center of the Mexican civilization with ubiquitous archaeological ruins in the city. He noted that Mexico had received via Spain, the contributions of the European and Arab cultures, including the Spanish language, the Judeo-Christian religion, the university, the printing press and a pluralistic concept of living. In the past Mexico had been the cultural bridge between the Old and New Worlds, and in the present thanks to its geographic place and the lives of its people, it was the border and the meeting place between North and South America. It was both a recipient of and a catalyst for cultural diversity that encompassed past, present and future, he observed. “I sincerely believe that without cultural diversity, the only force capable of counterbalancing unrestrained and denationalized globalization, we will not be able to understand the world of the 21st century.”
Next Installment: PEN Journey 30: Barcelona: A Surprise
A PEN International World Congress is a hybrid—a mini-UN General Assembly with delegates sitting at tables behind their center’s (and often country’s) name plates discussing world affairs that relate to writers; an academic conference with panelists addressing abstract philosophical themes; a literary festival with writers reading their poetry and stories and sharing books, and finally a civic engagement with resolutions passed on global issues which are then delivered, sometimes by a march or candlelight vigil to a country’s embassy that is oppressing writers.
Heads of state and UN officials frequently visit and/or speak at PEN Congresses depending on the openness of the host country; esteemed writers, including Nobel laureates, and former PEN main cases are often guests. The Congress’ size varies depending on the resources available, but the financial commitment is out of reach for many PEN Centers.
The 2003 International PEN Congress in Mexico City was celebrated as the First Congress of the Americas. Hosted by Mexican PEN, it was also supported by Canadian PEN, Quebecois PEN, American PEN, and the Latin American PEN Foundation. It was the final Congress under the presidency of Mexican poet and novelist Homero Aridjis. Organized around the theme of “Cultural Diversity and Freedom of Expression,” the 69th Congress welcomed delegates from 72 PEN Centers from every continent except Antarctica. At the Assembly six new centers were admitted—Afghanistan, Morocco, Paraguay, Spain, Trieste, and Zambia; three dormant centers—Chilean, Kenyan and German-speaking Writers Abroad—were reinstated as active.
The admission of new centers was especially celebratory because of the number and the variety, leading with Afghanistan. Two delegates—a man and a woman—had traveled from Kabul in spite of the conflict in the country. Eugene Schoulgin, chair of the Writers in Prison Committee and member of Norwegian PEN, had visited Afghanistan twice that year along with Norwegian PEN member Elisabeth Eide. Eugene told the Assembly how impressed they were by the courage and vitality of the Afghan writers. “For them, after so many years of war, it was extremely important to open a window to the world through which they could look outwards and through which others could be introduced to their rich literature and culture and become friends in this tormented part of the world.”
Twenty Afghan writers had rented space in Kabul for a writers house, signed the PEN Charter and sent it to London with their membership application. (Less than a decade later there were 1000 members of Afghan PEN.) The Afghan delegate Partaw Naderi told the Assembly in order to reflect the major languages and communities in Afghanistan, the center planned to have a Pashtun language section, a Persian language section, and a section for Uzbek, Turkmen and other local people. In the last three decades writers had become refugees, mainly in Pakistan and Iran and some in the West, he said. Now one of the cultural centers in Kabul was ready to publish work by some of them though “freedom of expression was very, very limited” with frequent attacks and killings of writers and journalists. He had made the long trip to attend PEN’s Congress in order “to be among kind people,” and he profoundly wished for democracy and freedom of speech in Afghanistan.
Alexander Tkachenko of Russian PEN and a PEN International Board member observed that the Soviet Union had brought great trouble for 20 years to the Afghan people, their culture and literature, and he apologized for this and gave support to the new PEN center.
In response, Safia Siddiqi, the second Afghan delegate, said writers were not enemies; it was the governments. “Pens did not kill people, pens constructed things and helped people to join together in friendship,” she said, urging “their brother from Russia,” not to feel that writers were ever the enemy of each other. Thanking all who had made this trip possible, she noted it was also important that women participate and overcome restrictions and cross boundaries to come to places like Mexico.
Every new PEN center has its own story and mandate. I expand here on only one more at the Mexican Congress because that center’s raison d’etre also represented a change that was about to be voted on regarding PEN’s Charter.
The Trieste Center’s organizing principle was not nationality—it was located in Northern Italy—nor a single language—the writers spoke and wrote in Italian and many other languages—but culture as an organizing principle. The majority of PEN Centers were formed around geographic and national locations such as the new Morocco, Paraguay and Zambian centers. Countries can have as many as five centers if the nation is large like Russia, China and the U.S. or if there are multiple languages originating within its borders such as Spain which now had three centers—Catalan, Galician and Spanish centers or like Switzerland which had four centers—Swiss Romand, Swiss German, Swiss Italian-Reto-Romanish, and Esperanto. A few centers were formed in exile when the host country was not free enough for a PEN Center like Vietnamese Writers Abroad or Cuban Writers in Exile centers.
The Trieste Center was unusual. Endorsing the new center, Giorgio Silfer of Esperanto PEN observed that PEN centers did not represent nations; they represented literature, and literature did not need a nation to give it identity—as was the case with Yiddish, Roma and Esperanto. Literature established its own territory, and when a language was dead, its literature was simply and only an expression of connection with memory, he said. Trieste was a unique place, a cosmopolitan city: its writers in Italian were the expression of a culture that was not exactly Italian culture, but which incorporated expressions from other linguistic traditions.
Tone Persak of Slovene PEN added that Trieste had been “the town in the open space, on the open wind.” There had been extraordinary writers in different languages there: Italian, Slovene, English, Spanish, Croatian, Serbian, Yiddish, German, Friulian and so on. James Joyce, Rainer Maria Rilke, Italo Svevo, Juan Octavio Prenz. It had been a town of many conflicts but also the town of the cohabitation of different cultures.
Serbian delegate Vida Ognjenović and Croatian delegate and PEN International Board member Sibila Petlevski highlighted the multilingualism in Trieste and observed that the current situation after many, many Balkan wars had created an environment in Trieste where a PEN Center whose members came from different nations could cooperate with the Italian Center and all the other Centers in the region and give rise to new ideas. The Trieste Center was accepted.
The following day an amendment to PEN’s Charter was approved, the first change to this central document since the Charter’s text was agreed at the 1948 Copenhagen Congress. Literature’s origin beyond nationality informed the amendment which had been presented at the 2002 Macedonian Congress and vetted over the past year. The revision was a simple deletion of words. The Charter’s first item would now read: “Literature [deleted “national though it be in origin”] knows no frontiers and must remain common currency among people in spite of political or international upheavals.”
At the Mexico Congress another amendment was proposed and discussed for the fourth item in the Charter and would have a year for further consultation. The vote would come at the 2004 Congress. Both amendments involved a fine-tuning of words, reflected in the many pages of minutes, and an attention and passion for language and the translation of language which only a gathering of writers would have patience for.
These amendments and the changes proposed for the Regulations that evolved in the strategic planning process were shepherded by the International Secretary Terry Carlbom and especially by the Administrative Director Jane Spender whose patience and humor and intelligence kept everyone on track. The laborious task of taking more than 130 delegates through 30 Articles, often with subsets, fell to PEN International Board Member Eric Lax whose Sisyphean patience and care led the Assembly item by item. Ultimately all the recommended changes to the governance and structure of International PEN were approved.
The highlights involved the role and authority of the International PEN Foundation which focused on gathering resources for PEN and whose trustees had a voice on the Board but were also governed by the Board; the roles and authority of the International Secretary, the President and Board. The International President was to be a “distinguished writer of international literary reputation,” and the International Secretary was to have “actively participated in the affairs of International PEN” and was given a vote on the Board. These relationships were a moving target and would remain so over the years to come. In 2003 the President was given the discretion to lead and chair the Board and the Assembly but not the obligation so the role would depend on who occupied the office. A more formal Search Committee was established to seek out candidates for the positions of President, International Secretary and Board and to be elected by the Assembly on nomination by the Board. Chairs of both standing and special committees could attend regular board meetings but had no vote.
Deputy Chair of the Board Judith Rodriguez (Melbourne PEN) reported to the Assembly that the first Aim of the Strategic Plan, “Building the community of writers” included the item “expand PEN’s presence around the world and, in doing so, develop its humanitarian and cultural mission.” PEN was now pursuing a policy of cooperation with other organizations, initiated by the International Secretary’s signing of a cooperation agreement between International PEN and the European-Pacific Congress Alliance. The full Strategic Planning document would continue through a consultative process with the centers and be on the agenda for approval at the 2004 Congress in Tromso, Norway.
Parsing through, revising, getting approval of strategic plans and regulations for an organization as complex and diverse as PEN was a tedious but necessary task and reminded me of the book title “The Anarchists’ Convention.” Though rules and regulations and strategic plans would change in the years ahead, the Mexico Congress document was a base from which PEN grew and shape-shifted. Those who sat in the large Fiesta Americana ballroom can perhaps still hear Eric’s patient voice: “And now turn to Article 23…Comments…There being no further discussion, Article 23 is approved. Now turn to Article 24…”
Next Installment: PEN Journey 29: Mexico City and the Road Ahead—Part II, Substance
In discovering Lake Como in Northern Italy on a walking tour in 1790 poet William Wordsworth called it “a treasure, which the Earth keeps to itself.” Poet Percy Bysshe Shelley declared it “exceeds anything I ever beheld in beauty with the exception of the arbutus islands of Killarney.” He extolled the chestnut, laurel, bay, myrtle, fig and olive trees that “over-hang the caverns and shadow the deep glens which are filled with the flashing light of the waterfalls.” These descriptions from the English romantic poets are matched no doubt by Italian and other poets encountering Lake Como, one of Italy’s largest and one of Europe’s deepest lakes.
Lake Como is one of my favorite places so meeting for an International PEN strategic planning conference above the shimmering Y-shaped lake set among the Alpine foothills was an ideal working vacation the summer of 2003. I participated as a PEN vice president and a trustee of the International PEN Foundation and former Writers in Prison Committee chair, along with International PEN’s President Homero Aridjis, International Secretary Terry Carlbom, Treasurer Britta Junge Pedersen, current and past board members, other trustees of the International PEN Foundation, several vice presidents and the standing committee chairs.
Twenty-six of us from 14 countries gathered to discuss the changed global context for PEN, which had grown from 95 to 134 centers in the last 14 years, and to consider the demands on this organization dedicated to the role of writers in promoting intellectual co-operation, tolerance and pluralism in the world.
There had been significant growth in the activities and programs carried out by PEN centers and by the international office. In 1991 a Women Writers Committee had been founded. In 1992 an associated charity, the International PEN Foundation was created, and now British charitable law had changed so a charitable corporation would replace it. In 1998 following the revision of the Regulations, a nine-member Board came into existence, and in 1999 the Writers in Exile Network was formed. All of this had occurred in a rapidly changing globe, placing strain on PEN’s membership and structures.
With the help of American PEN and PEN USA West, International PEN had received funding for the large strategic planning initiative from the Andrew W. Mellon Foundation and the Sulzberger Foundation and a grant for the four-day residency at the Rockefeller Foundation’s Bellagio Study and Conference Center. Edmund (Mike) Keeley, former American PEN president, Eric Lax, former PEN USA West President, and Michael Roberts, American PEN’s executive director, had been instrumental in getting the grants, and Mike Roberts, a lawyer, served as pro bono counsel for International PEN in the process. George Gawlinski, director of Planning Together Associates who had worked with PEN before, facilitated the discussions.
The Rockefeller Foundation’s Villa Serbelloni spread out above the village of Bellagio, which climbed the hills with cobbled streets and terraced gardens and sat on a promontory at the intersection of the fingers of the lake. Water was visible on all sides.
All of us knew each other, had worked together over many years and knew PEN International. A smaller group had already met twice in London for preliminary planning. The goal of the Bellagio meeting was to re-examine major areas of PEN’s life, including governing structures, scope of its programs, the role and structure of the Secretariat and plans for fundraising. The hope of the conference was that we would reach an interim consensus that could then be circulated to the PEN centers for comment so that a final plan could be approved at the fall 2003 World Congress in Mexico City.
We debated and discussed programs and structures in workshops and at meals and in winding walks over the hills. It was difficult at times to parse through strategic aims, governance, center development, capacity building and financial models while looking out on the expanse of blue sky and water with poetry and history fleeting in and out of thought, but we managed to take on each issue, share ideas and finally agree on a document and recommendations.
One immediate discussion in the wings and at informal meetings during the conference was who would be the next President of International PEN. Homero Aridjis’ second term concluded at the Mexico Congress. The PEN centers and Search Committee had yet to nominate a candidate. Central to the formal and informal discussions was the role of the President and the International Secretary—both volunteer positions. Was it not time for International PEN to hire a professional paid executive director to manage the organization? If PEN decided to embrace that course, was there still a need for both a President and an International Secretary? These roles had changed over the years, in part depending on who occupied them. During the 17-year tenure of the immediate past International Secretary, the position had essentially been an executive position with a budget for travel but not a salary. PEN, however, had recently imposed limits of two 3-year terms for both the offices of the President and International Secretary. In 2003 the International Secretary did not have a vote on the Board, but that would change.
The 2003 deliberations, before an executive director was added, concluded that there was still a need for both positions, especially if PEN chose as its President a world renowned writer who was not able to attend to the running of PEN but one who served as a voice for PEN with governments and at events.
At the Bellagio conference there were several unofficial conversations about who might be the next president. In my files I found a list of 33 writers discussed. None was the name finally nominated and elected that fall in Mexico City, but the ultimate candidate was a close colleague of one of those eminent PEN members on the list, and that center endorsed the candidacy.
PEN Journey 29 will focus on the Mexico Congress, introduce the new president and outline the results of the long range strategic plan agreed by International PEN’s Assembly of Delegates as the organization embraced the 21st century.
Next Installment: PEN Journey 29: Mexico City and the Road Ahead—Part I, Form