Posts Tagged ‘PEN America’
Hope: A Threshold of History
My wedding anniversary is June 3, but ever since the events at Tiananmen Square June 4, 1989, I merge the dates in my mind. I’m not sure why, but this year included, I made quiet dinner plans for our anniversary on June 4 by mistake. The Tiananmen memory for those who work on human rights does not recede. It isn’t visceral because I wasn’t there, but many of us watched first with hopeful attention the gathering of students and others in Beijing that spring and then in horror as the tanks rolled in.
Though the Tiananmen Square protests and the names of participants like Liu Xiaobo have been struck from the internet in China and not recorded in history books for mainland Chinese students, the courage of the demonstrators and the repression of the government remain as historical facts and as memory.
Unfortunately, the memory is amplified today like a solemn tolling bell, repeating a mournful sound in places like Belarus, Venezuela, Iran, and Myanmar, where citizens push against authoritarian forces with nonviolent resistance. That bell, however, also echoes a higher enduring strain of freedom sought and won over the decades by citizens in Eastern Europe, South Africa, Chile and other countries, citizens who ultimately prevailed.
Those outside the direct struggles can remember and can support those in the resistance. For many of my colleagues, the support is through the work of PEN which campaigns for writers on the front lines. Often it is writers who are early victims since they are articulating an alternate vision to the authoritarian regime and are reporting the facts. Others open space for those who must leave their countries or lose their freedom or their lives and must work from the outside, organizations like the International Cities of Refuge Network (ICORN) which finds alternate locations for writers and artists.
In the last few months, I’ve taken this space of a monthly blog to return to posts from years past. I’ve taken a core sample as a slice of my history during that month. I do so again here and note several posts: June 2008: Back on the River, June 2009: A Time of Hopening and June 2017: Storm Cloud on a Summer’s Day. Hope is a fragile but essential tool, one that holds history together so that it doesn’t shatter on the shoals, on the disappointments and misbehaviors of humankind.
Liu Xiaobo was China’s first citizen to win the Nobel Prize for Peace in 2010, but he was in prison in China as “an enemy of the state.” Liu Xiaobo died in custody July 2017.
As I celebrate my wedding anniversary with my husband of many decades this June 3/4, I do so with the hope offered by Liu Xiaobo to his friends and fellow citizens whom he believed in when he noted in his “Final Statement:”
“I have no enemies and no hatred…Hatred can rot away at a person’s intelligence and conscience. Enemy mentality will poison the spirit of a nation, incite cruel mortal struggles, destroy a society’s tolerance and humanity, and hinder a nation’s progress toward freedom and democracy…
“For there is no force that can put an end to the human quest for freedom, and China will in the end become a nation ruled by law, where human rights reign supreme…
“Freedom of expression is the foundation of human rights, the source of humanity, and the mother of truth. To strangle freedom of speech is to trample on human rights, stifle humanity, and suppress truth.”
Since April I’ve been back on the Potomac River, sculling in the rushing waters after the spring rains, dodging logs and flotsam flowing downstream from Great Falls and beyond. I’ve been pressing into the middle of the river on hot, sultry days in June when barely a breeze stirs the air, though the current still hurries beneath the boat. I’ve been rowing beside much larger sculls from the universities, dodging the wake of the speed boats which cruise along beside the Viking-size crafts as coaches shout instructions. In my small white scull I’ve tried to hear what they call and emulate the grace and power of the collegiate oarsmen and women.
Facing forward, watching the landscape recede as I move backwards, I’ve been thinking about the past even as I plunge into the future. This perspective of the rower, driving headlong towards what he can’t see except for quick glimpses over his shoulder, is a useful one to master.I’m back in Los Angeles this week for readings and interviews and will be talking about my own earlier fiction—No Marble Angels and The Dark Path to the River. Many of the short stories in No Marble Angels are set during the Civil Rights era—the Nashville sit-ins, the Little Rock school integration, the aftermath of the ’68 riots in the cities. It was a time when ordinary citizens took extraordinary actions. It’s easy to romanticize the times, but the consequence of many of those actions changed our laws and our lives and opened up our society. The future grew out of the clarity of purpose of those who could glance over their shoulders and press towards the future even as they had to face the restrictions of their present day.
As the U.S. moves into its next era—whatever that may eventually be called—one hopes it will be a period of national and international Rights Realized.
As a young mother, I used to tell stories to my two sons constantly—on the way to school, standing in long lines anywhere, on car, plane or bike rides, on hikes. I would ask each to give me two things (people, ideas, places, plots) they would like in the story, and then I would weave the disparate ingredients into a tale. Their elements might include something like a dog, a butterfly, a battle of some sort, and a waterfall…the possibilities were open and endless, though usually there was some battle involved and some animal in most of the stories.
Over the last year and a half, partly urged by my now adult sons, I’ve committed to writing a blog post once a month. For me the process is a bit similar to the earlier exercise as I look over the month and try to wrap ideas, thoughts, events into 600 words. This month’s elements are particularly rich, probably too rich for a 600-word essay, though the literary form of the blog hasn’t been established or defined so it can, I suppose, be whatever one wants.
I began June at an International PEN Writers in Prison conference joined to the Global Forum on Freedom of Expression conference in Oslo, Norway, where the sun doesn’t set in the summer. In Oslo, activists from organizations around the globe discussed, debated, and strategized into the summer nights about the state of freedom of expression around the world and the mechanisms to protect it. Everyone understood that societies without this freedom are most often without political and civil freedoms as well so the defense of freedom of expression is the front line.
The timing of the conference coincided with the 20th anniversary of the crackdown in Tiananmen Square in China. This year of 2009 is also the 20th anniversary of the popular uprising against the military government in Burma/Myanmar after the election of Aung San Sui Kyi, who was re-arrested this May; it is the 20th anniversary of the fatwa in Iran against Salman Rushdie after the publication of The Satanic Verses, and it is the 20th anniversary of the fall of the Berlin Wall.
The year 1989 was a threshold year. So where have we come twenty years later?
After Oslo, I went briefly to Paris en route to Normandy, where the 65th anniversary of the World War II invasion was being celebrated. I was headed to Normandy for a bike trip through the countryside and the historical sites, not for the official celebrations, but I was in Paris the day President Obama and his family arrived. It was also the day of the men’s semi-finals of the French Open in tennis. (You see the elements of this blog complicating…)
Driving back to the hotel after Federer beat Del Potro and Soderling beat Gonzalez, I was talking in my broken French with the taxi driver talking in his broken English about the matches and about the arrival of Obama and about world politics in general. The driver was ebullient—an oxymoron perhaps for a French taxi driver—but he was ebullient nonetheless.
“The world…the U.S…France…Europe…it is hopening,” he said, gesturing with his arms, trying to explain what he meant about the opening he saw in the world and the hope he felt. “We have hopening between us!”…[cont]
June 2010: Summer Reading: Under a Tree With a Book
Summer has come with hot, steamy breath in Washington this year—already days nearing 100°. Even with the sudden flash of thunderstorms, the air clears only to steam up again. So much for my assurance to a newcomer that summer wasn’t so bad here, though maybe we will pay our dues in June and be rewarded with the summer breezes and cool evenings in July. August, we know, will be hot.
In the dog days it is a time to be indoors, or at least in the shade—biking along the Potomac or sculling on the river only early in the morning or as the sun is setting. Indoors or under the shade of a tree, it is a time to read.
Summer reading—the term brings back delicious childhood memories even of hot Texas summers where I would find a patch of shade in the back yard and lose myself in a book, or bike to a nearby pool and sit reading between laps, or curl up in a chair under the fan on the screened porch. I can still smell the mowed grass and the sweet fragrance of white gardenias on the bushes just outside.…[cont]
June 2011: Mockingbirds at Fort McHenry: A Tribute to Elliot Coleman
(The excerpt below is from a larger article about the poet and teacher Elliott Coleman in the recent Fortnightly Review:)
I was 20 years old, applying to Johns Hopkins graduate Writing Seminars from a small Midwestern college. I had come to campus to meet Elliott Coleman, the director and founder of the program. He had read my application and invited me to lunch at the Faculty Club. Looking back now and understanding the processes of application and the competition for a position in the Writing Seminars, I realize how remarkable his attention was, but he showed that kind of attention to students, making each feel important and valued.
I had sought out his work before I came to Baltimore. I no longer remember how I found the slim volumes of poetry in my remote college town before online ordering, but I did, and I had read his book of poems Mockingbirds at Fort McHenry. When I spoke about those poems, he was genuinely humbled and surprised that I had made the effort to read his books.
He asked, “Would you like to go see Fort McHenry?” That afternoon, the student showing me around drove us all out to Fort McHenry, and I walked around the area with Elliott Coleman as he talked about poetry and the genesis of his poems. I’m sorry I didn’t write down what he said, or if I did, I can no longer find the notes of that afternoon. But I knew then that Hopkins was where I wanted to be if I had the chance, and even though I was a fiction writer, I wanted to study with Elliott Coleman. Fortunately, I got that opportunity.
Elliott Coleman radiated a gentleness, a caring and a humility that shed light, illumining those around him. He didn’t seek the center of attention; he didn’t draw the spotlight to himself, rather he shined so that light fell on others.
From Mockingbirds at Fort McHenry:
Through a window in Tunis the green searolls its light. A few square white houses dazzle the Atlas mountains, the color of lions and honey. This foothill is hardly Africa; this bay is hardly Mediterranean. They partake of each other by reflection, absorbed as they are in the depths of space.
I recently engaged with facebook (no, I didn’t buy stock), but I gave in. I concluded that I needed at least to understand (is that possible?) and experience the social media phenomena and at most learn from and enjoy the connection to friends and colleagues, most of whom I know, but some of whom I just read and some of whom read me.
For the last three months I’ve checked my “wall” every few days and scroll through hundreds of shared observations, photos, and comments. The process is surprisingly quick. I engage more like a magazine editor with an unexamined metric for judgment, pausing to “like” certain contributions, commenting on a few and sharing even fewer on my own personal and authors’ facebook pages.
For the present at least I’ve limited my fb world and page largely to literature and human rights in order to put some boundary on the possibilities and on that evaporating commodity of privacy–not a 21st century value and an oxymoron in a discussion of facebook. That is not to say I don’t enjoy the news and photos and commentary on a range of issues from all the friends, but in my fb space, this is my focus for now.…[cont]
June 2013: No blog posted
June 2014: No blog posted
June, 2015: What Are You Not Reading This Summer?
I was recently sent a questionnaire as part of a profile asking me what I was reading:
I find myself reading several books at the same time. I just finished Phil Klay’s Redeployment today, am reading Jennifer Clement’s Prayers for the Stolen, am re-reading Graham Greene’s The Comedians, re-reading Kate Blackwell’s you won’t remember this and can’t leave this question without noting Elliot Ackerman’s Green On Blue. Because I read both e-books and paper books, I move around among narratives easily.
The answer was a snapshot in reading time, indicative of the pleasure of dancing among narratives. I find myself enjoying on several platforms the movement between hard-edged, nuanced stories of war and its aftereffects in Klay’s Redeployment and Ackerman’s Green on Blue, the harsh and surprising world of Clement’s indigenous Mexican women in Prayers for the Stolen and the gentle, but no less desperate stories of Southern women trying to find their lives in Kate Blackwell’s you won’t remember this, a collection recently re-published by a new small press—Bacon Press—in paperback. Graham Greene is a master who I am always re-reading, appreciating how he integrates the international world of politics and deceit with compelling narratives set around the world.
Recently I returned from PEN International’s biennial Writers in Prison conference and the International Cities of Refuge Network (ICORN) meeting, a gathering this year in Amsterdam focused on Creative Resistance, a gathering of over 250 individuals from 60 countries around the world who work on behalf of writers threatened, imprisoned and killed for their writing. I remain conscious of these voices too. They occupy a kind of negative space—those we are NOT reading, not able to read because they are not able to write.
The list unfortunately is long, and many individuals stand out for me, but I will highlight two here. Though I couldn’t read either because of language differences, I read with attention their cases and link here to actions that can be taken on their behalf:…[cont]
June 2016: No blog posted.
June 2017: Storm Cloud on a Summer’s Day
It is an almost perfect summer day—the sun is shining in a white cloud sky; the air is warm, not yet sweltering. Light filters through white umbrellas shading diners at the outside restaurant by the park. On this almost perfect New York day I am thinking about the rulers in China who have imprisoned for the last nine years one of the country’s courageous thinkers for ideas that will outlast him and his jailers.
Today it was announced Nobel laureate Liu Xiaobo is in critical condition, on medical parole having been given a terminal diagnosis. As a principal author of Charter’08 which advocates for nonviolent democratic reform in China, Liu Xiaobo, writer, critic and activist has lived his life as a man of ideas.
As the sun shifts above me, skirting over skyscrapers, finding a gap between the umbrellas and spreading over my table, I consider the trajectory and the life of an idea as it dawns, unfolds, iterates, then flies off where it is embraced, where it empowers and takes on a life of its own. Ideas are connected to, but not owned or encumbered by, those who articulate them.
The fallacy—the fundamental fallacy—of the rulers in China and elsewhere lies here. No one can imprison ideas. No one can manage or own the imagination of another. Government leaders can physically restrain with the hope that the idea will die, but in the case of Liu Xiaobo, the ideas behind Charter ’08, which was signed by more than 2000 Chinese citizens from all walks of life, endure. These ideas calling for a freer society continue to grow wings, often quietly, but sometimes even more quickly as the physical confines grow harsh.
“Any man or institution that tries to rob me of my dignity will lose,” declared Nelson Mandela. It is an injunction worth noting.
June 2018: No blog posted.
June 2019: [Beginning in May, 2019 I started writing a retrospective of work with PEN International for its Centenary so posts were more frequent in 2019-2020. In June 2019 there are two posts in the PEN Journeys and in June 2020 there are four.]
June 2019: PEN Journey 3: Walls About to Fall
Our delegation of two from PEN USA West—myself and Digby Diehl, the former president of the Center and former book editor of the Los Angeles Times—arrived in Maastricht, The Netherlands in May 1989 for the 53rd PEN International Congress. We joined delegates from 52 other centers of PEN around the world, including PEN America with its new President, fellow Texan Larry McMurtry and Meredith Tax, founder of what would soon be PEN America’s Women’s Committee and later PEN International’s Women’s Committee. Meredith and I had met at the New York Congress in 1986 where the only picture of the Congress on the front page of The New York Times showed Meredith and me in the background at a table taking down the women’s statement in answer to Norman Mailer’s assertion that there were not more women on the panels because they wanted “writers and intellectuals.” Betty Friedan argued in the foreground.
Over the previous months the two American centers of PEN had operated in concert, mounting protests against the fatwa on Salman Rushdie and bringing to this Congress joint resolutions supporting writers in Czechoslovakia and Vietnam.
The theme of the Maastricht Congress—The End of Ideologies—in large part focused on the stirrings in Eastern Europe and the Soviet Union as the region poised for change no one yet entirely understood. A few weeks earlier, the Hungarian government had ordered the electricity in the barbed-wire fence along the Hungary-Austrian border be turned off. A week before the Congress, border guards began removing sections of the barrier, allowing Hungarian citizens to travel more easily into Austria. In the next months Hungarian citizens would rush through this opening to the West.
At PEN’s Congress delegates from Austria and Hungary sat a few rows apart, separated only by the alphabet among delegates from nine other Eastern bloc countries which had PEN Centers, including East Germany. This was my third Congress, and I was quickly understanding that PEN mirrored global politics where writers were on the front lines of ideas and frequently the first attacked or restricted. Writers also articulated ideas that could bring societies together.…[cont]
June 2019: PEN Journey 4: Freedom on the Move: East to West
I have attended 32 International PEN Congresses as president of a PEN Center, often as a delegate, as Chair of the International Writers in Prison Committee, as International Secretary and now as Vice President. The number surprises me when I count. The Congresses have been held on every continent except Antarctica. Many were grand affairs where heads of State such as Vaclav Havel in Czechoslovakia, Angela Merkel in Germany, Abdoulaye Wade in Senegal greeted PEN members. Some were modest as the improvised Congress in London in 2001 when PEN had to postpone the Congress planned in Macedonia because of war in the Balkans. PEN held its Congress in Ohrid, Macedonia the following year. At these Congresses writers from PEN centers all over the globe attended. Today PEN International has centers in over 100 countries.
Among the more memorable and grand was the 54th PEN Congress in Canada, held in September 1989 when PEN still held two Congresses a year. The Canadian Congress, staged in both Toronto and Montreal by the two Canadian PEN centers, moved delegates and participants between cities on a train. The theme—The Writer: Freedom and Power—signaled hope at a time when freedom was expanding in the world with writers wielding the megaphone.…[cont]
June 2020: PEN Journey 30: Barcelona: A Surprise
I was having lunch with my husband at a Georgetown restaurant in Washington, DC on a Saturday in May, 2004. I was due to fly out the next day for Barcelona to attend International PEN Writers in Prison Committee’s 5th biennial conference, part of a larger Cultural Forum Barcelona 2004. My husband and I were talking about our sons—the oldest was getting a PhD in mathematics and was also training for the 2004 Olympics as a wrestler, hoping to make the British team. (He had dual citizenship.) The younger, recently graduated with an advanced degree in International Relations, had just deployed to Iraq as a Marine 2nd Lieutenant and was heading into a region where the war was over but the insurgency had begun. It was an intense time for our family, yet as parents there was not much we could do except to be there, cheering for our oldest at his competitions and writing letters and sending packages and prayers for our youngest. It was a time when as parents we realized our children had grown beyond us and were taking the world on their own terms.
I was planning to be away for the week in Barcelona where PEN members from around the world were gathering for the Writers in Prison Committee (WiPC) and Exile Network meetings. Carles Torner, PEN International board member, chair of PEN’s Translation and Linguistic Rights Committee and former President of Catalan PEN, had helped arrange International PEN’s participation and funding as part of the Universal Forum of Cultures—Barcelona 2004. This would be the largest WiPC conference to date with delegates from every continent and multiple speakers and side events.
Carles, a poet, fluent in PEN’s three official languages English, French and Spanish, was one of the highly respected, organized and talented PEN members. He’d also been involved in the years’ long reformation of PEN International. As members looked to who could be a strong replacement for the current International Secretary when Terry Carlbom’s term ended in a few months, there was widespread enthusiasm for Carles to stand for the office. I was among the enthusiasts.
My phone rang at that Saturday lunch. International PEN Board member Eric Lax, already in Barcelona for meetings, said he had news and a question; he told me he was calling on behalf of others as well. The news: the Catalan government had also recognized Carles’ talents and had offered him a position as Director of Literature and Humanities Division at Institut Ramon Llull to promote Catalan literature abroad. A father of three, Carles had accepted this paid position which meant he couldn’t stand for PEN International Secretary, an unpaid position. He wouldn’t have the time for both, and there would be conflicts of interest.
Eric asked if I would allow myself to be nominated. A number of members and centers, including the two American centers, were asking, he said. PEN’s Congress where the election would take place was only a few months away in September and nominations were due soon. I was flattered but said no for a number of reasons. Eric asked that I not answer yet, just come to Barcelona, talk with people and let them talk with me.…[cont]
June 2020: PEN Journey 31: Tromsø, Norway: Northern Lights
The week before PEN’s 70th World Congress in Tromsø, Norway in the Arctic Circle, my oldest son competed in the Athens 2004 Olympic Games, the only wrestler to qualify for TeamGB (Great Britain). He had dual citizenship and was the first British champion to qualify for the Olympics in wrestling in eight years. In his sport, there was no seeding of competitors; instead, after making weight, each wrestler reached into the equivalence of a hat and drew their first round competitions. True to his history, my son drew the best opponents. As one news commentator noted: “Coming to the mat is Nate Ackerman, born in the US, wrestling for Great Britain, getting his PhD in mathematics at the Massachusetts Institute of Technology…but that won’t help him now as he faces the three-time World Champion from Armenia.” My son lost to the Armenian wrestler. His other opponent was the world bronze medalist from Kazakhstan who went on to win the silver medal at the Olympics. Though my son didn’t win either match, he also didn’t get pinned, and he wrestled nobly. The Olympic Games in Athens was a magical time.
I was heading to Tromsø with a smile inside, though behind my smile was also a quiet attention that never left me for my youngest son, a Marine, was in Anbar Province, Iraq that summer, patrolling in 120° and alert for IED’s and snipers along the roadside. He had missed his brother in the Olympics and his brother missed being able to talk with him.
As I changed planes in northern Europe, I realized I was going to need a coat in the Arctic Circle and bought a light foldable one at an airport shop which I took to a decade worth of PEN Congresses after. On the plane I reviewed the stack of PEN papers and resolutions.
I was arriving at the Congress having agreed to stand for International Secretary. (See PEN Journey 30). The other PEN member standing was Giorgio Silfer, a poet and playwright and president of Esperanto PEN.
Norwegian PEN hosted over 300 writers, editors, and translators from at least 60 countries for the 70thWorld Congress whose theme was Writers in Exile—Writers in Minority Languages. The Rica Arctic Hotel where we stayed and met was an easy walk to the small downtown of Tromsø, capital of northern Norway, well above the Arctic Circle and called “the Paris of the North.”…[cont]
June 2020: PEN Journey 32: London Headquarters: Coming to Grips
PEN is a work in progress. It has always been a work in progress during its 100 years. Governing an organization with centers and members spread across the globe in over 100 countries can be like changing clothes, writing a novel and balancing a complex checkbook all while hang gliding. Perhaps an exaggeration, but not by much.
In 2004 the leadership of President and International Secretary were at the center of the governing structure along with the Treasurer and a relatively new Board. The President represented PEN in international forums. The International Secretary was tasked with overseeing the office and the centers of PEN and with any tasks the President handed over like running board meetings and setting up the agenda for work. The concept was that PEN should be able to elect as President a writer of international stature to represent PEN in global forums but not have the obligation to run the organization. That could be the role of the International Secretary, along with the Board and staff.
When I assumed the role of International Secretary, PEN did not yet have an executive director, though the consensus had built from the strategic planning process that we needed one. Both the President and International Secretary were volunteer, unpaid positions, which meant they were not full time. At the post-Congress board meeting after Tromsø, we agreed to begin a search for an executive director.
I suggested monthly board meetings, which had not been the practice. We could do these by phone, which meant there were only a few hours a day when everyone would be awake. If Judith Rodriguez in Melbourne, Australia could stay up past 11pm and Eric Lax in Los Angeles didn’t mind waking up at 7am, the rest of us—Takeaki Hori in Japan, Sibila Petlevski in Croatia, Eugene Schoulgin in Norway, Elisabeth Nordgren in Finland, Cecilia Balcazar in Colombia as well as President Jiří Gruša when he joined from Vienna or Prague and me in Washington, DC or London—could find our time zone and call in. The technology was not as sophisticated as today, and we didn’t yet use skype so the calls were not cheap, but we began to manage each month.…[cont]
June 2020: PEN Journey 33: Senegal and Jamaica: PEN’s Reach to Old and New Centers
A few days before I flew out to Dakar, Senegal for a PEN conference in November 2004, my youngest son, a Marine in Iraq, called and told my husband and me that we would not hear from him for a while. We knew, without being told, that the U.S. and British troops were likely about to return to Fallujah, the center of the insurgency. Civilians there had been advised to get out of the city, and they were leaving.
On the opening day of the PEN conference in Dakar, November 7, 2004, the battle for Fallujah began. The headlines in the newspapers in Dakar were about the civil war raging in neighboring Ivory Coast so I was not reading about Iraq during the five-day PEN Africa meeting. In 2004 there were no iPhones or phone news feeds and rare coverage of the Middle East was on the evening news. I was quietly attentive each day and prayerful and focused on PEN’s work.
I have modest notes from the first PAN Africa conference, but I have some of my most vivid memories, most particularly of the people I met and of my first trip to Gorée Island just off the Senegalese coast opposite Dakar, a place of its own historic upheaval. Gorée Island was the site of the largest slave-trading center on the African coast from the 15th to the 19th century, ruled successively by the Portuguese, Dutch, English and French. The dungeons and portals to the sea where men and women and children were sent out in chains still stood along with the stucco houses of former slave traders.
A tall Gambian doctoral student assisting Senegalese PEN guided a few of us around Gorée. Fluent in French, English and Spanish, he was writing a doctoral thesis on the secrets of history and myth in the epic of Kaabu according to Mandingo oral traditions—clearly a future PEN member. Thoughtful, knowledgeable, he spent the day sharing history. During and after the Dakar meetings, our paths crossed in subsequent PEN conferences and congresses, and we know each other still. Dr. Mamadou Tangara earned his doctorate at the University of Limoges in France shortly after and eventually became the Gambian Permanent Representative to the United Nations. During Gambia’s constitutional crisis in 2016-17, he and other diplomats called for the president to step down peacefully; he was dismissed, but when power changed hands a few months later, he was reappointed as Minister of Foreign Affairs for the Gambia. The friendship with Mamadou Tangara remains and is one of my many valued friendships from PEN.
Mamadou’s mentor at the time was an older Gambian journalist and editor Deyda Hydara, who joined PEN members from more than a dozen African centers in this conference to prepare for PEN’s first PAN African World Congress in Senegal in 2007. The Congress would be PEN’s first in Africa since the 1967 Congress in the Ivory Coast when American playwright Arthur Miller was International PEN President. Though the Gambia didn’t yet have a PEN Center, Deyda was planning on starting one. At the time Deyda Hydara was co-founder and primary editor of The Point, a major independent Gambian newspaper. He was also correspondent for AFP News Agency and Reporters Without Borders and was an advocate for press freedom and a critic of his government’s hostility to the media.
A month after PEN’s Dakar conference, the Gambian government passed a bill allowing prison terms for defamation and another bill requiring newspaper owners to purchase expensive operating licenses and register their homes as security. Deyda Hydara announced his intent to challenge these laws. Two days later on December 16, 2004 Deyda Hydara was assassinated on his way home from work. To this day his murder remains unsolved. The following year Deyda Hydara won PEN America’s Freedom to Write Award posthumously and later the Hero of African Journalism Award of the African Editors Forum.…[cont]
PEN Journey 46: Wrapping Up
PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
I finished my term as International Secretary of PEN July 2007 at PEN’s 73rd World Congress in Dakar, Senegal. I handed over the responsibility to my longtime colleague Eugene Schoulgin (Norwegian PEN) who would continue to work with the Board, the Executive Director Caroline McCormick, new Treasurer Eric Lax and President Jiří Gruša. We had executed many changes in the last three years, and those who had been involved were continuing and active both in the international leadership and in the PEN centers.
Before the Congress, the staff and PEN members gave me a farewell party at PEN International’s relatively new London headquarters on High Holborn. PEN is about people, and I’d been fortunate to work over many decades with dozens of talented writers who were also competent in organizational work, friends from around the globe who remain friends today.
As a Vice President, I would continue to work, write appeal letters to governments for the Writers in Prison Committee (WiPC)’s RAN (Rapid Action Network) cases, speak when asked and hold meetings in Washington when asked, but I could return to being a writer. American PEN’s Executive Director Michael Roberts asked me to join American PEN’s board. I demurred and said I needed a break, but he and others urged me so in 2008 I joined the board of PEN America but worked at a far less intense pace for the next six years. When American PEN’s new Executive Director Suzanne Nossel came on, I was asked to extend for an additional year as a Vice President while she oriented to PEN’s international work. It is difficult to step away from PEN though most who are engaged find they must for a time, though not too far away.
As I left the historic Senegal Congress that July 2007, I boarded a plane and flew out over the Atlantic to Italy where I met up with my husband by a lake in one of our favorite spots for a vacation. He had patiently waited those three years as I spent 10-15 days a month on the road. In the first week without PEN’s emails and phone calls and conferences, we talked; I wrote, and I read four books in six days.
Back home I soon realized I needed to join the 21st century as a writer. At PEN we had begun to use some tools of social media in publicizing cases of writers under threat, but I hadn’t engaged personally. I remember sitting with a group of women writers in Washington, DC, many younger than me, who were talking about their websites and blogs and Twitter, and Facebook. In 2007 writers having URLs, Twitter handles, Facebook pages was relatively new. Twitter had only launched the year before, and though blogs had been around for a few years, I had never written one. Facebook seemed an odd medium, also only a few years old. I was of the “private” generation; we were not prone to sharing our activities and feelings on a “social” platform. Those of us who’d been journalists were used to having to condense stories, but never to 140 characters which Twitter demanded. We were in a new communications age, and I needed to understand and at least to put a toe in the water, even if I didn’t jump fully in.
Encouraged by friends and agent, I set up a website. The developer urged me to blog. I didn’t want to blog, I explained. I wanted to write fiction and occasional journalism, but I agreed to post a blog once a month. I have done so for over ten years now. Often when I considered what was worth writing about each month, I found myself reflecting on work with PEN. When asked to write about PEN’s history as I’d witnessed it in anticipation of the Centennial, I reasoned I could post twice a month. That seemed a reasonable way to get through PEN’s history year by year. A serial blog. I have sped up the pace since Covid locked us all into our homes and travel has halted. I have now come to an end of this particular PEN Journey though I will write an introduction. I will also reference links to those blog posts I wrote after 2007 when I continued to work with PEN.
In this final post, I want to review a few areas of PEN International I feel I haven’t explored sufficiently, and I want to give a quick view forward of what and who came next.
In Journey’s 7, 8, 22, 25, 26, I touched on the work of the PEN Emergency Fund. I want to highlight that here. Founded in 1971 by Dutch Writer A. (Bob) den Doolaard who had an active role with PEN International, the PEN Emergency Fund fulfilled a missing link in PEN’s work. Doolaard noted that PEN had no mechanism to grant material aid to writers, especially those under threat who had to flee their countries so he and Dutch PEN set up the aid fund based in the Netherlands, operated under Dutch law. The PEN Emergency Fund gives a one-time grant to writers in dire circumstances and is able to act quickly. Over the years PEN’s Emergency Fund has provided rapid support for writers on every continent, especially those in Eastern Europe during the Communist era and those in the Balkans War in the 1990s and also to persecuted writers in Asia, Africa and Latin America. Every year dozens of writers have been helped with grants that have bridged to longer term answers. The Fund operates in close collaboration with PEN International whose professionals furnish the Fund with information and with the PEN centers and members who have contributed to the Fund. I’ve had the privilege of serving on the PEN Emergency Fund Advisory Board for a number of years.
Prizes: As a literary organization, PEN through its centers awards numbers of literary awards, but only a few literary prizes have been awarded by PEN International. Over the years the idea of a PEN International Prize for Literature or even for Peace has arisen. When I first took on the position of International Secretary, we were approached by a donor offering to give PEN $100,000 for the PEN International Prize for Peace. Well-meaning though the donor was, it quickly became clear that PEN International could not accept. The donor already had his first winner in mind—Bono. We explained that any prize would have to be independently judged with established criteria and nominating processes, and in order for PEN to give an annual prize, we would need to have a substantial financial commitment in an account to assure we could afford the prize each year as well as the cost of the judging and ceremony. We named the figure. The discussions broke off though the donor, I think, did find another way to give his prize though not through PEN.
The biennial PEN David T. Wong International Short Story Prize did come into being for a time, with a much more modest monetary award for a new writer, open to nominations by all PEN Centers and run by International PEN Foundation’s Gilly Vincent, who later became General Secretary of English PEN. Gilly was a pro and lined up well-qualified writers as judges. The nominations came in from PEN Centers around the world and the winner was often celebrated at PEN’s Congress. One of the first winners for 2002-2003 was a young Nigerian writer Chimamanda Adichie, who won for her short story “One Half of the Yellow Sun,” submitted by her local PEN Center USA West. The story went on to become the celebrated novel by the same name, and she went on to win wide international acclaim for that and other books. The PEN David T. Wong Prize was one of the first international recognition of her as a writer. The judges for 2003 were William Trevor, Michele Roberts and J.M. Coetzee who won the Nobel Prize for Literature later that year. The 2001 prize had been won by Rachel Seifert, who went on to have her first novel short-listed for Booker Prize.
PEN International’s Writers in Prison Committee, the PEN Emergency Fund and Oxfam Novib each year do give the Oxfam Novib/PEN International Free Expression Award to writers who work for freedom of expression in the face of persecution. The award is given to writers and journalists committed to free speech despite the danger to their own lives.
Many other literary awards and literary festivals are hosted by PEN’s centers around the world. I had the pleasure of visiting a number of those, including in Croatia and in Turkey, hosted by the PEN centers.
There are many aspects of PEN’s work I’ve touched on but not explored fully such as the formation of a PEN center, which technically can occur when 20 reputable writers get together and petition the International office. There is a limit of five centers per country; most countries have fewer, and many countries have only one center. The rationale for additional centers has been to reflect linguistic diversity in a country. For instance, Switzerland has French, German, Italian, and Esperanto centers, or to facilitate participation when the land mass is large. The U.S. used to have two centers, one based in New York and one in Los Angeles, but in the past years, the two centers have merged into one PEN America. In Canada where there is both large land mass and diverse languages PEN has two centers—PEN Canada based in Toronto essentially uses English as the primary language and Quebecois PEN uses French. In some countries there are many, many languages as in India, which also has a large landscape and has the All-India Center in Bombay and the PEN Delhi Center. The rationale depends largely on the ambition and needs of the writers on the ground. Often a center will form branches within a country to provide the services and community for writers.
One document I did not include in an earlier post was the rationale from PEN International Vice President and Nobel Laureate Nadine Gordimer regarding the formation and naming of centers as related to a petition from writers in South Africa to form an Afrikaans Center. I’ve copied it here because it was from one of PEN’s eminent and active members and because it articulated ongoing questions in PEN. Gordimer’s argument did not prevail at the Berlin Congress in 2006 where an Afrikaans Center, not a Pretoria Center, was voted in though the center is based in Pretoria. The reasoning nonetheless is worth considering. The dynamics are ongoing in a number of countries and will likely continue as new centers are added or removed when they grow inactive.
Nadine Gordimer: “Let me make it clear. My objection to the formation of an Afrikaans language PEN club has no significance whatever of any kind of prejudice against my brother and sister South Africans, who are Afrikaans speakers and writers just as I am an English-speaking writer. We have eleven languages in our country. I should have exactly the same objection to the formation of an isiZulu or isiXhosa Club. We cannot have separate-but-equal (shades of apartheid) Clubs for every language, even though most of which have the strong linguistic claim of ante-dating colonially imported English and colonially created Afrikaans. I support a vigorous and linguistically open South African PEN Club, to have local representation in each region, with membership actively pursued among writers in whatever South African languages are theirs. Only such a chapter could have the strength to fulfil our needs…Historic-culturally determined circumstances give us both the necessity to overcome them and the fine opportunity to make full use of them, for our writers and our poly-literature.”
PEN is a breathing, living organization whose main body has been working around the world for a century with new members and centers joining every year as other centers at times have fallen dormant or closed. It is a fellowship of writers, of citizens in civil society holding watch over freedom of expression, linguistic diversity, over literature, and over the imagination and art by which societies flourish. Particular issues and threats change according to the times. PEN declares itself an apolitical organization, yet it is an organization whose central principle and commitment to freedom of expression sets it in the fray of politics since an early warning of a society descending into authoritarianism is the arrest of its writers and the closing down of space for free expression.
Changes in PEN leadership internationally and in centers effect the organization, but the Charter holds the whole body together. The leadership of PEN International used to reside in the President, the International Secretary and the Treasurer as the Executive, which represented the Centers’ Assembly of Delegates between two annual Congresses. The narrative of this PEN Journey has shown the change in the organization and its governance as it has grown and the world in which it operated has altered. PEN International has more than doubled in size over the last three decades to 155 centers in more than 100 countries. It now holds only one Congress a year, and the leadership is a partnership among the President, the International Secretary, the Treasurer, and an elected 7-member Board representing the Centers. Work is facilitated by an Executive Director, a position first hired in 2005, who heads the staff. Depending on the skills and experience and personality of each, the dynamic changes. In my term, I tended to be hands-on as an International Secretary. The President Jiří Gruša with whom I served was engaged as the Director of a Diplomatic Academy and had not been very active in PEN before he took the role of President. I would check in with Jiří before each monthly board meeting, explain the agenda as I saw it, ask if he wanted to add or change any items and if he wanted to attend. Jiří, a former prisoner of conscience, had lived the principles of PEN, understood them and with experience, knowledge and wit was an authentic voice on the international stage. But the day-to-day decision-making and running of the organization he largely left to me and then with the first Executive Director, the Board and the staff.
Jiří’s successor John Ralston Saul, former President of PEN Canada, had been a long time PEN member, active in the organization with experience in governing. He took on a much more active role as President, working with International Secretary Eugene Schoulgin (Norwegian PEN) and then International Secretary Hori Takeaki (Japan PEN). John traveled the globe visiting PEN centers and government officials and taking on the issues of his period. After John, PEN elected its first woman President Jennifer Clement, former President of PEN Mexico, who took on the work, along with a special focus on the issues of women globally. She spearheaded, along with PEN’s Women Writers Committee, a Women’s Manifesto and later an Imagination Manifesto and will serve until the end of the Centenary Congress in England in 2021. Kätlin Kaldmaa (Estonian PEN) has served as International Secretary during this time along with longtime PEN member Carles Torner as Executive Director.
Unfortunately over the years as PEN’s website has been upgraded, the content has not always been exported so many of the documents and speeches and records have not followed into the digital universe. The narrative is carried in paper files which overflow in my basement and even more in PEN’s and in the memories of PEN members. My own PEN Journey has been an effort to record some of the history and offer a continuity of narrative during a particular period, through the eyes of one PEN member who has had the privilege and pleasure of standing up close for part of that history. I’ve tried to render the direction and actions. The flaws, the missteps of people, including myself, I’ve also witnessed but have largely left to the side in this narrative. My purpose has not been to be a critic nor a hagiographer, nor a novelist, but a reporter, recording the actions and the journey with a touch of personal memoir.
I will leave this journey by quoting from PEN’s Democracy of the Imagination Manifesto, unanimously passed at the 85th PEN World Congress in Manila, Philippines, October 2019:
The opening of the PEN International Charter states that literature knows no frontiers. This speaks to both real and, no less importantly, those imagined.
PEN stands against notions of national and cultural purity that seek to stop people from listening, reading and learning from each other. One of the most treacherous forms of censorship is self-censorship —where walls are built around the imagination and often raised from fear of attack.
PEN believes the imagination allows writers and readers to transcend their own place in the world to include the ideas of others. This place for some writers has been prison where the imagination has meant interior freedom and, often, survival.
The imagination is the territory of all discovery as ideas come into being as one creates them. It is often in the confluence of contradiction, found in metaphor and simile, where the most profound human experiences reside.
For almost 100 years PEN has stood for freedom of expression. PEN also stands for, and believes in, the freedom of the empathetic imagination while recognizing that many have not been the ones to tell their own stories.
PEN INTERNATIONAL UPHOLDS THE FOLLOWING PRINCIPLES:
- We defend the imagination and believe it to be as free as dreams.
- We recognize and seek to counter the limits faced by so many in telling their own stories.
- We believe the imagination accesses all human experience, and reject restrictions of time, place, or origin.
- We know attempts to control the imagination may lead to xenophobia, hatred and division.
- Literature crosses all real and imagined frontiers and is always in the realm of the universal.
Next and final installment of PEN Journey: Introduction—the Curtain Rises
Links below are to blog posts mentioning PEN after 2007. I was not writing official reports of Congresses or WiPC conferences or other events, but reflecting on PEN’s work, cases and the impact of ideas in my own monthly posts, some of which I used in writing this PEN Journey:
The Journey of Liu Xiaobo: From Dark Horse to Nobel Laureate
March 31, 2020
Arc of History Bending Toward Justice?
March 20, 2019
Gathering in Istanbul for Freedom of Expression
May 23, 2018
Women’s Voices Rising (Women’s Manifesto)
February 28, 2018
Liu Xiaobo: On the Front Line of Ideas
December 7, 2017
Reclaiming Truth In Times Of Propaganda (83rd PEN Congress in Lviv, Ukraine)
September 28, 2017
“Finding Room for Common Ground: No Enemies, No Hatred”
September 8, 2017
In Turkey, a show of solidarity with writers behind bars (PEN Turkey Mission)
February 3, 2017
Power on Loan
January 23, 2017
Hope for Songs Not Prison in 2017
December 27, 2016
Building Literary Bridges: Past and Present (82nd PEN Congress in Ourense, Spain)
October 3, 2016
Call for Help inside Iran’s Evin Prison
May 23, 2016
Spring and Release
March 18, 2016
View on the Bosporus: Rights in Retreat
January 29, 2016
Democracy in Africa: Who Can Chat with Kabila?
November 30, 2015
Life instead of Death…Rationality instead of Ignorance (81st PEN Congress in Quebec, Canada)
October 23, 2015
What Are You Not Reading This Summer? (WiPC Conference in Amsterdam)
June 11, 2015
Times and Tides
November 14, 2014
PEN on the Plains of Central Asia (80th PEN Congress in Bishkek, Kyrgyzstan)
October 7, 2014
Poets, Pardons and Ramadan
August 2, 2014
Women’s Progress: The Power of a Bridge…and a Double Yellow Line
March 12, 2014
Qatar: A Poet in a Desert Cell
November 1, 2013
The Last Colony?
October 15, 2013
Parallel Universe in a Glassed Concert Hall in Iceland (79th PEN Congress in Reykjavik, Iceland)
September 16, 2013
Living In and Beyond History (WiPC Conference in Krakow, Poland)
May 20, 2013
Two Voices Behind the Iron Doors
April 8, 2013
North Korean Writers in a Land of the Rising Sun (78th PEN Congress in Gyeongju, South Korea)
September 15, 2012
facebook or not?
June 28, 2012
Voices Around the World
January 30, 2012
Bridge Over the Bosporus: Citizenship on the Rise (77th PEN Congress, Belgrade, Serbia mentioned)
September 28, 2011
Tourist in Beijing: A Dance with the Censor
July 29, 2011
Ice Flows: Freedom of Expression
January 29, 2011
In the Woods: On History’s Doorstep
December 22, 2010
Full Moon Over Tokyo (76th PEN Congress in Tokyo, Japan)
September 30, 2010
Introducing Isabel Allende
May 21, 2010
“Because Writers Speak Their Minds”–2
March 31, 2010
“Because Writers Speak Their Minds”
February 24, 2010
Haitian Farewell
January 18, 2010
Yellow Geranium in a Tin Can
October 27, 2009
China at 60–Fate of Liu Xiaobo?
September 30, 2009
A Time of Hopening (WiPC Conference in Oslo, Norway)
June 24, 2009
“There Will Still Be Light” *
April 30, 2009
The Intensifying Battle Over Internet Freedom
February 24, 2009
Charter 08: Decade of the Citizen
December 30, 2008
China from the 22nd Floor (Hong Kong Conference)
May 28, 2008
OLYMPIC RELAY– A POEM ON THE MOVE
April 21, 2008
Words That Matter
March 4, 2008
PEN Journey 30: Barcelona: A Surprise
PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
I was having lunch with my husband at a Georgetown restaurant in Washington, DC on a Saturday in May, 2004. I was due to fly out the next day for Barcelona to attend International PEN Writers in Prison Committee’s 5th biennial conference, part of a larger Cultural Forum Barcelona 2004. My husband and I were talking about our sons—the oldest was getting a PhD in mathematics and was also training for the 2004 Olympics as a wrestler, hoping to make the British team. (He had dual citizenship.) The younger, recently graduated with an advanced degree in International Relations, had just deployed to Iraq as a Marine 2nd Lieutenant and was heading into a region where the war was over but the insurgency had begun. It was an intense time for our family, yet as parents there was not much we could do except to be there, cheering for our oldest at his competitions and writing letters and sending packages and prayers for our youngest. It was a time when as parents we realized our children had grown beyond us and were taking the world on their own terms.
I was planning to be away for the week in Barcelona where PEN members from around the world were gathering for the Writers in Prison Committee (WiPC) and Exile Network meetings. Carles Torner, PEN International board member, chair of PEN’s Translation and Linguistic Rights Committee and former President of Catalan PEN, had helped arrange International PEN’s participation and funding as part of the Universal Forum of Cultures—Barcelona 2004. This would be the largest WiPC conference to date with delegates from every continent and multiple speakers and side events.
Carles, a poet, fluent in PEN’s three official languages English, French and Spanish, was one of the highly respected, organized and talented PEN members. He’d also been involved in the years’ long reformation of PEN International. As members looked to who could be a strong replacement for the current International Secretary when Terry Carlbom’s term ended in a few months, there was widespread enthusiasm for Carles to stand for the office. I was among the enthusiasts.
My phone rang at that Saturday lunch. International PEN Board member Eric Lax, already in Barcelona for meetings, said he had news and a question; he told me he was calling on behalf of others as well. The news: the Catalan government had also recognized Carles’ talents and had offered him a position as Director of Literature and Humanities Division at Institut Ramon Llull to promote Catalan literature abroad. A father of three, Carles had accepted this paid position which meant he couldn’t stand for PEN International Secretary, an unpaid position. He wouldn’t have the time for both, and there would be conflicts of interest.
Eric asked if I would allow myself to be nominated. A number of members and centers, including the two American centers, were asking, he said. PEN’s Congress where the election would take place was only a few months away in September and nominations were due soon. I was flattered but said no for a number of reasons. Eric asked that I not answer yet, just come to Barcelona, talk with people and let them talk with me.
The International Secretary who worked with the Board and President to run International PEN was not a position I aspired to, but I agreed to come to Barcelona with an open mind. I’d worked with PEN in various roles, including as Chair of the Writers in Prison Committee, for over 20 years. I’d been both inside and outside the reform process that was going on. I understood, at least in part, what PEN was aiming towards and what it would take for this sprawling organization to operate competitively among nongovernmental organizations in the 21st century. I’d sat on boards of several global nonprofit organizations, including Human Rights Watch, Save the Children and the International Crisis Group.
In Barcelona delegates from a number of PEN centers urged me to stand for the office. I asked whether they thought this was the time for an American to take on this leadership role given the controversy over US engagements. “We don’t think of you as American,” some said, perhaps because I’d also lived in Europe for six years during my work with PEN.
I kept my own personal life quiet as I always did, but I did share with Carles, who was urging me to stand, that I had a son in the Marines in Iraq and was committed to him. I didn’t want to get involved in political controversies over the war. “Your focus has always been on freedom of expression,” Carles reminded me. PEN was not an anti-war organization; its focus was on protecting freedom of expression for writers to agree or disagree on issues, not to take political positions unless relating to abuses of human rights.
Mike Roberts, PEN American Center’s Executive Director, was among those encouraging me to stand for the office. He said American PEN would support me however they could with help and advice. We both understood that the organizational models of many American nonprofit organizations could benefit PEN, including the need to have a paid executive director. There was much to be said for the culture of the volunteer which PEN operated in, but given how complex and widespread PEN’s work had grown, it was going to be more and more difficult to compete for funding if there was not a paid professional executive director in the international office in addition to the talented administrative staff and Board of PEN. Certain funders were already telling us as much. Case in point was that Carles, an experienced literary organizer with a family to support, simply could not afford to take on such a demanding position gratis. Eugene Schoulgin, chair of the Writers in Prison Committee, also encouraged me. I left Barcelona thinking deeply about standing for this position which would require significant time and travel.
That question absorbs many of my personal memories about the Barcelona conference. I remember the impressive venue and the conversations with friends and colleagues and the many presentations, including by Anna Politkovskaya and an opening talk by Salman Rushdie, the new President of American PEN who called for the US government to open a wider dialogue with the world.
Fortunately, I have papers from the 2004 Writers in Prison Committee meetings. We met over five days and also joined public discussions on literature and memory and the responsibility of writers during times of war. The WiPC continued its focus on issues of impunity and the effect of anti-terror legislation on free expression as documented in PEN International’s two reports issued the previous year.
Joan Smith of English PEN reported that anti-terror legislation was having an impact with democratic countries reacting out of fear to the events of September 11 and either tightening existing legislation or implementing new legislation. Countries such as Cuba were taking advantage for as attention deflected from them, they were cracking down on more dissidents. Countries such as Uzbekistan and other Central Asian countries were using the war against terrorism to win support from the US and western Europe.
Müge Sökmen of Turkish PEN spoke of the danger of silencing dissident voices, a move that would lead to an increase in state terrorism. Since the 9/11 attacks in the US there had been a 20% increase in the number of imprisoned writers. The lifting of Article 8 of the Turkish Anti-Terror Law was welcomed but was in the context of Turkey’s bid for acceptance into the European Union.
Ragip Zarakolu, a Turkish publisher, and Martxelo Otamendi, director of a Basque newspaper, reported to the meeting on their experiences of repression and imprisonment under the anti-terror laws.
Nigerian writer and journalist Kunle Ajibade, who had been sentenced to life imprisonment in 1995 for “conspiring to overthrow the government,” had been freed in 1998 in part because of PEN’s work. But he told the group, “Many of us have been asking, is this what we went to jail for? What has all our struggle come to? A mere clearing of the path for another set of murderers and looters? Right now, a cloud of despair hangs over us.”
Ali Lmrabet, Moroccan journalist, who had been sentenced to three years for insulting the King, also spoke. However, Cheikh Kone, a journalist from the Ivory Coast who’d fled to Australia, had been denied a visa to Spain and so an empty chair was placed at the speaker’s table. Kone had been detained since 2001 in a refugee camp in Australia and was finally released in July 2003 after PEN’s campaign, but the Australian government had invoiced him for $89,000 for the cost of his detention.
Aaron Berhane, an Eritrean journalist who fled to Canada in 2002 reported his situation and the help International PEN’s WiPC and Canadian PEN had given through the Writers in Exile Network. The Network, started in 1994, was currently chaired by PEN Canada and included PEN centers in Austria, Switzerland, Sweden, Norway, England, USA West, and Germany and had helped exiles from Cuba, Sierra Leone and other countries.
A panel with representatives from OSCE, UNESCO, the UN Human Rights Commission, the International Publishers Association (IPA), and the International Freedom of Expression Exchange (IFEX) gathered with PEN to explore cooperation and joint work around issues of freedom of the media, including campaigns on individual cases and pressure on countries to change their laws to conform to democratic standards.
Ambeyi Ligabo, Rapporteur on Freedom of Expression in the office of the UN Commissioner on Human Rights said he believed the two new threats to freedom and liberty were terrorism and anti-terrorism legislation. He was concerned that countries such as Denmark which professed to be a beacon of democracy were actually denying liberties to their citizens. He was concerned that legislation introduced in some African countries had undermined the progress human rights campaigners had achieved, and he urged collaborative efforts in fighting new threats to free expression.
The WiPC Steering Committee, which consisted of representatives from ten PEN centers, presented its report with suggestions for WiPC headquarters and for the PEN centers on how to expand PEN’s work, its outreach, its funding and its cooperation. A three-year plan was adopted.
The final work of the WIPC conference was an agreement on a campaign calendar for 2004-2005 with an over-arching theme on the issue of Freedom of Expression and Anti-Terrorism.
In accepting PEN’s WiPC statement on freedom of expression from the conference whose theme was “The Value of the Word,” Catalonia’s Minister of Culture declared: “The word is an inspiration for the imagination, a means for peace and a vehicle for freedom. Literature and the word must always be above conflict. PEN has been in the forefront in the fight to secure the value of the word. The value of the word is a guarantee for a better world and more necessary than ever.”
It was agreed the next WiPC Conference would be held in Istanbul in 2006, hosted by Turkish PEN.
Before I left Barcelona, I went to visit the Gaudi Cathedral (La Sagrada Familia) which I’d first seen at PEN’s 1992 Barcelona Congress where I’d been so impressed by its majesty and complexity, I wanted to return. Architect Antoni Gaudi had originally planned a cathedral with 18 Gothic spires, but he got hit and killed by a trolley before his elaborate design was realized. Over 100 years later, the cathedral was still unfinished. Gaudi had applied for a construction permit in 1885 but no one ever answered. (It took the city 137 years before a building permit was finally issued in 2019, along with a $5.2 million fee.)
Gaudi defined architecture as the “ordering of light” so that the sun shined differently on the cathedral stones at each moment of the day, producing the myriad effects of light. In the intervening years others had worked to complete Gaudi’s design, but the cathedral remained unfinished. It was nonetheless a magnificent architectural achievement, a harmony or even disharmony of hundreds/thousands of artisans over the century who created this living work of art. I stood in an open space and stared up at the sky.
Next Installment: PEN Journey 31: Tromsø, Norway: Northern Lights
PEN Journey 27: San Miguel de Allende and Other Destinations—PEN’s Work Between Congresses
PEN International celebrates its Centenary in 2021. I’ve been active in PEN for more than 30 years in various positions and now as an International Vice President Emeritus. With memories stirring and file drawers of documents and correspondence bulging, I am a bit of a walking archive and have been asked by PEN International to write down memories. I hope this personal PEN journey will be of interest.
Over the years I’ve used various metaphors to describe PEN International—a giant wheel with 140+ spokes that reach out into the corners of the globe. A vast orchestra with the string, woodwind, brass and percussion sections scattered across the map, directed by local conductors and the Secretariat in London.
PEN’s core is an idea, codified in its Charter, acted upon by writers around the world organized into PEN centers. These writers and centers gather intensity as they work together.
Writers in a country or region or language are empowered to work as a center of PEN by the whole body of centers—the Assembly of Delegates—which vote on a center’s membership at PEN’s annual Congresses. During the months in between, PEN centers act both individually and collectively—celebrating and presenting literature in the many cultures and languages, mobilizing on issues of freedom of expression, acting to preserve and celebrate languages and translation, in particular minority languages, discussing and debating issues of peace, addressing the situation of women writers, and assisting and protecting writers who find themselves in exile. All of this activity between the annual Congresses occurs in the PEN centers and in the work of PEN International’s standing committees and at regional conferences which convene during the year.
I take a moment here to set out this template because in the PEN Journeys I’ve been focusing in large part on PEN’s annual Congresses. Yet the heart and soul of the organization resides in its centers and the individual members, most of whom never attend a PEN International Congress.
Some centers host the meetings of PEN’s standing committees. Slovene PEN has long hosted the annual Peace Committee meeting in Bled, Slovenia (PEN Journey 14). Until recently Macedonian and Catalan PEN have alternated hosting the Translation and Linguistic Rights Committee’s annual meetings either in Ohrid or Barcelona. The Women’s Committee set a new paradigm when it formed in 1991 by rotating its chair to different regions of the world and hosting its meetings there though recently because of costs, the Women’s Committee has held its meetings along with other committees, usually with the Peace Committee in Bled. As I’ve written in earlier posts (Journey 17 and 23) the Writers in Prison Committee began holding a biennial meeting in 1996, hosted by different PEN Centers. In recent years to share costs, the Writers in Prison Committee (WIPC) has teamed up with ICORN (International Cities of Refuge Network) to hold its biennial meeting in different countries. The recent 2018 WIPC meeting was held aboard a docked cruise ship in the Rotterdam Harbor.
In November 2002 the fourth WIPC meeting gathered in San Miguel de Allende, hosted by the PEN Center there in the charming old colonial town 170 miles from Mexico City where the 2003 PEN Congress would convene the following year. Forty-three PEN members from 25 centers from six continents gathered at the Bellas Artes center for a three-day conference followed by a meeting of the PEN Americas Regional Conference with the Latin American PEN Centers.
At the Bellas Artes center, originally the cloister of a convent, and in the Teatro del Artes PEN members met in workshops to review sources and methods as related to the threats of terrorism and anti-terror laws to freedom of expression, to review campaign techniques, PEN’s work at the United Nations, missions, regional networks, exile and asylum issues, borderline cases and finally strategies for the future. PEN’s WIPC set out to research a report in consultation with other organizations on the effect of anti-terrorism measures worldwide on freedom of expression, a report that would be presented at the 2003 PEN Congress.
In San Miguel PEN’s WIPC launched a report and a campaign “Freedom of Expression and Impunity Campaign” with an epigraph from Helen Mack, sister of anthropologist Myrna Mack, who was murdered in 1990 on orders carried out by the Guatemalan military. Helen Mack wrote:
Through my experience as co-plaintiff in the on-going trial to resolve the murder of my sister, Myrna Mack, I have seen impunity up close, along every step of this tortuous path in search of justice. I have felt it when essential information has been denied that would determine individual criminal responsibility; when judges and witnesses have been threatened; when the lawyers for the accused military officials use the same constitutional guarantees of due process in order to obstruct judicial procedures; and when my family, my lawyers, my colleagues and I have been threatened or been victims of campaigns to discredit us. In every action that is oriented toward generating impunity, one can clearly see the hand of agents of the State who use the same judicial and security institutions to pervert, once again, the goal of reparation through judicial means as well as the right to the truth and to justice.
The Impunity report focused on Colombia, Iran, Mexico, Philippines, and Russia but PEN’s ongoing campaign targeted the issue wherever it occurred in the world.
Addressing the 2002 WIPC Conference and the Latin American Network was Brigadier General José Gallardo Rodriguez. At the Macedonian Congress earlier in the year PEN International President Homero Aridjis had reported on General Gallardo’s release. “Last February, I was invited to testify on behalf of PEN on General José Francisco Gallardo’s case, as one of three witnesses scheduled to appear before the Inter-American Court on Human Rights at a hearing in Costa Rica,” Homero said. “A few days before the hearing at which the Mexican Government was ordered to appear, he [Gallardo] was unexpectedly pardoned and released from jail, nine years after his arrest and imprisonment following the publication in the magazine Forum of an excerpt of his masters’ thesis about the need for a military ombudsman in Mexico. General Gallardo’s release was an important victory for freedom of speech and a significant advance of justice in Mexico. PEN Centers worldwide who defended Gallardo’s cause for eight years now celebrate the liberation of a Mexican Dreyfus.”
General Gallardo thanked International PEN for its invaluable support for having campaigned on his behalf, and he assured that he would continue to press for the creation of a military ombudsman.
The Special Rapporteur on Freedom of Expression for the Organization of American States also participated on a panel on Corruption and the Writer, focusing on the problem of impunity, its link to corruption, its effect on free speech and the role of the writer in combating these problems.
Noting the increasing workload of the WIPC and the fact that the staff and budget had not grown at the same rate, several members suggested a Steering Committee of five individuals/centers be formed to assist the WIPC headquarters and work directly with committee chair Eugene Schoulgin and the WiPC staff led by Sara Whyatt. This group would formulate a strategy for the next three years, help define priorities and address the resources needed to achieve the goals. The proposal was accepted, and Isobel Harry (Canadian PEN), Archana Singh Karki (Nepal PEN), Jens Lohmann (Danish PEN), Lucy Popescu (English PEN) and Larry Siems (American PEN) formed the Planning Group. Their goal was to produce with the staff a plan that would be vetted by all WiPC members and approved at the Mexico Congress.
At the same time PEN International as a whole was undergoing a major strategic planning process. As the century turned, PEN International was in the midst of restructuring itself both to develop a more democratic governance system and also to address its rapid growth and funding challenges. In this process American PEN was an important actor, along with the Scandinavian and Japanese centers. American PEN, located in New York, was the largest of PEN’s centers and contributed more dues than any other center, but it had not hosted an International Congress since 1986 and did not host any of the international conferences or committee meetings. It had launched a World Voices Festival after 9/11 to bring international writers to the U.S. but this was an American PEN, not an International PEN, activity. However, with the assistance of two former American PEN presidents—Edmund (Mike) Keeley and Michael Scammell and American PEN Executive Director Michael Roberts and former PEN USA West President and International PEN Board member Eric Lax, the American contingent stepped up to raise funds from American foundations, including the Mellon Foundation and the Rockefeller Foundation to assist International PEN in a major strategic planning initiative. This consisted of several preliminary conferences in London and a final gathering at the Rockefeller estate in Bellagio, Italy.
The Americans, particularly Mike Roberts, PEN America’s Executive Director, understood that American PEN was only as strong as the whole body of PEN which at the moment had a very small hub or Secretariat for a very large wheel of 140 spokes. The core needed strengthening both structurally and financially. International Secretary Terry Carlbom, International PEN President Homero Aridjis, Deputy Vice Chair of the Board Carles Torner and the whole Board of PEN International, along with members of the board of the PEN International Foundation, Standing Committee Chairs, and several Vice Presidents agreed and committed to the strategic planning process.
During the last decades PEN had depended on funds from its centers and from UNESCO and from SIDA, the Swedish Development Association and a few other funders, but the world was changing and with it the sources of funding. U.N. organizations like UNESCO were under siege. Government funding for European and East European cultural organizations was evaporating; the same was true for other PEN centers. The challenge for PEN was structural and financial. No one knew what the 21st century would bring, but most everyone understood it would not be the same.
Next Installment: PEN Journey 28: Bellagio: Looking Forward—PEN for the 21st Century
PEN Journey 1: Engagement
PEN International celebrates its Centenary in 2021. As Vice President Emeritus of PEN International and former International Secretary, former Chair of PEN International’s Writers in Prison Committee, former President of PEN Center USA West, board member and Vice President of PEN America and the PEN/Faulkner Foundation, I have been active in PEN for more than 30 years. With memories stirring and file drawers bulging with documents, I am a bit of a walking archive and have been asked by PEN International to write down some of the memories. I will try in digestible portions to recount moments, though I’m not certain how easily I can contain all these. I hope this personal PEN journey might be of some interest.
February 13, 1989: I was President of PEN Center USA West and on an airplane when I read that Salman Rushdie’s novel Satanic Verses was being burned in Birmingham. The next day a fatwa was issued on Rushdie. What was a fatwa, we all asked at the time, as we, along with PEN Centers around the world, mobilized to protest that a head of state was ordering the murder of a writer wherever he was in the world.
November 10, 1995: As Chair of PEN International’s Writers in Prison Committee, I was standing vigil with others outside the Nigerian Embassy in Washington, D.C. when word spread that novelist and activist Ken Saro Wiwa had been hanged that morning in Port Harcourt, Nigeria.
October 7, 2006: My phone rang at 7:30 on Saturday morning. I was International Secretary of PEN International, and the International Writers in Prison Program Director was calling to tell me that Anna Politkovskaya had just been shot and killed in Moscow. We all knew Anna—I’d last had coffee with her at an airport in Macedonia. We worked with her on the situation of writers in Russia and Chechnya and had enormous respect for her knowledge and courage.
January 19, 2007: We were about to begin a PEN International board meeting in Vienna when a call came from Istanbul. Hrant Dink had just been shot and killed outside his newspaper office in Istanbul. Dink was an editor of an Armenian paper and a writer whom members of PEN knew well and worked with on freedom of expression issues in Turkey.
Most writers long active in PEN’s freedom-to-write work can tell you where they were when the news broke on each of these cases. They can tell you because the lives of these writers and many others have been critical in the struggle for freedom of expression around the world.
In sharing memories of PEN, I begin with the writers and with the many friends around the globe who work on behalf of writers who don’t have the freedom to write without threat, imprisonment or death. As colleagues, we are bound together by the belief that truthful writing matters, be it journalism, fiction, poetry, drama, essays because stories and witnessing and creative imagination connect, inspire and shape us. Free expression is fundamental to a free society and is worth defending and expanding.
My own thirty plus years working with PEN began at a dinner meeting in Los Angeles in the early 1980’s. I was a young writer, new mother, former journalist who’d recently moved across the country from New York City where I taught writing at university and had friends and colleagues. I landed in the land of sun and Hollywood, and though I had a new college teaching job, I knew few people and even fewer writers. Like many who first seek out PEN, I came for the community.
My second meeting was at someone’s home where a presentation was made about writers in different parts of the world who were in prison because of their writing. I was introduced to PEN’s Writers in Prison Committee. At that meeting, we wrote postcards urging the Chinese government to release Wei Jingsheng, a writer who was imprisoned for “counterrevolutionary” activities, particularly for his essay “The Fifth Modernization” which he’d posted on the Democracy Wall in Beijing in 1978. His manifesto argued that as China was modernizing with four principles of modernization, it needed to include a fifth modernization–Democracy.
As I learned about Wei Jingsheng and the other writers on whose behalf PEN worked, I became more active in the PEN Center on the West Coast of America called PEN Los Angeles Center. I was elected President in 1988. Shortly after the election, I attended my second PEN International Congress in Seoul, South Korea right before the Olympics there. (The first Congress I attended was in 1986 in New York City, where our Center’s members were registered with the foreign delegates. I was active at that New York Congress in the Women’s revolution and the statement that came from the Congress.)
I arrived in Seoul late summer,1988 with our Center’s support for resolutions including one calling for the release of Wei Jingsheng and other writers in China, another resolution addressing writers in prison in South Korea, including our honorary member, publisher Lee Tae-Bok, and a resolution to change the name of PEN Los Angeles Center to PEN Center USA West. The name change had been passed by our center’s previous board but needed approval of the international Assembly of Delegates. It reflected our wider membership in the western part of the United States.
As president of PEN Los Angeles Center, I arrived as a young writer with a small delegation from Southern California, which included the former book editor of The Los Angeles Times and an English professor from UCLA. American PEN, based in New York, the largest of PEN’s more than 60 worldwide centers at the time was headed by Susan Sontag, president. American PEN didn’t want us to change our name and opposed our resolution on the floor of the Congress. While our two centers agreed on the other substantive issues of the Congress, including the problematic situation for writers in South Korea, and though we shared meals, the American PEN delegation, and Susan Sontag in particular, tried to get us to withdraw our name change, including a midnight call to me from Susan. The name change would be confusing, she said, and would take from the national scope of American PEN’s work. In that midnight call I listened to the arguments, then shared our thinking, which included the observation that our membership already came from many states west of the Mississippi, that in a country the size of the United States, PEN allowed more than one center, and for writers 3000 miles from New York, there was value in having more than one center of gravity. In the morning I presented American PEN’s arguments to my delegation, and we decided to go ahead and let our resolution go to the floor of the Assembly.
The representative from East Berlin noted: It would seem the East and West of America get along worse than the East and West of Germany. PEN Los Angeles Center’s resolution for a name change won by a wide margin, and we left the Congress as PEN Center USA West, which years later became PEN USA. I no longer live in Los Angeles but note that only in the past year –2018—did the members of the West Coast PEN decided to merge with PEN America in New York so there is now only one center of PEN in the US.
Most memorable and significant from the Seoul Congress was our delegation’s visit with the family of Lee Tae-Bok, our honorary member. “The house of Lee Tae-Bok’s parents is neat and spare, bedrooms with tatami mats on the floor, a living room with a sofa, a chair, a fish tank. There is no excess in the house, one senses out of choice. But there is an absence, not out of choice, for Lee Tae-Bok has been away in prison seven years. His mother worries that she will not see her oldest son out of prison before she dies,” I wrote in our Center’s newsletter. The family said that Lee Tae-Bok was in poor health and held in a cell four by five square meters, allowed out in the fresh air for only twenty minutes a day and wasn’t allowed to write except one letter a month to his family. His mother lamented the “hypocrisy” of the Korean government which had sentenced her son to life in prison because they said he published communist propaganda and yet they were greeting writers and “honored guests” at PEN’s Congress from Communist countries as well as inviting Eastern bloc athletes to Korea for the Olympic Games.
In addition to our family visit, PEN Congress delegates petitioned the South Korean government on behalf of those in prison. A delegation from PEN International visited two of the writers in prison.
A few weeks after the Congress, notification reached us that Lee Tae-Bok had been released, though not everyone PEN spoke up for was released. I still remember where I was—I was in New York—when I heard the news, and I remember the elation. Many people worked on Lee Tae-Bok’s behalf so we couldn’t and didn’t take the credit, but we could feel some part of our actions, some push at the prison door helped spring it open. Release is not always the outcome for PEN’s work, but often it is. It is one of the goals. Over all my years in PEN, the release of a writer from prison still evokes a burst of hope and a measure of faith.
[Next installments: the watershed year 1988-1989 as the first global fatwa is issued against a writer, and writers and students in Tiananmen Square square off against China.]
Next Installment: PEN Journey 2: The Fatwa
Liu Xiaobo: On the Front Line of Ideas
Nobel Laureate Liu Xiaobo died this past July in prison, where he was serving an 11-year sentence for his role in drafting Charter ’08 calling for democratic reform in China. Below is my essay in The Memorial Collection for Dr. Liu Xiaobo, just published by the Institute for China’s Democratic Transition and Democratic China.
I never met Liu Xiaobo, but his words and life touch and inspire me. His ideas live beyond his physical body though I am among the many who wish he survived to help develop and lead democratic reform in China, a nation and people he was devoted to.
Liu’s Final Statement: I Have No Enemies delivered December 23, 2009 to the judge sentencing him stands beside important texts which inspire and help frame society as Martin Luther King’s Letter from a Birmingham Jail did in my country. King addressed fellow clergymen and also his prosecutors, judges and the citizens of America in its struggle to realize a more perfect democracy.
I hesitate to project too much onto Liu Xiaobo, this man I never met, but as a writer and an activist through PEN on behalf of writers whose words set the powers of state against them, I can offer my own context and measurement.
Liu said June, 1989 was a turning point in his life as he returned to China to join the protests of the democracy movement. In June, 1989 I was President of PEN Center USA West. It was a tumultuous year in which the fatwa against Salman Rushdie was issued in February, and PEN, including our center, mobilized worldwide in protest.
In May, 1989 I was a delegate to the PEN Congress in Maastricht, Netherlands where PEN Center USA West presented to the Assembly of Delegates a resolution on behalf of imprisoned writers in China, including Wei Jingsheng, and called on the Chinese government to release them. The Chinese delegation, which represented the government’s perspective more than PEN’s, argued against the resolution. Poet Bei Dao, who was a guest of the Congress, stood and defended our resolution with Taipei PEN translating.
When the events of Tiananmen Square erupted a few weeks later, my first concern was whether Bei Dao was safe. It turns out he had not yet returned to China and never did. PEN Center USA West, along with PEN Centers around the world, began going through the names of Chinese writers taken into custody so we might intervene. I remember well reading through these names written in Chinese sent from PEN’s London headquarters and trying to sort them and get them translated. Liu Xiaobo, I am certain must have been among them, though I didn’t know him at the time.
In his Final Statement to the Court twenty years later, Liu told the consequence for him of being found guilty of “the crime of spreading and inciting counterrevolution” at the Tiananmen protest: “I found myself separate from my beloved lectern and no longer able to publish my writing or give public talks inside China. Merely for expressing different political views and for joining a peaceful democracy movement, a teacher lost his right to teach, a writer lost his right to publish, and a public intellectual could no longer speak openly. Whether we view this as my own fate or as the fate of a China after thirty years of ‘reform and opening,’ it is truly a sad fate.”
I finally did meet Wei Jingsheng after years of working on his case. He was released and came to the United States where we shared a meal together at the Old Ebbit Grill in Washington. I was hopeful I might someday also get to meet Liu Xiaobo, or if not meet him physically, at least get to hear more from him through his poetry and prose.
His words are now our only meeting place. His writing is robust and full of truth about the human spirit, individually and collectively as citizens form the body politic. I expect that both his poetry and the famed Charter 08, for which he was one of the primary drafters and which more than 2000 Chinese citizens endorsed, will resonate and grow in consequence.
Charter 08 set out a path to a more democratic China which I hope one day will be realized.
“The political reality, which is plain for anyone to see, is that China has many laws but no rule of law; it has a constitution but no constitutional government,” noted Charter 08. “The ruling elite continues to cling to its authoritarian power and fights off any move toward political change….
“Accordingly, and in a spirit of this duty as responsible and constructive citizens, we offer the following recommendations on national governance, citizens’ rights, and social development: a New Constitution…Separation of Powers…Legislative Democracy…an Independent Judiciary…Public Control of Public Servants…Guarantee of Human Rights…Election of Public Officials…Rural—Urban Equality…Freedom to Form Groups…Freedom to Assemble…Freedom of Expression…Freedom of Religion…Civic Education…Protection of Private Property…Financial and Tax Reform…Social Security…Protection of the Environment…a Federated Republic…Truth in Reconciliation.”
Charter 08 addresses the body politic. Liu Xiaobo’s Final Statement: I Have No Hatred addresses the individual, and for me resonates most profoundly. Its call doesn’t depend on others but on oneself for execution. He warned against hatred.
“Hatred only eats away at a person’s intelligence and conscience, and an enemy mentality can poison the spirit of an entire people (as the experience of our country during the Mao era clearly shows). It can lead to cruel and lethal internecine combat, can destroy tolerance and human feeling within a society, and can block the progress of a nation toward freedom and democracy. For these reasons I hope that I can rise above my personal fate and contribute to the progress of our country and to changes in our society. I hope that I can answer the regime’s enmity with utmost benevolence, and can use love to dissipate hate.”
At a recent conference a participant asked if Liu Xiaobo might have changed this statement if he understood how his life would end. A friend who knew him assured that he would not for he was committed to the idea. Liu Xiaobo’s commitment to No Enemies, No Hatred does not accede to the authoritarianism he opposed, but instead resists the negative. He aligns with benevolence and love as the power that nourishes the human spirit and ultimately allows it to flourish. Liu’s words and his ideas lived offer us all a beacon and a guide.